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Bebop Spoken There

Lou Donaldson: "(On Art Blakey) Everything changed. Especially when the women came in, sat down in the front row, and raised their skirts above their knees. Then the drums got louder, the tempos got faster, and every tune was a drum solo" - (JazzTimes, November 2019.)

Archive

Today Saturday December 14

Afternoon

Jazz

Anth Purdy - Isabella Community Centre, Ogle Drive, Blyth NE24 5JF. Tel: 01670 543773. 11:00am-1:00pm. Free. Christmas Fair.

Jazz Attack - Sage Gateshead, St Mary's Square, Gateshead Quays, Gateshead NE8 2JR. Tel: 0191 443 4661. 3:30pm. Free (concourse). Young Musicians Live! YMP Winter Festival.

Jambone - Sage Gateshead, St Mary's Square, Gateshead Quays, Gateshead NE8 2JR. Tel: 0191 443 4661. 4:00pm. Free but ticketed (Sage Two). Young Musicians Live! YMP Winter Festival.

Evening

Strictly Smokin’ Big Band - Gosforth Civic Theatre, Regents Farm Road, Gosforth, Newcastle NE3 3HD. Tel: 0191 284 3700. 8:00pm. £12.00. + bf. Second night of two.

Sold Out!

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Blues/Funk/Soul

Loft Boys - Billy Bootleggers, Nelson St, Newcastle NE1 5AN. 9:00pm. Free.

To the best of our knowledge, details of the above events are correct but may be subject to alteration.

Friday, February 03, 2017

CD Review: Nikki Iles/Roger Garfitt - In All my Holy Mountain

(Review by Lance).
I sometimes think that jazz and poetry is a bit like drinking whiskey and ice cream soda. Both delightful in their own way but as a combo...?
There have been exceptions - Ken Rattenbury's interpretation of The Rime of the Ancient Mariner being one and some of Dr. Keith Armstrong's work in this field is also worth mentioning. However, by and large, my preference is for one without the other.
Then this came along - 'palm this off on Ann' I thought as I reluctantly put it on the player.
I'd never heard of Mary Webb which maybe isn't surprising as she died in 1927 but, listening to Garfitt reading her poetry, I found beauty in both the spoken word and the effective and compatible musical setting.
Westerley
It begins as a breath

a softness in the air
over the oakwoods

the first dustings of blue

brings a sea-change

the luminous shadow
of an Atlantic calm

close faraway light
catches the drift of

the stream, the wooded tumps,
rephrasing them in blues

finer than woodsmoke

takes the breath away

over the hillfort
in a blue that lifts

like a curlew's call.

The music does justice. Supports without intruding whilst providing the poetic, unspoken, sounds of jazz in the solos that pepper the words, the compositions of Iles the emotive voices of the horns, the direction of Williams who commissioned the original work in 1998 and the sympathetic readings by Garfitt make this an original and inspiring work.
Lance.
Available www.restringingthelyre.wordpress.com (£7.50 post free!).
Roger Garfitt (poet); John Williams (MD, baritone, bass clarinet, recorder); Nikki Iles (composer, piano, accordion); Dick Pearce (trumpet, flugel); Pete Hurt (alto, soprano, bass clarinet); Bob Sydor (tenor, flute); Karen Sharp (tenor, flute); Dave Warren (guitar, violin); Tom Mark (bass); Trevor Tompkins (drums, perc.)

1 comment :

Roger Garfitt said...

Many thanks, Lance, for the excellent review, which has already brought me an order from the States. But I should point out that, as the booklet makes clear, the poems are mine, though I do incorporate a number of Mary Webb's phrases into the second poem, Listening for the Sedge Warbler. Nikki hadn't heard of her either before we started work on the project but came across a couple of her books as she was travelling round and snapped them up. Do give my regards to Keith Armstrong next time you see him. Every good wish, Roger Garfitt.