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Bebop Spoken There

Greg Osby: “I have my own style, my own attitude, my own opinions about things. I'm not a follower". DownBeat, February, 2024.

The Things They Say!

Hudson Music: Lance's "Bebop Spoken Here" is one of the heaviest and most influential jazz blogs in the UK.

Rupert Burley (Dynamic Agency): "BSH just goes from strength to strength".

'606' Club: "A toast to Lance Liddle of the terrific jazz blog 'Bebop Spoken Here'"

The Strictly Smokin' Big Band included Be Bop Spoken Here (sic) in their 5 Favourite Jazz Blogs.

Ann Braithwaite (Braithwaite & Katz Communications) You’re the BEST!

Holly Cooper, Mouthpiece Music: "Lance writes pull quotes like no one else!"

Simon Spillett: A lovely review from the dean of jazz bloggers, Lance Liddle...

Josh Weir: I love the writing on bebop spoken here... I think the work you are doing is amazing.

Postage

16233 (and counting) posts since we started blogging 16 years ago. 115 of them this year alone and, so far, 59 this month (Feb. 23).

From This Moment On ...

February 2024

Sat 24: NUJO Jazz Jam @ Cobalt Studios, Newcastle. 7:00pm (doors). Free (donations). A Newcastle University Jazz Orchestra event, all welcome.
Sat 24: Bradley Creswick’s Western Swingfonia @ Hexham Abbey, Hexham. 7:30pm. £15.00. A fundraiser for Hexham Abbey.
Sat 24: Papa G’s Troves @ Prohibition Bar, Newcastle. 8:00pm. A ‘Jar on the Bar’ gig.

Sun 25: Musicians Unlimited @ The Park Inn, Hartlepool. 1:00pm. Free.
Sun 25: More Jam @ The Globe, Newcastle. 2:30pm. Free.
Sun 25: 4B @ The Ticket Office, Whitley Bay Metro Station. 3:00pm. Free.
Sun 25: Lindsay Hannon: Tom Waits for No Man + Lee Maddison @ Laurels, Whitley Bay. 4:00pm (3:30pm doors). £11.00., £8.80. inc. bf. SOLD OUT!
Sun 25: Bex Burch + Rachel Musson @ The Globe, Newcastle. 8:00pm. £11.00. Two solo performances. JNE.
Sun 25: Jazz Jam @ Fabio's, Saddler St., Durham. 8:00pm. Free. A Durham University Jazz Society event. All welcome.

Mon 26: Harmony Brass @ Cullercoats Crescent Club. 1:00pm. Free.

Tue 27: Ruth Lambert Quartet @ The Black Swan, Newcastle. 8:00pm (7:00pm doors). £12.00., £10.00. (adv.).

Wed 28: Vieux Carré Jazzmen @ Cullercoats Crescent Club. 1:00pm. Free.
Wed 28: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington. 7:00pm. Free. Rehearsal session (open to the public).
Wed 28: Take it to the Bridge @ The Globe, Newcastle. 7:30pm. Free.

Thu 29: Vieux Carré Jazzmen @ The Holystone, Whitley Road, North Tyneside. 1:00pm. Free.
Thu 29: Gateshead Jazz Appreciation Society @ Gateshead Central Library, Gateshead. 2:30pm.
Thu 29: Student Performances @ King’s Hall, Newcastle University. 4:00pm. Free. Inc. Olly Styles (saxophone).
Thu 29: ’58 Jazz Collective @ Hops & Cheese, Hartlepool. 7:00pm. Free.
Thu 27: Student Jazz Jam @ The Globe, Newcastle. 7:30pm.
Thu 29: Tees Hot Club @ Dorman’s Club, Middlesbrough. 8:30pm. Guests: Richie Emmerson (tenor sax); Josh Bentham (alto sax); Graham Thompson (keys); Adrian Beadnell (bass).

March
Fri 01: Classic Swing @ Cullercoats Crescent Club. 1:00pm. Free.
Fri 01: Rendezvous Jazz @ The Monkseaton Arms. 1:00pm. Free.
Fri 01: New Orleans Preservation Jazz Band @ The Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 01: Wind Ensemble + Big Band + Jazz Combo + R&B Band @ Boiler House, Newcastle University. 5:30pm. Free.
Fri 01: Joseph Carville Trio @ Saltburn Community Hall. 7:30pm.
Fri 01-Sun 03: Great North Big Band Jazz Festival @ Park View Community Centre, Chester-le-Street. From 8:00pm Friday. Weekend ticket: £20.00.
Fri 01: TBC @ Prohibition Bar, Newcastle. 8:00pm. A ‘Jar on the Bar’ gig. Blind Pig Blues Club.
Fri 01: Great North Big Band Jazz Festival @ Park View Community Centre, Chester-le-Street. £10.00. Day 1/3. Musicians Unlimited + Festival Band.

Monday, May 22, 2017

London Vocal Project - Jon Hendricks’s Miles Ahead (Kings Place, London N1), Sunday May 21

(Review/Photo by Peter Jones)
The room was swarming with family, friends and admirers, but most of all, singers on Sunday night in the acoustically perfect Hall 1 at London’s Kings Place. Yes, there were more singers than you could shake a tuning fork at. And it seemed as if they all personally knew choirmaster extraordinaire Pete Churchill and his wife Nikki Iles, or had at the very least participated in a vocal workshop at some time with the dynamic, charismatic Churchill. It was, in short, a musical love-fest.
The pianist, composer and arranger has been immersed for seven years in rendering the Gil Evans/Miles Davis Miles Ahead album into vocalese, and performing it with the 23-strong London Vocal Project. In order to achieve this Churchill has crossed the Atlantic a number of times to collaborate with the legend that is Jon Hendricks, helping to add the great man’s lyrics to the themes and solos on that epoch-busting album. Way back in 1957, Hendricks, Dave Lambert and Annie Ross prepared the ground with their Sing a Song of Basie album, an early exercise in multi-tracking, on which all Basie’s instrumental parts were sung rather than played.
It’s not easy getting humans to sing like trumpets or alto saxophones. And never mind that the chords are rich - and sometimes richly crunchy. You find yourself holding your breath just listening to it, wondering how anyone could sing that low, or that high, let alone making it sound as good as this.
Not surprisingly, Hendricks wanted it done right. ‘Each singer,’ he stated in an email written in 2010, ‘must have a copy of this album, to which they should listen first thing each morning and the last thing each night until the performance. No other way will they be able to keep pace with the endless subtleties and nuances the work is fraught with.’

It helped that they had Hendricks’s daughter Michele as one of the soloists, along with New York veteran Kevin Fitzgerald Burke and also a woman introduced by Churchill as a ‘national treasure’ – Norma Winstone.

Before the main event they limbered up with some other tunes with Hendricks lyrics: It’s Sand, Man, followed by Summertime; then I’ll Bet You Thought I’d Never Find You, introduced by Burke as the first song to be written about stalking. His vocal solo was fabulously trumpet-like. Then Hi-Fly (sung by Winstone); Ev’rybody’s Boppin’ (sung by Michele Hendricks, with an amazing high-velocity scat solo); and finishing off with Li’l Darlin’ and O Pato.

But it was the album that everyone had come to hear, and the Project did not disappoint. As everyone who has heard it knows, Miles Ahead is a sweet and lyrical listen, but tunes like My Ship or Lament reveal new harmonic beauties when sung by a choir of this calibre. It was a highly emotional occasion for Churchill, particularly as he told the story of Blues for Pablo, whose lyrics Jon Hendricks had to change when he learned from composer Gil Evans that it was about the Spanish Civil War, and not what he’d thought it was about.

Hendricks has been working on this project since the late Sixties, and was finally rewarded last February in New York when he witnessed this ensemble perform it for the first time. Tonight they were sensitively backed by Dave Whitford on bass and Steve Brown on drums.
Peter Jones

3 comments :

Lance said...

This got me back to listening to Miles Ahead again. Reminding me, as if I need to be reminded, what a wonderful arranger/composer was Gil Evans. Listen to his arrangements for Claude Thornhill and how far advanced they were of the other swing bands of the time. This vocal project, however, needs to be heard far and wide - are you listening Sage Gateshead?

John Warren (on F/b) said...

It was sublime. And you missed something special if you weren't there. Make sure you buy the album when it comes out.

Elaine Crighton (on F/b). said...

It was one of the best things I've ever seen. Totally joyful and goosebumpy throughout!

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