Total Pageviews

Bebop Spoken There

Ethan Iverson: "I asked Bertha [Hope] if she ever used the word "contrafact" to describe the process of writing new tunes over old changes, and she replied, "Of course not. The only people who used that word went to a university to learn about jazz."" - (Jazz Times March 2020).

Archive.

The Things They Say!

Hudson Music: Lance's "Bebop Spoken Here" is one of the heaviest and most influential jazz blogs in the UK.

Rupert Burley (Dynamic Agency): "BSH just goes from strength to strength".

COFID- 19

In the current climate we are doing our best to keep everyone up to date. All gigs, as we all know, are off.

However, good old YouTube has plenty to offer both old and new to help us survive whilst housebound. Plus now is a good time to stock up on your CDs.

Also, keep an eye out for live streaming sessions.

Alternatively, you could do as they do in Italy and sing from your balcony.

Today

As we all know there are no live gigs taking place in the immediate future. However, any links to jazz streaming that are deemed suitable - i.e. with a professional approach - will be considered for posting.

Friday, February 03, 2017

CD Review: Nikki Iles/Roger Garfitt - In All my Holy Mountain

(Review by Lance).
I sometimes think that jazz and poetry is a bit like drinking whiskey and ice cream soda. Both delightful in their own way but as a combo...?
There have been exceptions - Ken Rattenbury's interpretation of The Rime of the Ancient Mariner being one and some of Dr. Keith Armstrong's work in this field is also worth mentioning. However, by and large, my preference is for one without the other.
Then this came along - 'palm this off on Ann' I thought as I reluctantly put it on the player.
I'd never heard of Mary Webb which maybe isn't surprising as she died in 1927 but, listening to Garfitt reading her poetry, I found beauty in both the spoken word and the effective and compatible musical setting.
Westerley
It begins as a breath

a softness in the air
over the oakwoods

the first dustings of blue

brings a sea-change

the luminous shadow
of an Atlantic calm

close faraway light
catches the drift of

the stream, the wooded tumps,
rephrasing them in blues

finer than woodsmoke

takes the breath away

over the hillfort
in a blue that lifts

like a curlew's call.

The music does justice. Supports without intruding whilst providing the poetic, unspoken, sounds of jazz in the solos that pepper the words, the compositions of Iles the emotive voices of the horns, the direction of Williams who commissioned the original work in 1998 and the sympathetic readings by Garfitt make this an original and inspiring work.
Lance.
Available www.restringingthelyre.wordpress.com (£7.50 post free!).
Roger Garfitt (poet); John Williams (MD, baritone, bass clarinet, recorder); Nikki Iles (composer, piano, accordion); Dick Pearce (trumpet, flugel); Pete Hurt (alto, soprano, bass clarinet); Bob Sydor (tenor, flute); Karen Sharp (tenor, flute); Dave Warren (guitar, violin); Tom Mark (bass); Trevor Tompkins (drums, perc.)

1 comment :

Roger Garfitt said...

Many thanks, Lance, for the excellent review, which has already brought me an order from the States. But I should point out that, as the booklet makes clear, the poems are mine, though I do incorporate a number of Mary Webb's phrases into the second poem, Listening for the Sedge Warbler. Nikki hadn't heard of her either before we started work on the project but came across a couple of her books as she was travelling round and snapped them up. Do give my regards to Keith Armstrong next time you see him. Every good wish, Roger Garfitt.

Blog Archive