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Bebop Spoken There

Michael Dease: "Slide [Hampton] is also one of the people to expand the range of the horn, so he's popping out high Fs like they're breakfast cereals." - (JazzTimes Oct. 2019).

Archive

Daily: July 6 - October 27

Precarity John Akomfrah’s film (2017, 46 mins) about Buddy Bolden - Baltic Centre for Contemporary Art, Gateshead Quays, South Shore Road, Gateshead NE8 3BA. Tel: 0191 478 1810. Screenings at intervals during the day. Part of Akomfrah's exhibition Ballasts of Memory. Exhibition (daily) July 6 - October 27. 10:00am-6:00pm. Free.

Today Friday October 18

Afternoon

Jazz

Precarity John Akomfrah’s film (2017, 46 mins) about Buddy Bolden (see above).

Classic Swing - Jesmond Royal British Legion Club, West Jesmond Avenue, Jesmond, Newcastle NE2 3EX. Tel: 0191 281 0736. 1:00pm. Free.

Rendezvous Jazz - Monkseaton Arms, Front Street, Monkseaton NE25 8DP. Tel: 0191 251 3928. 1:00pm. Free.

Evening.

Ella Fitzgerald: Just One of Those Things - Forum Cinema, Market Place, Hexham NE46 1XF. Tel: 01434 601144. 7:00pm. £8.30. - £5.80. Film (2019, 89 mins) directed by Leslie Woodhead. Swing Bridge Trio in Café Bar following screening.

Dave O’Higgins & Colin Oxley - Great Broughton Village Hall, Ingleby Road, Great Broughton TS9 7ER. 7:30pm. £20.00. ‘O’Higgins & Oxley Play Monk & ‘Trane’. Oxley replaces Rob Luft.

Paul Taylor - Ushaw College, Durham DH7 7DW. Tel: 0191 334 5119. 7:30pm. Free (donations). An Ushaw Piano Festival event.

Jazz Lads - Saltburn Cricket Club, Marske Mill Lane, Saltburn TS12 1HJ. Tel: 01287 622761. 8:00pm. £5.00.

Guisborough Big Band - Saltburn Golf Club, Guisborough Road, Saltburn TS12 1NJ. Tel: 01287 622812. Time TBC.

Miles Davis: Birth of the Cool - Tyneside Cinema, Pilgrim Street, Newcastle NE1 6QG. Tel: 0191 227 5500. Time 8:30pm. Screening of Stanley Nelson's documentary film (2019, cert. 15, 1hr 55mins).

Blues/Soul etc.

Ray Stubbs R & B All Stars - Billy Bootleggers, Nelson St, Newcastle NE1 5AN. 9pm. Free.

To the best of our knowledge, details of the above events are correct but may be subject to alteration.

Sunday, May 07, 2017

Denys Baptiste's The Late Trane @ Pizza Express Stage, Cheltenham Jazz Festival - May 1

Denys Baptiste (sax), Nikki Yeoh (keyboards), Neil Charles (bass), Rod Youngs (drums), + Steve Williamson (sax). 
(Review by Steve T)
I'm not really a fan of late John Coltrane but, according to DSI Russell of the JP, not listening to it is, if not illegal then immoral, and I'm not one to fail to conform to the dominant belief systems of the day. I certainly consider it required listening but maybe only a couple of plays, which I suppose makes me a fan of sorts.
I should probably confess I'm not a great fan of early Trane either, but for a brief time after Giant Steps and before Love Supreme he made some of the greatest music the world has yet heard, which for me puts him second only to Miles in Jazz.
Furthermore, Baptiste is among the greatest saxophonists this country has ever produced and all of his previous albums are worth checking, particularly his debut, featuring a more uptempo version of Naima. 
A few years back he brought his Let Freedom Ring, commissioned by Cheltenham, to Sage Gateshead but it was poorly attended and this wasn't as well attended as it should have been either; which on both occasions, was their loss.
Introductions out of the way, Living Space opened things up, some echo on his sax, great building from piano and drums, a relentless bass behind until sax came back in blazing.
Dusk Dawn was followed by Ascent from Kulu se Mama, Charles playing bowed, but the sax sounded synthetic, though the electric piano followed by a Hammond sound worked for me, but the synthesizer didn't. I've heard Trane played on synthesizer before and that didn't work either.
Peace on Earth featured just sax and keys before the leader really nailed the Trane sax sound on After the Rain. 
He then invited Steve Williamson, who he described as a major influence, to join him for some tenor madness (my words, not his) on Transition followed by Vigil, some spacey sounds coming from Yeoh, who now seemed to be playing laptop as well, before a lengthy, hard-hitting solo from Baptiste, the effects now working for me, and providing great contrast with Williamson playing his equally fine solo straight. 
Baptiste came back in, the two playing in sync, then weaving in and out with some note perfect interaction bringing the set, and my Cheltenham ‘17 to a resounding close.
There's an album out in June (though I bought it at the festival) and this may be a more accessible way into this difficult, challenging music. This was easily the best of the six gigs I saw over two days at Cheltenham, and probably the only one which will feature in my gigs of the year. He's taking it on tour though sadly not to the North East, but like the albums it's based on, it's essential; sort of.
Steve T

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Bebop Spoken Here -- Here, being the north-east of England -- centred in the blues heartland of Newcastle and reaching down to the Tees Delta and looking upwards to the Land of the Kilt.
Not a very original title, I know; not even an accurate one as my taste, whilst centred around the music of Bird and Diz, extends in many directions and I listen to everything from King Oliver to Chick Corea and beyond. Not forgetting the Great American Songbook the contents of which has provided the inspiration for much great jazz and quality popular singing for round about a century.
The idea of this blog is for you to share your thoughts and pass on your comments on discs, gigs, jazz - music in general. If you've been to a gig/concert or heard a CD that knocked you sideways please share your views with us. Tell us about your favourites, your memories, your dislikes.
Lance (Who wishes it to be known that he is not responsible for postings other than his own and that he's not always responsible for them.)
Contact: lanceliddle@gmail.com I look forward to hearing from you.

Submissions for review

Whilst we appreciate the many emails, texts, messages and other communications we receive requesting album/gig reviews on BSH, regrettably, we are unable to reply to all of them other than those we are able to answer with a positive response.
Similarly, CDs received by post will only be considered if accompanied by sufficient background material.
Finally, bear in mind that this is a jazz-based site when submitting your album.
Lance