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Bebop Spoken There

Paul Edis: "One of the regulars at The Gala today called me a 'turncoat' and another a 'deserter' - that's a very northern way of displaying affection in response to the news that I'm leaving the area. 'They're vicious down there mind you'. " - (Twitter January24, 2020)

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Hudson Music: Lance's "Bebop Spoken Here" is one of the heaviest and most influential jazz blogs in the UK.

Today Sunday January 26

Afternoon

Jazz

VCJ Hot 4 - Spanish City, Spanish City Plaza, Whitley Bay NE26 1BG. 12.00 - 3.00pm. Free.

Musicians Unlimited - Park Inn, Park Road, Hartlepool TS26 9HU. Tel: 01429 233126. 1:00pm. Free.

New Orleans Preservation Jazz Band - Hurworth Village Hall, Church Row, Hurworth, Darlington DL2 2AQ. 2:30pm. £5.00. (inc refreshments). Ticket info: 01325 720694/01325 720177.

More Jam - The Globe, Railway Street, Newcastle NE4 7AD. 3:00pm. Free.

Jazz Social - Charts, Quayside, Newcastle NE1 3DX. Tel: 0191 338 7989. 4:00pm. Free.

Blues/Funk/Soul/ Etc.

JC & the High Rollers - Billy Bootleggers, Nelson St, Newcastle NE1 5AN. 3:00pm. Free. Rockabilly.

Heavenly Thrillbillies - Tyne Bar, Maling Street, Newcastle NE6 1LP. Tel: 0191 265 2550. 4:00pm. Free.

Evening

Jazz

Back to Basics - Quakerhouse, Mechanics’ Yard, Darlington DL3 7QF. 6:00pm. Free. Darlington Jazz Club.

Jazz Jam #2 - The Library, Saddler St., Durham DH1 3NU. Tel: 0191 384 6704. 7:30pm. Free. A Durham University Jazz Society event.

Blues/Funk/Soul

?????

To the best of our knowledge, details of the above events are correct but may be subject to alteration.

Wednesday, May 03, 2017

Chick Corea Trio @ Big Top, Cheltenham Jazz Festival - April 30

(Review by Steve T/photo courtesy of Stuart Farthing)
My misery continued as I found myself on the back row with the rigging maintaining the Big Top precisely between me and the legend; literally the worst seat in the house and after buying the ticket in December shortly after they went on sale.
At a sprightly seventy five Corea’s fingers are still incredibly nimble. Solely in terms of musicianship, I put him behind Art Tatum and Oscar Peterson and as an artist I have him in the top half dozen living Jazz artists. His trio - Eddie Gomez on bass and Brian Blade on drums - need no recommendation from me and they didn't disappoint.
Following a strange introduction which had sections of the audience singing notes back to him, we got Five Hundred Miles High, Alice in Wonderland, Monk’s Work and a Spanish Song.
It's a genuine trio with each leading seemingly simultaneously but it all making total sense, while maintaining the solo order of piano, bass, drums, his embellishments ensuring nothing became boring or tedious.  
A bowed bass confirmed Spain as the encore and the singalong at the beginning all began to make sense. More than a little naff for my liking and a shame that an artist of this stature feels the need for a party piece, which could reduce him in the eyes of many to that Jazz bloke who made Spain.
Some loved it, I liked it but many didn't, which I think was a case of expectations. As these giants age it becomes a balance between homage and can they still play? He certainly can, but any changing of the world was completed decades ago and isn't necessarily going to transfer in a giant tent at a Jazz Festival in 2017. 
Steve T.

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