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Bebop Spoken There

Dave Gelly: “From 1 January 1920, when prohibition was imposed in the US, people didn’t stop drinking, they just stopped drinking legally.” – (Jazz Journal October 2017).

Regina Carter: “When I was a teenager, I would daydream about going out on a date and dancing to Ella’s music.” (Down Beat October 2017).

Bebop Spoken Here on hold

As of tonight (November 15) at 21:00 hrs, this site will be temporarily on hold to allow for essential executive maintenance. Some minor activity may be possible during this period and we hope to have normal service resumed as soon as possible.
We apologise for any inconvenience caused.
Lance

Monday, May 15, 2017

CD Review: Quinsin Nachoff's Ethereal Trio

Quinsin Nachoff (tenor); Mark Helias (bass); Dan Weiss (drums).
(Review by Lance).
The releases from Whirlwind Recordings continue apace from either side of the Atlantic. The latest one to arrive at the BSH Head Office overlooking the Tyne and Wear Metro Line features New York based, Canadian born, saxophonist Quinsin Nachoff and is well worth checking out. I wasn't too sure as to how ethereal the trio actual was so I took the easy way out and Googled 'ethereal synonyms'.
Airy, Celestial, Exquisite, Ghostly, Intangible and Sublime were the top answers and the trio ticked all the boxes. Not all the boxes on every track but, over the course of the six pieces, managed to touch down on at least one and occasionally all.
Chordless trios can be looked at from different angles. To some it's a licence to drive on either side of the road and, if it ends in a car crash, it's somebody else's fault. Others view it as three people taking a different route to the same destination but getting there at the same time.
The Ethereal Trio work to this latter goal but, although going their own way, constantly draw from each other. Nachoff describes it, "All three of us love to investigate different color and extended techniques, so many different directions are possible. Once we've understood what the direction is for each composition then that's when the magic starts to happen."
The magic does happen - not, for me, on every number but on enough to keep me interested. Nachoff has a dry tenor sound rather like what Jimmy Giuffre may have sounded like had he listened to Illinois Jacquet or Ike Quebec. Helias is merely (!) prodigious whilst Weiss is given a pair of free hands.
I'm not going to say, "Rush out and buy" but I will say, "Give it a listen - you may be pleasantly surprised"!
Lance.

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About this blog - contact details.

Bebop Spoken Here -- Here, being the north-east of England -- centred in the blues heartland of Newcastle and reaching down to the Tees Delta and looking upwards to the Land of the Kilt.
Not a very original title, I know; not even an accurate one as my taste, whilst centred around the music of Bird and Diz, extends in many directions and I listen to everything from King Oliver to Chick Corea and beyond. Not forgetting the Great American Songbook the contents of which has provided the inspiration for much great jazz and quality popular singing for round about a century.
The idea of this blog is for you to share your thoughts and pass on your comments on discs, gigs, jazz - music in general. If you've been to a gig/concert or heard a CD that knocked you sideways please share your views with us. Tell us about your favourites, your memories, your dislikes.
Lance (Who wishes it to be known that he is not responsible for postings other than his own and that he's not always responsible for them.)
Contact: lanceliddle@gmail.com I look forward to hearing from you.

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