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Bebop Spoken There

Poncho Sanchez: "When I perform it's my life story." - (DownBeat October 2019).

Archive

Daily: July 6 - October 27

Precarity John Akomfrah’s film (2017, 46 mins) about Buddy Bolden - Baltic Centre for Contemporary Art, Gateshead Quays, South Shore Road, Gateshead NE8 3BA. Tel: 0191 478 1810. Screenings at intervals during the day. Part of Akomfrah's exhibition Ballasts of Memory. Exhibition (daily) July 6 - October 27. 10:00am-6:00pm. Free.

Wednesday September 18

Afternoon

Jazz

Precarity John Akomfrah’s film (2017, 46 mins) about Buddy Bolden (see above).

Vieux Carré Jazzmen - Cullercoats Crescent Club, 1 Hudleston, Cullercoats NE30 4QS. Tel: 0191 253 0242. 1:00pm. Free admission.

Evening

Alexys de Alfaro - Revoluçion de Cuba, Cloth Market, Newcastle NE1 1EE. Tel: 0191 917 7076. 6:00pm. Free.

Take it to the Bridge - The Globe, Railway Street, Newcastle NE4 7AD. 7:30pm. £1.00.

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CANCELLED

Archipelago + Freese Trio - Bobik's, Punch Bowl Hotel, Jesmond Road, Jesmond, Newcastle NE2 3JY. Tel: 0191 284 0490. 7:30pm. £5.00.

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Levee Ramblers NOJB w. Jim McBriarty (clarinet) & Bob Wade (trumpet) - Springwell Village Community Venue, Fell Road, Springwell, Gateshead NE9 7RP. 8:15pm. £3.00.

Blues/Folk

Moonshine Sessions - Billy Bootleggers, Nelson St, Newcastle NE1 5AN. 8:30pm. Free.

To the best of our knowledge, details of the above events are correct but may be subject to alteration.

Thursday, May 18, 2017

Lickety Split @ The Globe, Newcastle - May 18

Eddie Bellis (trombone), Alan Marshall (alto saxophone), Paul Gowland (tenor saxophone), Kevin Eland (trumpet & flugelhorn), Bradley Johnston (guitar), Alan Rudd (bass) & Paul Wight (drums)
(Review by Russell).
Take it to the Bridge is an institution. Dave Weisser’s weekly ‘workshop’ has been going since the  year dot. From time to time the institution’s leader invites a band to come along and play a set. This week’s guests were fulfilling a twice postponed appearance at the Jazz Co-op’s Globe HQ.
Lickety Split is a no nonsense band. Turn up, play, job done. Band charts depleted due to a thief’s keen ear for something of real value – yes, stolen notes of the musical kind, of much greater value than a swag bag full of five pound notes – didn’t deter Eddie Bellis’ outfit. Minus the band’s absent pianist, Bellis and co were ready for Lift Off! Exhilarating, drilled brass and reeds, an object lesson in dynamics, the ideal calling card. 
                     
What’s New? enquired the band with a first shot at the stratosphere by Teesside’s top C trumpeter Kevin Eland. Rollins’ Doxy encouraged the frontline horns to craft a solo then pass the baton. Solo statements concise (an object lesson in how to present the music and connect with the audience), ensemble work neat and tidy, what’s not to like? Bellis suggested a Mulgrew Miller chart. In doing so the trombonist stopped mid thought…Is that lippy? The eagled-eyed Mr Bellis detected traces of lipstick on the mic. In jest our trombonist wondered if it was DW’s! Meanwhile…the Miller chart was nowhere to be found, perhaps it was one of the stolen charts?! Seamlessly the band opted to play Stolen Moments. Oliver Nelson’s masterwork could be thought of as Lickety Split’s signature tune. On this occasion, as always, Alan Rudd’s bass line was spot-on, and Eland rightly chose to play a mellow flugelhorn.

A new number in the pad – Horace Sliver’s Nica’s Dream – described by Bellis as: a bit of an epic, a corking Sandu, and I Remember Clifford featuring Eland and the seated Bradley Johnston, guitar. A couple more and the hour was up; Well, You Needn’t (drummer Paul Wight on the case) and Miles’ Four. The Railway Street audience wanted another one and Bellis obliged with another gold plated Horace  Silver number, Sister Sadie.


Earlier Dave Weisser’s merry band opened with one or two tunes including a Barry Ascroft original Mr Rascal and the main man, Mr Dave Weisser sang Secret Love. DW told the story of the time he met the one and only Doris Day. Ask him about it some time. 
Russell.  

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Bebop Spoken Here -- Here, being the north-east of England -- centred in the blues heartland of Newcastle and reaching down to the Tees Delta and looking upwards to the Land of the Kilt.
Not a very original title, I know; not even an accurate one as my taste, whilst centred around the music of Bird and Diz, extends in many directions and I listen to everything from King Oliver to Chick Corea and beyond. Not forgetting the Great American Songbook the contents of which has provided the inspiration for much great jazz and quality popular singing for round about a century.
The idea of this blog is for you to share your thoughts and pass on your comments on discs, gigs, jazz - music in general. If you've been to a gig/concert or heard a CD that knocked you sideways please share your views with us. Tell us about your favourites, your memories, your dislikes.
Lance (Who wishes it to be known that he is not responsible for postings other than his own and that he's not always responsible for them.)
Contact: lanceliddle@gmail.com I look forward to hearing from you.

Submissions for review

Whilst we appreciate the many emails, texts, messages and other communications we receive requesting album/gig reviews on BSH, regrettably, we are unable to reply to all of them other than those we are able to answer with a positive response.
Similarly, CDs received by post will only be considered if accompanied by sufficient background material.
Finally, bear in mind that this is a jazz-based site when submitting your album.
Lance