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Bebop Spoken There

Terri Lyne Carrington: "... a long time ago, only privileged people could study and work in the arts." - (Jazziz, Winter 2020).
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The Things They Say!

Hudson Music: Lance's "Bebop Spoken Here" is one of the heaviest and most influential jazz blogs in the UK.

Rupert Burley (Dynamic Agency): "BSH just goes from strength to strength".

Today Saturday February 22

Afternoon

Jazz

Electric Guitar Masterclass – The Music of Robben Ford - Sage Gateshead, St Mary’s Square, Gateshead Quays, Gateshead NE8 2JR. Tel: 0191 443 4661. 10:00am. £15.00. Jamie Mackay conducts a masterclass looking at the work of former Miles Davis’ sideman Robben Ford.

Evening

Daniel John Martin w Swing Manouche - Core Music, 14a/b Gilesgate, Hexham NE46 3NJ. Tel: 01434 601993. 8:00pm. Donations (suggested donation £10.00.). DJM w Mick Shoulder (guitar); Giles Strong (guitar); Ian Paterson (double bass).

Blues/Funk/Soul

Half Hand Hoodoo Band - Billy Bootleggers, Nelson St, Newcastle NE1 5AN. 9:00pm. Free.

Boys of Brass - Brandling Villa, Haddricks Mill Road, South Gosforth, Newcastle NE3 1QL. Tel: 0191 284 0490. 9:00pm. Free.

To the best of our knowledge, details of the above events are correct but may be subject to alteration.

Saturday, May 13, 2017

Paul Taylor @ St Nicholas Cathedral, Newcastle - May 12

This Friday lunchtime performance, one in a regular recital programme at St Nicholas Cathedral, featured Paul Taylor in a set of forty minutes or so playing solo piano improvisations. The recital programme presents artists from far and wide (an organist, a classical guitarist, a soprano voice perhaps), today a musician based in the region expressed his delight at being offered a platform within such imposing surroundings.    
Paul Taylor specialises in solo piano improvisations. Elegant, impressionistic, cascading lines, a confluence of ideas, Taylor seemingly abandoning a line of thought in favour of another before a return to an earlier statement. The audience listened, some with closed eyes, contemplating who knows what? Taylor is a quietly spoken man, his introductory remarks audible to those seated in the pews nearest to the piano situated in the nave. Other audience members sitting several rows behind struggled to hear, but no matter, Taylor’s music spoke for him. At the conclusion of his set Taylor stood up, acknowledged the audience, and walked off with a backward glance at the piano.
A concert performance of quiet, reflective piano playing.
Russell     

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