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Bebop Spoken There

Randy Brecker: "It's still a thrill for me today to stand out front of a big band as the soloist and hear all that sound going on behind you. It brings the best out of me" - (DownBeat June 2019).

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2019 Parliamentary Jazz Awards

The voting is open between now and May 31 to enable site visitors to nominate their choices in the various categories of this year's APPJAG awards which can be done here.
BSH was very proud to be nominated and to win the 2018 Media Award and hope we can have your support again this year.

Today Tuesday May 21

Afternoon

Jazz

Classic Swing - The Ship Inn, Front Street, Monkseaton NE25 8DP. 0191 251 3677. 1:00pm. Free.

Evening

Kamasi Washington - Sage Gateshead, St Mary’s Square, Gateshead Quays, Gateshead NE8 2JR. Tel: 0191 443 4461. 7:30pm. £30.00.

River City Jazzmen w. Maureen Hall - Block & Tackle, Blackthorn Way, Ashington NE63 8NN. Tel: 01670 813983. 8:00pm. £5 (raffle inc.) Bob Wade, Gordon Solomon, Keith Stephen, Phil Rutherford, Tommy Graham.

Lindsay Hannon Band - Fox Inn, West End Terrace, Hexham NE46 3DB.Tel: 01434 603681. 8:30pm. Free (donations).

To the best of our knowledge, details of the above events are correct but may be subject to alteration.

Saturday, May 13, 2017

Paul Taylor @ St Nicholas Cathedral, Newcastle - May 12

This Friday lunchtime performance, one in a regular recital programme at St Nicholas Cathedral, featured Paul Taylor in a set of forty minutes or so playing solo piano improvisations. The recital programme presents artists from far and wide (an organist, a classical guitarist, a soprano voice perhaps), today a musician based in the region expressed his delight at being offered a platform within such imposing surroundings.    
Paul Taylor specialises in solo piano improvisations. Elegant, impressionistic, cascading lines, a confluence of ideas, Taylor seemingly abandoning a line of thought in favour of another before a return to an earlier statement. The audience listened, some with closed eyes, contemplating who knows what? Taylor is a quietly spoken man, his introductory remarks audible to those seated in the pews nearest to the piano situated in the nave. Other audience members sitting several rows behind struggled to hear, but no matter, Taylor’s music spoke for him. At the conclusion of his set Taylor stood up, acknowledged the audience, and walked off with a backward glance at the piano.
A concert performance of quiet, reflective piano playing.
Russell     

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