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Bebop Spoken There

Barry Harris (in 1981): "There is not one place in the world that you can find more jazz musicians from than Detroit." - (DownBeat, September 2019).

Archive

Daily: July 6 - October 27

Precarity John Akomfrah’s film (2017, 46 mins) about Buddy Bolden - Baltic Centre for Contemporary Art, Gateshead Quays, South Shore Road, Gateshead NE8 3BA. Tel: 0191 478 1810. Screenings at intervals during the day. Part of Akomfrah's exhibition Ballasts of Memory. Exhibition (daily) July 6 - October 27. 10:00am-6:00pm. Free.

Today Sunday August 18

Afternoon

Jazz

Precarity John Akomfrah’s film (2017, 46 mins) about Buddy Bolden (see above).

Vieux Carré Hot 4 - Spanish City, Spanish City Plaza, Whitley Bay NE26 1BG. 12 noon. Free.

Jazz Social - Charts, Quayside, Newcastle NE1 3DX. Tel: 0191 338 7989. 4:00pm. Free.

Blues/Funk/Soul

Rockafellas - Billy Bootleggers, Nelson St, Newcastle NE1 5AN. 3:00pm. Free.

Evening

Jazz

East Coast Jazz Jam - The Exchange, Howard Street, North Shields NE30 1SE. Tel: 0191 258 4111. 6:00pm. Free.

Bradley Johnston Trio + Giles Strong Trio - Black Bull, Bridge St., Blaydon NE21 4JJ. Tel: 0191 414 2846. 7:30pm. £7.00.

Dan Garel & Friends - The Globe, 11 Railway St., Newcastle NE4 7AD. 7:30pm (doors). £6.00. (£3.00. student).

To the best of our knowledge, details of the above events are correct but may be subject to alteration.

Monday, February 20, 2017

The Dream Jazz Collective @ The Empty Shop, Durham - February 16.

Jelly Cleaver (vocal, guitar), Seth Evans (keyboards), Nikita Losak (bass), Guillaume Trionfo (drums).
(Review by Steve T)
This was a one-off special which Carlo hadn't spotted as a Jazz gig and promoted accordingly. You may think the clue was in the name and the band had contacted Bebop Spoken Here to see if there would be anyone around to review it, but Carlos’ instincts proved, if not spot on, then near the mark.
They're a London-based band but Jelly Cleaver is a graduate of Durham University. Her voice was way down in the mix but she has a classic soul voice albeit without the grain of Aretha, Gladys Knight etc., more Minnie Ripperton, Deniece Williams or Betty Wright - no pressure then.
She's elegant and exotic, stylish and stunning and plays a spanking Gibson, but like the speaker of the Commons, I want to hear her. The music is an exciting melting pot of Jazz, fusion, pop, hip-hop, soul, funk and rock, Meshell Ndegeocello the nearest comparison I can come up with.
Some odd key changes, syncopation, changes in tempo, assured rhythm guitar and suitably restrained soloing, including some wah-wah and feedback.
They have a single out on March 1 called Angela and they've gone for something a little more 'out there', which is great, flicking her guitar to 'rock' for her solo.
It was a short set, somebody said about twenty minutes though I guesstimated around forty. They repeated it at an Italian restaurant a couple of hours later from a cramped stage above the bar, and I clocked it at about half an hour. I get that they may only want to play original material, but for the time being, they need a couple of covers and, with such a wide range of influences, there's so much to choose from. They also need to sort out their sound problems her voice barely audible here and sometimes entirely inaudible.
Having said that, even more so than at the Empty Shop, the band were laying down some crucial grooves (man), which is, I'm guessing, why the Empty Shop took out the tables and chairs.
Their entourage, including Katie Meberly of Nintai, who fronted a fine pixie folk, Jazzy support set at the Empty Shop, and two other young ladies led some fine sync dancing, simple but stylishly delivered, which proved infectious sparking some Crazy Ellen show dancing from the regular punters, which I'd like to see become part of their set.
Definitely, one to watch.
Steve T.

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Bebop Spoken Here -- Here, being the north-east of England -- centred in the blues heartland of Newcastle and reaching down to the Tees Delta and looking upwards to the Land of the Kilt.
Not a very original title, I know; not even an accurate one as my taste, whilst centred around the music of Bird and Diz, extends in many directions and I listen to everything from King Oliver to Chick Corea and beyond. Not forgetting the Great American Songbook the contents of which has provided the inspiration for much great jazz and quality popular singing for round about a century.
The idea of this blog is for you to share your thoughts and pass on your comments on discs, gigs, jazz - music in general. If you've been to a gig/concert or heard a CD that knocked you sideways please share your views with us. Tell us about your favourites, your memories, your dislikes.
Lance (Who wishes it to be known that he is not responsible for postings other than his own and that he's not always responsible for them.)
Contact: lanceliddle@gmail.com I look forward to hearing from you.

Submissions for review

Whilst we appreciate the many emails, texts, messages and other communications we receive requesting album/gig reviews on BSH, regrettably, we are unable to reply to all of them other than those we are able to answer with a positive response.
Similarly, CDs received by post will only be considered if accompanied by sufficient background material.
Finally, bear in mind that this is a jazz-based site when submitting your album.
Lance