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Bebop Spoken There

Kurt Elling: ''There's something to learn from every musician you play with''. (DownBeat, December 2024).

The Things They Say!

This is a good opportunity to say thanks to BSH for their support of the jazz scene in the North East (and beyond) - it's no exaggeration to say that if it wasn't for them many, many fine musicians, bands and projects across a huge cross section of jazz wouldn't be getting reviewed at all, because we're in the "desolate"(!) North. (M & SSBB on F/book 23/12/24)

Postage

17630 (and counting) posts since we started blogging 16 years ago. 904 of them this year alone and, so far, 49 this month (Dec. 20).

From This Moment On ...

December

Thu 26: The Boneshakers @ Tyne Bar, Ouseburn, Newcastle. 4:00pm. Free. The 17th annual Boneshakers’ Shindig.

Fri 27: Classic Swing @ Cullercoats Crescent Club. 1:00pm. Free.
Fri 27: Rendezvous Jazz @ The Monkseaton Arms. 1:00pm. Free. Business as usual!.
Fri 27: Jason Isaacs @ Seaburn STACK, Seaburn. 3:30-5:30pm. Free. Vocalist Isaacs working with backing tapes.
Fri 27: Michael Woods @ Prohibition Bar, Newcastle. 8:00pm. A ‘Jar on the Bar’ gig. Country blues guitar & vocals.

Sat 28: Jason Isaacs @ St. James’ STACK, Newcastle. 11:30am. Free. Vocalist Isaacs working with backing tapes.
Sat 28: Fri 20: Castillo Nuevo @ Revoluçion de Cuba, Newcastle. 5:30pm. Free.
Sat 28: Jude Murphy, Rich Herdman & Giles Strong @ Prohibition Bar, Newcastle. 8:00pm. A ‘Jar on the Bar’ gig.
Sat 28: Ray Stubbs R & B All-Stars @ Billy Bootlegger’s, Stepney Bank, Newcastle. 9:00pm. Free.

Sun 29: Paul Skerritt @ Hibou Blanc, Newcastle. 2:00pm. Free. Vocalist Skerritt working with backing tapes.
Sun 29: Alexia Gardner Quintet @ The Globe, Newcastle. 8:00pm.

Mon 30: Harmony Brass @ Cullercoats Crescent Club. 1:00pm. Free.
Mon 30: Vieux Carré Jazzmen @ The Wheatsheaf, Benton Sq., Whitley Road, Palmersville NE12 9SU. Tel: 0191 266 8137. 1:00pm. Free.
Mon 30: Jason Isaacs @ STACK, Exchange Sq., Middlesbrough. 4:00-6:00pm. Free. Vocalist Isaacs working with backing tapes.

Tue 31: Jason Isaacs @ Seaburn STACK, Seaburn. 12 noon-2:00pm. Free. Vocalist Isaacs working with backing tapes.
Tue 31: Lapwing Trio @ Wallington (National Trust), Cambo, Morpeth NE61 4AR. 12 noon & 2:00pm. Admission to site £19.00.
Tue 31: Jason Isaacs @ St. James’ STACK, Newcastle. 3:30-5:30pm. Free. Vocalist Isaacs working with backing tapes.
Tue 31: Archie Brown & Friends @ Tyne Bar, Ouseburn, Newcastle. 4:00-8:00pm. Free.

January 2025

Wed 01: ???

Thu 02: ???

Fri 03: Classic Swing @ Cullercoats Crescent Club. 1:00pm. Free.
Fri 03: Rendezvous Jazz @ The Monkseaton Arms. 1:00pm. Free.
Fri 03: New Orleans Preservation Jazz Band @ The Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 03: John Gregory @ Prohibition Bar, Newcastle. 8:00pm. A ‘Jar on the Bar’ gig. Country blues guitar.

Reviewers wanted

Whilst BSH attempts to cover as many gigs, festivals and albums as possible, to make the site even more comprehensive we need more 'boots on the ground' to cover the albums seeking review - a large percentage of which never get heard - report on gigs or just to air your views on anything jazz related. Interested? then please get in touch. Contact details are on the blog. Look forward to hearing from you. Lance

Tuesday, May 30, 2017

CD Review: Tommy Smith Quartet - Embodying the Light

Tommy Smith (tenor); Pete Johnstone (piano); Calum Gourlay (bass); Sebastiaan de Krom (drums).
(Review by Lance).
I'd become so used to thinking of Tommy Smith and the SNJO as being joined at the hip, and I use the word advisedly, that I'd almost forgotten what a formidable player he was in a small group setting. This tribute to John Coltrane puts the record straight.
He is to Scottish Jazz what Robbie Burns was to Scottish Poetry. With Smith, the best laid schemes of mice and jazzmen don't gang aft agley. In fact, on this disc, they don't gang agley at all. Over the 50 years since 'Trane ascended he's had many disciples but few, if any, have absorbed the complete canon as well as Scotland's own Trane. From the barnstorming Prestige/Blue Note period to the spiritual searching of the Atlantic/Impulse years Smith has it nailed. Not in a cloning manner but in a very personal way.

The opener, Transformation, a Smith original, sets the stall out with a Giant Steps-like blast that lasts forever and yet still didn't seem long enough!
Coltrane's Dear Lord is shorter. A hymn that, in the eye of an unbeliever, would be classed as a ballad. Believer or infidel, it's still 3 minutes of beauty.
Embodying the Light, another Smith original, has a familiar sequence that features Gourlay and Johnstone before Smith's grand entrance. He's like a bull in a china shop with the difference being that the porcelain remains unbroken, maybe enhanced!
Naima, one of Trane's 'signature dishes' is given 'signature' treatment by Smith. Amazingly Tommy was born on the day that 'Trane died and this was recorded 50 years later on the very same day. Who says there aren't mystical forces that guide our destiny?
Resolution's full of eastern promise. Johnstone resists the call to board the next flight to Mumbai and instead, heads off to JFK where, upon landing, takes a cab down to the Village Vanguard. Smith joins him - they take the scenic route.
The Father, the Son, and the Holy Ghost from the 1966 Meditations album wasn't intended to be a disco hit and it wasn't. Not even at the church social. However, in Jazz Heaven, I'm sure both JC's have given TS their blessing - it's quite incredible.
Summertime - when in doubt, play Summertime; just don't sing it. Tommy doesn't sing it but he does swing it as do his clansmen.
Embodying the Darkness, Smith's sequel to the title track touches on 'Trane's Sheets of Sound or, as one unbeliever used to say to me, Sounds of Sheet. de Krom shines a light on the darkness that avoids you stepping in the...
Transition another tour de force from Smith, more power piano from Johnstone (also a member of award winning band Square One who impressed listeners at both the Ushaw Festival and at a JNE gig at the Bridge Hotel last year) rounds off a truly great album.
I deliberately didn't listen to the Coltrane versions, Naima was the only one I knew, I didn't want any preconceived ideas and, whatever, this album stands on its own 8 feet.
Highly recommended.
Lance.

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