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Bebop Spoken There

Dave Gelly: “From 1 January 1920, when prohibition was imposed in the US, people didn’t stop drinking, they just stopped drinking legally.” – (Jazz Journal October 2017).

Regina Carter: “When I was a teenager, I would daydream about going out on a date and dancing to Ella’s music.” (Down Beat October 2017).

Today Wednesday November 22

Afternoon
Vieux Carre Jazzmen - Crescent Club, 1 Hudleston, Cullercoats NE30 3OS. 1pm. Free.

Evening
Take it to the Bridge - The Globe, 11 Railway St., Newcastle NE4 7AD. £1. 8pm.

Billy's Acoustic Blues - Billy Bootleggers, 28 Nelson St., Newcastle NE1 5AN. 9pm. Free (weekly).

The Village Hall New Orleans Band - Springwell Village Community Venue, Fell Rd., Gateshead NE9 7RP. 8:15pm. £3.

BBC Big Band - Middlesbrough Theatre, The Avenue, Middlesbrough TS5 6SA. 01642 815181. 7:30pm. £24.50.

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To the best of our knowledge, details of the above events are correct but may be subject to alteration.

Wednesday, May 03, 2017

Chick Corea Trio @ Big Top, Cheltenham Jazz Festival - April 30

(Review by Steve T/photo courtesy of Stuart Farthing)
My misery continued as I found myself on the back row with the rigging maintaining the Big Top precisely between me and the legend; literally the worst seat in the house and after buying the ticket in December shortly after they went on sale.
At a sprightly seventy five Corea’s fingers are still incredibly nimble. Solely in terms of musicianship, I put him behind Art Tatum and Oscar Peterson and as an artist I have him in the top half dozen living Jazz artists. His trio - Eddie Gomez on bass and Brian Blade on drums - need no recommendation from me and they didn't disappoint.
Following a strange introduction which had sections of the audience singing notes back to him, we got Five Hundred Miles High, Alice in Wonderland, Monk’s Work and a Spanish Song.
It's a genuine trio with each leading seemingly simultaneously but it all making total sense, while maintaining the solo order of piano, bass, drums, his embellishments ensuring nothing became boring or tedious.  
A bowed bass confirmed Spain as the encore and the singalong at the beginning all began to make sense. More than a little naff for my liking and a shame that an artist of this stature feels the need for a party piece, which could reduce him in the eyes of many to that Jazz bloke who made Spain.
Some loved it, I liked it but many didn't, which I think was a case of expectations. As these giants age it becomes a balance between homage and can they still play? He certainly can, but any changing of the world was completed decades ago and isn't necessarily going to transfer in a giant tent at a Jazz Festival in 2017. 
Steve T.

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Bebop Spoken Here -- Here, being the north-east of England -- centred in the blues heartland of Newcastle and reaching down to the Tees Delta and looking upwards to the Land of the Kilt.
Not a very original title, I know; not even an accurate one as my taste, whilst centred around the music of Bird and Diz, extends in many directions and I listen to everything from King Oliver to Chick Corea and beyond. Not forgetting the Great American Songbook the contents of which has provided the inspiration for much great jazz and quality popular singing for round about a century.
The idea of this blog is for you to share your thoughts and pass on your comments on discs, gigs, jazz - music in general. If you've been to a gig/concert or heard a CD that knocked you sideways please share your views with us. Tell us about your favourites, your memories, your dislikes.
Lance (Who wishes it to be known that he is not responsible for postings other than his own and that he's not always responsible for them.)
Contact: lanceliddle@gmail.com I look forward to hearing from you.

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