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Bebop Spoken There

Dave Gelly: “From 1 January 1920, when prohibition was imposed in the US, people didn’t stop drinking, they just stopped drinking legally.” – (Jazz Journal October 2017).

Regina Carter: “When I was a teenager, I would daydream about going out on a date and dancing to Ella’s music.” (Down Beat October 2017).

Today Monday November 20

Afternoon

Jazz in the Afternoon - Cullercoats Crescent Club, 1 Hudleston, Cullercoats NE30 4QS. Tel: 0191 NE30 4QS. 1:00pm. Free.

Classic Swing - Marquis of Granby, Streetgate, Sunniside NE16 5ES. Tel: 0191 488 0954. 1:00pm. Free.

Evening

?????

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To the best of our knowledge, details of the above events are correct but may be subject to alteration.

Sunday, May 21, 2017

Johnny Hunter Quartet @ the Jazz Café - May 19

Mark Hanslip (tenor sax); Graham South (trumpet); Seth Bennett (bass); Johnny Hunter (drums).
(Review/photos courtesy of Ken Drew). 
Friday night at the Caff with a co-promotion by Jazz North East & the Jazz Cafe - what to expect? Playing all original material by master percussionist Johnny Hunter was something to look forward to, particularly following the reviews from last year’s Manchester Jazz Festival.  Although some regular faces were absent the audience numbers were swelled by many new ones – great to see!  
All tunes felt quite accessible through their interesting compositions and delivery by the band. What a tight band (when needed), interspersed with much free playing, yet always collectively in sync. Most tunes had extended solos from 2 or 3 of the band each time, giving the opportunity to freely develop some space around each tune. I was surprised but pleased to see an extended drum solo in the second piece which provided a perfectly formed segue into the third. There were many fine solos yet no immediate applause for them.  Thankfully the applause at the end of each set showed the true measure of the audience's appreciation, bringing smiles of delight to the band.
The second set started off and finished at a brisk pace, and in between there was a good mix of rhythms and musical styles, good solos and even a section of free improv.  Were the audience ready for this? It was quite a contrast from the pieces in the first set.  After quite a while with no breaks or announcements it became clear it was all one piece with cleverly constructed parts which flowed well, taking the attentive audience with them every step of the way. Eventually, the piece concluded with a rapid-fire drum solo then quickly wrapped up by all to a sudden end.  What a surprise this whole piece was, what an exhilarating journey - particularly as it carried the audience along with it throughout. All enjoyed the performance, judging by the audience's quiet concentration during the two sets and from comments picked up on the way out.  Overall, an excellent performance by the quartet, and well received by the Friday night audience. Ken D
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Bebop Spoken Here -- Here, being the north-east of England -- centred in the blues heartland of Newcastle and reaching down to the Tees Delta and looking upwards to the Land of the Kilt.
Not a very original title, I know; not even an accurate one as my taste, whilst centred around the music of Bird and Diz, extends in many directions and I listen to everything from King Oliver to Chick Corea and beyond. Not forgetting the Great American Songbook the contents of which has provided the inspiration for much great jazz and quality popular singing for round about a century.
The idea of this blog is for you to share your thoughts and pass on your comments on discs, gigs, jazz - music in general. If you've been to a gig/concert or heard a CD that knocked you sideways please share your views with us. Tell us about your favourites, your memories, your dislikes.
Lance (Who wishes it to be known that he is not responsible for postings other than his own and that he's not always responsible for them.)
Contact: lanceliddle@gmail.com I look forward to hearing from you.

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