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Bebop Spoken There

Vadim Neselovskyi, Professor of Jazz Piano, Berklee College of Music: “Every pianist has to deal with a very complex left-hand part at some point. This is the essential pianistic experience – to split your brain into two halves and execute two very different tasks at the same time.” – (Down Beat September 2017).

Roscoe Mitchell: “To me, improvisation is trying to improve your skills so you can make these on-point compositional decisions. That takes practice.” – (Down Beat September 2017)

Archives

Today Monday September 25

Afternoon.
Jazz in the Afternoon - Crescent Club, 1 Hudleston, Cullercoats NE30 3OS. 1pm. Free.
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Classic Swing - Marquis of Granby, Streetgate, Sunniside NE16 5ES. 0191 4880954. 1pm. Free. New mainstream gig w. Bob Wade (trumpet); Olive Rudd (vocal) and other familiar faces.
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Alastair Lord (trumpet) & Kris Thomsett (organ) - St. Nicholas Cathedral, St. Nicholas Square, Newcastle NE1 1PF. 1:05. Free (retiring collection).
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Evening.
?????
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To the best of our knowledge, details of the above events are correct but may be subject to alteration.

Sunday, February 05, 2017

Lickety Split @ The Globe Jazz Bar - February 4

Kevin Eland (trumpet/flugel); Alan Marshall (alto/tenor); Eddie Bellis (tromboone); Graham Don (piano); Bradley Johnston (guitar); Alan Rudd (bass guitar); Sid White (drums).
(Review by Lance).
Li'l Darlin'; St. Thomas; Filthy McNasty; Sandu; Straight no Chaser; Doxy; Del Sassa; Curious George and Basie Street were just some of the numbers I recognised, or were occasionally identified by frontman Bellis, The set list gives a broad indication of where Lickety Split come from.  Neither east coast or west but straight down the middle, mainstream to modern, swing to bop and beyond, Seven good men and true, all masters of their craft.
Although we were on the second floor, Eland seemed to be blowing two flights higher. Think Maynard and Cat.
The previous evening Marshall had been playing pre-1940's swing with the NCRO, this evening he'd moved forward twenty or thirty years, I wonder where he's playing tomorrow, in a Tardis perhaps?
Bellis blows 'bone like a 'bone should be blown. None of this typewriter twittering, but earthy sounds that hark back to the instrument's jazz roots without losing track of time or identity.
Many words have been written about Brad on guitar - suffice to say that he fits in here as easily as he does in any situation.
Likewise Rudd. He does the job irrespective of style. Upright acoustic or sit down electric he's our man.
On drums, Southpaw Sid was, as ever, a knockout but the big surprise was Graham Don on piano. A last minute dep., he produced some stunning solos that made those who were only familiar with his limited exposure in the SSBB realise just how good he was.
An excellent band.
Photos.
Lance.

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About this blog - contact details.

Bebop Spoken Here -- Here, being the north-east of England -- centred in the blues heartland of Newcastle and reaching down to the Tees Delta and looking upwards to the Land of the Kilt.
Not a very original title, I know; not even an accurate one as my taste, whilst centred around the music of Bird and Diz, extends in many directions and I listen to everything from King Oliver to Chick Corea and beyond. Not forgetting the Great American Songbook the contents of which has provided the inspiration for much great jazz and quality popular singing for round about a century.
The idea of this blog is for you to share your thoughts and pass on your comments on discs, gigs, jazz - music in general. If you've been to a gig/concert or heard a CD that knocked you sideways please share your views with us. Tell us about your favourites, your memories, your dislikes.
Lance (Who wishes it to be known that he is not responsible for postings other than his own and that he's not always responsible for them.)
Contact: lanceliddle@gmail.com I look forward to hearing from you.

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