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Bebop Spoken There

Francis Tulip: ''Music speaks louder than words''. (Jazzwise, June 2025).

The Things They Say!

This is a good opportunity to say thanks to BSH for their support of the jazz scene in the North East (and beyond) - it's no exaggeration to say that if it wasn't for them many, many fine musicians, bands and projects across a huge cross section of jazz wouldn't be getting reviewed at all, because we're in the "desolate"(!) North. (M & SSBB on F/book 23/12/24)

Postage

17,550 (and counting) posts since we started blogging 17 years ago. 514 of them this year alone and, so far, 92 this month (June 28).

From This Moment On ...

JULY 2025

Thu 10: Jazz Appreciation North East @ Brunswick Methodist Church, Newcastle NE1 7BJ. 2:00pm. £4.00. Subject: Soloists, Orchestras & Hot Fives.
Thu 10: Side Café Orkestar @ Prohibition Bar, Newcastle. Free. A ‘Jar on the Bar’ gig.

Fri 11: Paul Skerritt Quartet @ Bishop Auckland Methodist Church, Cockton Hill Road, Bishop Auckland. 1:00pm. £8.00. A Bishop Auckland Jazz promotion. New venue (second Friday in the month)!
Fri 11: Classic Swing @ Cullercoats Crescent Club. 1:00pm. Free.
Fri 11: Rendezvous Jazz @ The Monkseaton Arms. 1:00pm. Free.
Fri 11: New Orleans Preservation Jazz Band @ The Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 11: Vieux Carré Hot 4 @ The Beehive, Earsdon NE25 0SZ. 5:00-7:00pm. Free.
Fri 11: Fiona Finden Jazz Express @ Flash House Brewery, North Shields NE30 1DS. 8:00pm. Free.

Sat 12: Jazz Stage @ Mouth of the Tyne Festival. From 12 noon. Free. Vieux Carré Jazzmen (12 noon); Rendezvous Jazz (1:00pm); Mississippi Dreamboats (2:00pm); Classic Swing (3:00pm); Abbie Finn Trio (4:00pm). Stage adjacent to Tynemouth Priory.
Sat 12: Making Music Seminar: Latin American Music v. Music of Latin America @ The Glasshouse, Gateshead. 1:00pm. £15.00. (£5.00. online). Jason Holcomb, Alix Shepherd & Carlos Luis Rivera.
Sat 12: Edison Herbert Trio @ The Vault, Darlington 7:00pm. Free.
Sat 12: Jude Murphy & Dan Stanley @ Lovaine Community Garden, North Shields. 7:00pm (doors 6:40pm). £6.00. Limited places, booking essential (via the Community Garden website). BYOF&D.
Sat 12: Hot Club du Nord @ The Glasshouse, Gateshead. 8:00pm. Hall Two.
Sat 12: Sleep Suppressor @ Repas 7 by Night, Berwick. 8:00pm.
Sat 12: Anth Purdy @ Prohibition Bar, Newcastle.8:00pm. Free. ‘Swing Jazz Guitar’. A ‘Jar on the Bar’ gig.

Sun 13: Jazz Stage @ Mouth of the Tyne Festival. From 11:00am. Free. Trilogy of Four (11:00am); East Coast Jazzmen (12:10pm); Delta Prophets Trio (1:20pm); House of the Black Gardenia (2:30pm); Mouth of the Tyne All Stars (3:40pm). Stage adjacent to Tynemouth Priory.
Sun 13: Giles Strong Quartet @ The Sele, Hexham. 12 noon. Free. ‘The Bandstand Sessions’.
Sun 13: Julie Dexter @ The Cluny, Newcastle. 12:30pm (doors). £20.00. ‘The Cluny Matinee Jazz Club’.
Sun 13: ’58 Jazz Collective, Jackson’s Wharf, Hartlepool. 1:00pm. Free.
Sun 13: Tyne Valley Big Band @ Bishop Auckland Town Hall. 2:00pm. Tea Dance. SOLD OUT! A Durham Brass Festival event.
Sun 13: Ferg Kilsby @ Queen’s Hall, Hexham. 3:00pm. Kilsby (trumpet, flugelhorn); Luis Verde (alto sax); Ben Lawrence (piano); Andy Champion (double bass); John Hirst (drums).
Sun 13: 4B @ The Ticket Office, Whitley Bay. 3:00pm. Free.
Sun 13: Sloth Racket @ The Globe, Newcastle. 8:00pm. JNE.

Mon 14: Harmony Brass @ Cullercoats Crescent Club (1:00pm). Free.
Mon 14: Brass Bash @ Hardwick Park, Co. Durham. 6:00-8:00pm. Free. Various bands. A Durham Brass Festival event.
Mon 14: Brass Bash @ The Story, Mount Oswald, Co. Durham. 6:00-8:00pm. Free. Various bands. A Durham Brass Festival event.

Tue 15: Vieux Carré Hot 4 @ The Victoria & Albert Inn, Seaton Sluice. Tel: 0191 237 3697. 12:30pm. ‘July Jazz Barbecue’. Tickets: £15.00.
Tue 15: Brass Bash @ Hackworth Park, Shildon, Co. Durham. 6:00-9:00pm. Free. Various bands. A Durham Brass Festival event.
Tue 15: Brass Bash @ The Witham, Barnard Castle, Co. Durham. 6:00-8:00pm. Free. Various bands. A Durham Brass Festival event.
Tue 15: Julian Lage Trio @ 1856 Exchange, North Shields. 7:30pm . Lage (guitar); Jorge Roeder (double bass); Joey Barron (drums).
Tue 15: Jools Holland’s Rhythm & Blues Orchestra @ The Hippodrome, Darlington. 7:30pm.
Tue 15: Jam session @ The Black Swan, Newcastle. 7:30pm. Free. Stu Collingwood, Paul Grainger, Bailey Rudd.

Wed 16: Vieux Carré Jazzmen @ Cullercoats Crescent Club. 1:00pm. Free.
Wed 16: Brass Bash @ Willington Town Park, Co. Durham. 6:00-8:00pm. Free. Various bands. A Durham Brass Festival event.
Wed 16: Brass Bash @ Market Place, Spennymoor, Co. Durham. 6:00-8:00pm. Free. Various bands. A Durham Brass Festival event.
Wed 16: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington. 7:00pm. Free. Rehearsal session (open to the public).
Wed 16: Take it to the Bridge @ The Globe, Newcastle. 7:30pm. Free.

Reviewers wanted

Whilst BSH attempts to cover as many gigs, festivals and albums as possible, to make the site even more comprehensive we need more 'boots on the ground' to cover the albums seeking review - a large percentage of which never get heard - report on gigs or just to air your views on anything jazz related. Interested? then please get in touch. Contact details are on the blog. Look forward to hearing from you. Lance

Monday, February 27, 2017

CD Review - sort of - Tim Armacost: Time Being.

Tim Armacost (tenor); David Kikoski (piano); Robert Hurst (bass); Jeff' Tain' Watts (drums).
(Review by Lance).
My kind of tenor playing! My kind of jazz! Armacost is one of those blowing guys that catch your attention from chorus one. He's Blue Note, Prestige, Riverside - those labels would have reached out to him way back when.
To be honest, I didn't quite follow the blurb and it made me think I was cheating by just listening and enjoying!
Then I did think about it and played a Hank Mobley CD.
I Stopped thinking.
(Blurb)
The beginnings of this debut Whirlwind release as leader, from acclaimed Los Angeles-born tenor saxophonist Tim Armacost, tell a fascinating tale. A marquee player on the New York and Japanese scenes for many years, with an extensive discography and countless live and recorded collaborations to his name in the US, Europe and Asia (including the New York Standards Quartet recordings on this label), the clear direction for Time Being arrived, remarkably, out of the blue.
As Armacost elaborates: “I pictured myself playing Ornette Coleman’s Lonely Woman in the studio with a trio – double bassist Robert Hurst and drummer Jeff ‘Tain’ Watts. Tain was, in terms of time signature, out on his own, and Bob and I were communicating with each other independently of what he was playing. But what Tain was doing was so incredibly attractive – so fiery and so beautiful – that we both really wanted to go over and be part of that; yet we already had this thing that we had to do together. That whole idea of people relating to each other in the time, but in a non-traditional way, and creating tension which would eventually be resolved by them going over to play together, was something I’d never tried before – and the concept was really exciting. To achieve this, technology might have been the answer. But in the end, we decided to record in Tain’s studio, in an intimate live environment with no separation” (occasional left/right panning helps with the visualisation). “So for my compositions and arrangements, I needed to imagine the ideas happening in real time; and fortunately, with Tain and Bob on board – some of the most swinging musicians on the planet – there was a great, combined willingness for exploration, to make it happen.” Joining the trio on selected tracks is pianist David Kikoski, providing elegant, rippling color to numbers such as ‘The Next 20’ and ‘One and Four’.
Through the dedication of these accomplished artists, such a challenging brief has evolved into a project which is incredibly organic, purposeful and sumptuously swinging. The three ‘Sculptures’ on the album are very much an expression of this structured experimentation. ‘Phase Shift’ is modelled on an ‘X’ formation, as Armacost and Watts converge along the left tempo pathways, with Hurst on the right until saxophonist and bassist change places (an E flat to C piano key-change marks the crossover point) – technical in construction, but an exhilarating listen. In ‘Tempus Funkit’, Armacost independently visits the rhythms of drummer and bassist; and the particle-like conflict of ‘All The Things You Could Become In The Large Hadron Collider’ (based on ‘All The Things You Are’) is also a playful reference to Charles Mingus’ ‘All The Things You Could Be By Now If Sigmund Freud’s Wife Was Your Mother’.
‘Lonely Woman’ – the seed of this album which germinated so many possibilities – features a call-and-response between tenor and bass (with each saying, “Check out the way I’m playing the melody”), initiating their own improvisations until the drums home in on the bassist (as Tim puts it, “He can’t resist”). So the differing musical tensions are intentionally part of the unplanned dialogue present throughout this recording. In title track ‘Time Being’, the trio divides when tenor moves to a different tempo, with Hurst following, and Watts reaching them later – as Armacost enthuses: “When we all come back together, the pay-off is really delicious!” Pacey ’53rd Street’ is inspired by the blues melody of Thelonious Monk’s ’52nd Street’; there’s a fine, percussively buoyant interpretation of Monk’s ‘Teo’; and feisty, original composition ‘Alawain’ says so much about this trio’s collective, impassioned spirit.
Tim Armacost describes the session as being playful, wild and serious: “It has been a real source of joy, for me, to see such open musicians willing to make an attempt at something we’ve never done before; and especially when things got kinda interesting, and we started smiling – that was a really special, even relaxed experience. I hope that, although this has a demanding concept at its roots, listeners can pick up on its lyrical, singing qualities. The audience is very much part of the conversation – we’re doing this thing together, and we invite you in… to have fun!”


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