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Bebop Spoken There

Ethan Iverson: "I asked Bertha [Hope] if she ever used the word "contrafact" to describe the process of writing new tunes over old changes, and she replied, "Of course not. The only people who used that word went to a university to learn about jazz."" - (Jazz Times March 2020).

Archive.

The Things They Say!

Hudson Music: Lance's "Bebop Spoken Here" is one of the heaviest and most influential jazz blogs in the UK.

Rupert Burley (Dynamic Agency): "BSH just goes from strength to strength".

COFID- 19

In the current climate we are doing our best to keep everyone up to date. All gigs, as we all know, are off.

However, good old YouTube has plenty to offer both old and new to help us survive whilst housebound. Plus now is a good time to stock up on your CDs.

Also, keep an eye out for live streaming sessions.

Alternatively, you could do as they do in Italy and sing from your balcony.

Today

As we all know there are no live gigs taking place in the immediate future. However, any links to jazz streaming that are deemed suitable - i.e. with a professional approach - will be considered for posting.

Friday, February 10, 2017

Grandma @ The Jazz Cafe - February 3

Graeme Wilson (saxophone) and Mark Williams (guitar).
(Review by JC/Archive photo courtesy of Ken Drew.)
Grandma arrived at the Jazz Cafe last Friday and plenty of fans turned up to visit her.
 "What a sweet mellow saxophone sound you have, Grandma"
"All the better to enhance your listening pleasure"
"What big chords you play on your guitar, Grandma"
"All the better to attract you to my music, my dears"
And people were attracted. The Jazz Cafe was, in my experience, unusually quiet as the musicians were playing, creating a very pleasant listening atmosphere.

Happily there were no wolves in headscarves around but nevertheless plenty of sharp-toothed playing. The two fine musicians that make up Grandma are both excellent individual players but together make up a whole that is more than the sum of their musical parts. The duo plays tunes written by each of them and have developed an excellent understanding of each other's approach. Each leaves the other plenty of space but then add harmonic touches and pick up on riffs on the other's solos. At one point in the middle of a tune one of my bar-leaning companions said (in a low voice) the piece could do with a little lift and, right on cue, the tune immediately took off and was sensational. That's jazz for you!
Sometimes it was a little hard to hear the titles of the various pieces as there was no microphone and Grandma Wilson was inclined to mumble slightly into his multi-coloured shirt but I'm not sure that made any difference.  One intro I did hear was when Wilson said the next piece was by Williams and was called Bye the Bye. "What's that about?" asked Wilson, "Oh, just bye the bye" said Williams gnomically. Anyway it didn't matter as it could have been called 'Little Red Riding Hood Meets the Big Bad Wolf' and still would have been an excellent tune.  This is a great duo of top musicality and well worth looking out for.
JC

PS - I am happy to report that no young children were eaten during this gig.

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