Total Pageviews

Bebop Spoken There

Grant Green Jr.: "One thing that most people--especially jazz cats--don't realise is that all of your jazz standards were once pop standards" - DownBeat July 2018).

-----

Bobby Sanabria: "Tito Puente was not a very tall man, but when he played the timbales he was a giant among men." - DownBeat July 2018).

Posting a comment

If you experience any problems posting a comment, as I understand some readers are, then email it to me direct, stating which post your comment relates to - lanceliddle@gmail.com. Alternatively, try the Anonymous button but please sign your name!
Apologies for any inconvenience, this is due to circumstances beyond my control.

Youre Vote is Important

Voting is now taking place for Nominations in the All Party Parliamentary Jazz Awards. Please take this opportunity to vote in the various categories including MEDIA where a vote for Bebop Spoken Here would be much appreciated.

Today Saturday June 23

Afternoon

?????

Evening

Get in the Band - 1) Great North Museum (Hancock Museum), 2) Central Station & 3) Sage Gateshead. Times TBC. Free but ticketed. For details visit: www.sagegateshead.com

Eric Burdon & the Animals + Hilton Valentine’s Skiffledogs - Newcastle City Hall, Northumberland Road, Newcastle NE1 8SF. Tel: 08448 112121. 7:30pm. £86.00., £66.00., £46.00.

Teresa Watson Band - Billy Bootleggers, Nelson St, Newcastle NE1 5AN. 9:00pm. Free.

Dean Stockdale - Zeffirellis, Compston Rd., Ambleside, Cumbria LA22 9AD. 01539 433845. 8:30pm. Free.

To the best of our knowledge, details of the above events are correct but may be subject to alteration.

Monday, May 22, 2017

London Vocal Project - Jon Hendricks’s Miles Ahead (Kings Place, London N1), Sunday May 21

(Review/Photo by Peter Jones)
The room was swarming with family, friends and admirers, but most of all, singers on Sunday night in the acoustically perfect Hall 1 at London’s Kings Place. Yes, there were more singers than you could shake a tuning fork at. And it seemed as if they all personally knew choirmaster extraordinaire Pete Churchill and his wife Nikki Iles, or had at the very least participated in a vocal workshop at some time with the dynamic, charismatic Churchill. It was, in short, a musical love-fest.
The pianist, composer and arranger has been immersed for seven years in rendering the Gil Evans/Miles Davis Miles Ahead album into vocalese, and performing it with the 23-strong London Vocal Project. In order to achieve this Churchill has crossed the Atlantic a number of times to collaborate with the legend that is Jon Hendricks, helping to add the great man’s lyrics to the themes and solos on that epoch-busting album. Way back in 1957, Hendricks, Dave Lambert and Annie Ross prepared the ground with their Sing a Song of Basie album, an early exercise in multi-tracking, on which all Basie’s instrumental parts were sung rather than played.
It’s not easy getting humans to sing like trumpets or alto saxophones. And never mind that the chords are rich - and sometimes richly crunchy. You find yourself holding your breath just listening to it, wondering how anyone could sing that low, or that high, let alone making it sound as good as this.
Not surprisingly, Hendricks wanted it done right. ‘Each singer,’ he stated in an email written in 2010, ‘must have a copy of this album, to which they should listen first thing each morning and the last thing each night until the performance. No other way will they be able to keep pace with the endless subtleties and nuances the work is fraught with.’

It helped that they had Hendricks’s daughter Michele as one of the soloists, along with New York veteran Kevin Fitzgerald Burke and also a woman introduced by Churchill as a ‘national treasure’ – Norma Winstone.

Before the main event they limbered up with some other tunes with Hendricks lyrics: It’s Sand, Man, followed by Summertime; then I’ll Bet You Thought I’d Never Find You, introduced by Burke as the first song to be written about stalking. His vocal solo was fabulously trumpet-like. Then Hi-Fly (sung by Winstone); Ev’rybody’s Boppin’ (sung by Michele Hendricks, with an amazing high-velocity scat solo); and finishing off with Li’l Darlin’ and O Pato.

But it was the album that everyone had come to hear, and the Project did not disappoint. As everyone who has heard it knows, Miles Ahead is a sweet and lyrical listen, but tunes like My Ship or Lament reveal new harmonic beauties when sung by a choir of this calibre. It was a highly emotional occasion for Churchill, particularly as he told the story of Blues for Pablo, whose lyrics Jon Hendricks had to change when he learned from composer Gil Evans that it was about the Spanish Civil War, and not what he’d thought it was about.

Hendricks has been working on this project since the late Sixties, and was finally rewarded last February in New York when he witnessed this ensemble perform it for the first time. Tonight they were sensitively backed by Dave Whitford on bass and Steve Brown on drums.
Peter Jones

3 comments :

Lance said...

This got me back to listening to Miles Ahead again. Reminding me, as if I need to be reminded, what a wonderful arranger/composer was Gil Evans. Listen to his arrangements for Claude Thornhill and how far advanced they were of the other swing bands of the time. This vocal project, however, needs to be heard far and wide - are you listening Sage Gateshead?

John Warren (on F/b) said...

It was sublime. And you missed something special if you weren't there. Make sure you buy the album when it comes out.

Elaine Crighton (on F/b). said...

It was one of the best things I've ever seen. Totally joyful and goosebumpy throughout!

Blog Archive

Submissions for review

Whilst we appreciate the many emails, texts, messages and other communications we receive requesting album/gig reviews on BSH, regrettably, we are unable to reply to them all other than those we are able to answer with a positive response.
Similarly, CDs received by post will only be considered if accompanied by sufficient background material.
Finally, bear in mind that this is a jazz-based site when submitting your album.
Lance

About this blog - contact details.

Bebop Spoken Here -- Here, being the north-east of England -- centred in the blues heartland of Newcastle and reaching down to the Tees Delta and looking upwards to the Land of the Kilt.
Not a very original title, I know; not even an accurate one as my taste, whilst centred around the music of Bird and Diz, extends in many directions and I listen to everything from King Oliver to Chick Corea and beyond. Not forgetting the Great American Songbook the contents of which has provided the inspiration for much great jazz and quality popular singing for round about a century.
The idea of this blog is for you to share your thoughts and pass on your comments on discs, gigs, jazz - music in general. If you've been to a gig/concert or heard a CD that knocked you sideways please share your views with us. Tell us about your favourites, your memories, your dislikes.
Lance (Who wishes it to be known that he is not responsible for postings other than his own and that he's not always responsible for them.)
Contact: lanceliddle@gmail.com I look forward to hearing from you.

Subscribe!