(Review by Russell).
The Tyne and Wear Metro is an excellent public transport
system…when it works. Due to technical issues on Sunday trains weren’t operating
between Newcastle and South
Shields. BSH’s Editor-in-Chief resides on sunny South
Tyneside, consequently his absence from the Jazz Co-op’s big day
proved unavoidable. Your reviewer stepped in at short notice in time to catch
the six o’clock set by the Customs House
Big Band. Ironically, the band’s spiritual home is the Customs House in South Shields – perhaps our Editor-in-Chief could have
blagged a lift on the band bus acting as a roadie!
Six o’clock, the
Jazz Co-op’s
Railway Street
premises full to capacity, Peter Morgan’s big band all but ready to go. Some
last minute tweaking to the PA, then the Customs House Big Band began a short
set – this was to be the pattern during the evening with so much to fit in –
with the band’s top class singer waiting in the wings.
Stolen Moments worked well with several soloists making a mark –
Bradley Johnston, guitar, Kevin Eland,
trumpet, Jim McBriarty, reeds, Chris Karberry, trombone, and the
ever-impressive Alan Marshall on alto. Up stepped
Ruth Lambert. You can’t go wrong, can you? As magnificent as
always, and
with the bonus of an excellent
PA system, Ms Lambert hit the heights singing a selection of top tunes;
Fever,
Moonlight in Vermont (with lush orchestration), and, said Lambert,
her favourite number –
I’ve Got the World
on a String. A top band with a slew of big hitters –
Mick Hill and Gordon Marshall (trumpets), Bradley Johnston in
Freddie Greene guise,
Dave Brock
sitting in the trombone section and the legendary
Barry Black behind the traps – in the short time allotted to the
band it made a big impression.
The big band’s
guitarist, Bradley Johnston, sat
where he was waiting for James Birkett
to join him on stage to play an all-too-short guitar duo set. Birkett and
Johnston got down to business – Jobim’s Wave,
Dr Birkett’s Blues for BJ rightly won
applause for BJ’s solo, Rollins’ Doxy and
the show-stopper Spain.
Much to your reviewer’s surprise the audience listened to the master musicians
at work. Surprised? Well, a day-long event with the bar doing big business…but,
listen they did. The applause spoke volumes.
La Milonga de Los Domingos.
Qué? Newcastle’s
Jazz Co-op embraces music other than jazz, and other art forms are offered a
platform. A short demonstration of Milonga (Argentina’s Tango) by an impeccably
turned-out couple (she in heels, he in Al Capone double breasted suit) danced
in a way that would see them arrested on the spot if they demonstrated their ‘art’
down the Bigg Market. The Milonga is available to all at the Globe. Why not
give it a try? Visit: www.jazz.coop.
As bands go the Vieux Carré Jazzmen probably play more
gigs than most. Two weekly residencies and a monthly session plus innumerable
club, pub and function appearances keep Brian
Bennett’s outfit more than busy, thank you. From the off the VCJ were in
the running for ‘Best Dressed’ band, wearing as they do, a natty line in
waistcoats. The band’s newest recruit, trumpeter Bob Wade, has given the band new impetus. The man looks the part (a
hint of Bix - Bob's pictured above) and plays a good Crescent
City trumpet with a swing
thing in his locker. To Wade’s left, the welcome figure of Brian Chester on the gig as trombonist, to Wade’s right, Jim McBriarty on clarinet. Bourbon St Parade, Runnin’ Wild with Fred
Thompson’s sweet vocals, McBriarty’s classy clarinet on Honeysuckle Rose – a typically good VCJ
gig. Boss Man Bennett kept strict time, as did the seated four-stringer bass
man Bill Colledge hidden in the
shadows. Time to go with a less than seasonal Ice Cream, the tune with the profound lyrics (all together now): I scream, you scream, we all scream for ice cream.
Gabriele Heller has a
stage persona: Berlin Kurt Weill cabaret chanteuse, Billie Holiday torch song
singer, experimental electro interventionist. On International Jazz Day Heller
opted for mainstream material with her trio Gabriele Mit Zwei (Steve Glendinning, guitar, and Jazz Co-op
lynchpin Dave Parker, double bass). Another
short set, Heller’s Germanic intonation impressed on All or Nothing at All.
Joel and Matt. If you’re
yet to here these young men, check them out soon because before too long they’ll
be gone. Mid teen veterans of the regular jam session along the road on Pink Lane, Joel, 16
(or has he turned seventeen?), plays piano like nobody’s business and Matt, all
of 18, is a Berklee-bound star of the future. On this day of celebration – April
30 marks the third anniversary of the day the Jazz Co-op acquired the Globe –
what better way to party than to invite two unassuming lads to be a part of it.
Joel Brown and Matthew MacKellar played a few tunes in the company John Pope –
a geriatric by comparison! A fabulous trio set.
JP stayed on the
stand to be joined by Lindsay Hannon
and pianist Alan Law. What a set!
Material from Hannon’s CD The Spy and
a clutch of favourites made this set more than enjoyable. Hearing vocalist
Hannon working in the company of Alan Law made the set a highlight (one of
many) on a special day at the Globe. A particular highlight? Comes Love.
Late night, time
for the Safe Sextet. Veteran
trumpeter Don Forbes has kept the
band going for an awfully long time. Sextet, or occasionally quintet, Forbes’
standards to bop pad is the ideal material for a set several pints past the
hour. John Rowland (tenor) is a
long-standing member of the band. A fine player, we should hear more from him.
Matt MacKellar played the set, veteran that he is. An excellent Hocus Pocus (Lee Morgan) had Matt all
over it, accenting, uplifting, just the job!
When lights
are low…it’s jam session time! Whoever was left standing ‘round midnight, it
was a case of get up and jam. Matt wasn’t going anywhere, your correspondent
certainly wasn’t, and out of the blue, Julija
Jacenaite joined the party. Raucous, gin joint, round and round goings on.
Good fun! At stupid o’clock (1:00am) the joint began to empty. Julija sat at
the piano, a lone figure, of all tunes, she played and sang Spain.
It had been quite a day.
Russell.
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