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Bebop Spoken There

Poncho Sanchez: "When I perform it's my life story." - (DownBeat October 2019).

Archive

Daily: July 6 - October 27

Precarity John Akomfrah’s film (2017, 46 mins) about Buddy Bolden - Baltic Centre for Contemporary Art, Gateshead Quays, South Shore Road, Gateshead NE8 3BA. Tel: 0191 478 1810. Screenings at intervals during the day. Part of Akomfrah's exhibition Ballasts of Memory. Exhibition (daily) July 6 - October 27. 10:00am-6:00pm. Free.

Wednesday September 18

Afternoon

Jazz

Precarity John Akomfrah’s film (2017, 46 mins) about Buddy Bolden (see above).

Vieux Carré Jazzmen - Cullercoats Crescent Club, 1 Hudleston, Cullercoats NE30 4QS. Tel: 0191 253 0242. 1:00pm. Free admission.

Evening

Alexys de Alfaro - Revoluçion de Cuba, Cloth Market, Newcastle NE1 1EE. Tel: 0191 917 7076. 6:00pm. Free.

Take it to the Bridge - The Globe, Railway Street, Newcastle NE4 7AD. 7:30pm. £1.00.

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CANCELLED

Archipelago + Freese Trio - Bobik's, Punch Bowl Hotel, Jesmond Road, Jesmond, Newcastle NE2 3JY. Tel: 0191 284 0490. 7:30pm. £5.00.

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Levee Ramblers NOJB w. Jim McBriarty (clarinet) & Bob Wade (trumpet) - Springwell Village Community Venue, Fell Road, Springwell, Gateshead NE9 7RP. 8:15pm. £3.00.

Blues/Folk

Moonshine Sessions - Billy Bootleggers, Nelson St, Newcastle NE1 5AN. 8:30pm. Free.

To the best of our knowledge, details of the above events are correct but may be subject to alteration.

Sunday, May 21, 2017

Johnny Hunter Quartet @ the Jazz Café - May 19

Mark Hanslip (tenor sax); Graham South (trumpet); Seth Bennett (bass); Johnny Hunter (drums).
(Review/photos courtesy of Ken Drew). 
Friday night at the Caff with a co-promotion by Jazz North East & the Jazz Cafe - what to expect? Playing all original material by master percussionist Johnny Hunter was something to look forward to, particularly following the reviews from last year’s Manchester Jazz Festival.  Although some regular faces were absent the audience numbers were swelled by many new ones – great to see!  
All tunes felt quite accessible through their interesting compositions and delivery by the band. What a tight band (when needed), interspersed with much free playing, yet always collectively in sync. Most tunes had extended solos from 2 or 3 of the band each time, giving the opportunity to freely develop some space around each tune. I was surprised but pleased to see an extended drum solo in the second piece which provided a perfectly formed segue into the third. There were many fine solos yet no immediate applause for them.  Thankfully the applause at the end of each set showed the true measure of the audience's appreciation, bringing smiles of delight to the band.
The second set started off and finished at a brisk pace, and in between there was a good mix of rhythms and musical styles, good solos and even a section of free improv.  Were the audience ready for this? It was quite a contrast from the pieces in the first set.  After quite a while with no breaks or announcements it became clear it was all one piece with cleverly constructed parts which flowed well, taking the attentive audience with them every step of the way. Eventually, the piece concluded with a rapid-fire drum solo then quickly wrapped up by all to a sudden end.  What a surprise this whole piece was, what an exhilarating journey - particularly as it carried the audience along with it throughout. All enjoyed the performance, judging by the audience's quiet concentration during the two sets and from comments picked up on the way out.  Overall, an excellent performance by the quartet, and well received by the Friday night audience. Ken D
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Bebop Spoken Here -- Here, being the north-east of England -- centred in the blues heartland of Newcastle and reaching down to the Tees Delta and looking upwards to the Land of the Kilt.
Not a very original title, I know; not even an accurate one as my taste, whilst centred around the music of Bird and Diz, extends in many directions and I listen to everything from King Oliver to Chick Corea and beyond. Not forgetting the Great American Songbook the contents of which has provided the inspiration for much great jazz and quality popular singing for round about a century.
The idea of this blog is for you to share your thoughts and pass on your comments on discs, gigs, jazz - music in general. If you've been to a gig/concert or heard a CD that knocked you sideways please share your views with us. Tell us about your favourites, your memories, your dislikes.
Lance (Who wishes it to be known that he is not responsible for postings other than his own and that he's not always responsible for them.)
Contact: lanceliddle@gmail.com I look forward to hearing from you.

Submissions for review

Whilst we appreciate the many emails, texts, messages and other communications we receive requesting album/gig reviews on BSH, regrettably, we are unable to reply to all of them other than those we are able to answer with a positive response.
Similarly, CDs received by post will only be considered if accompanied by sufficient background material.
Finally, bear in mind that this is a jazz-based site when submitting your album.
Lance