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Bebop Spoken There

Chris Potter: "When we were going to get on an aeroplane, he [Red Rodney] would always pretend to have a limp so we could get on first." (Jazzwise March 2019).

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Today Thursday February 21

Afternoon

Jazz

Vieux Carré Jazzmen - Holystone, Whitley Rd., Holystone NE27 0DA. Tel: 0191 266 6173. 1:00pm. Free.

Evening

Jazz

Society Trio - Revolucion de Cuba, 1 Cloth Market, Newcastle NE1 1EE. 6pm. Free,

Musicians Unlimited - Tees Hot Club, Dorman’s Club, Oxford Road, Middlesbrough TS5 5DT. Tel: 01642 823813. 8:30pm. Free. Guest band night.

Maine Street Jazzmen - Sunniside Social Club, Hollywell Lane, Sunniside, Gateshead NE16 5NJ. Tel: 0191 488 7347. 8:30pm. Free.

New Orleans Preservation Jazz Band - Oxbridge, Oxbridge Lane, Stockton on Tees TS18 4AW. 8:30pm.

Daniel John Martin w Swing Manouche - Black Swan, Westgate Road, Newcastle NE1 1SG. Tel: 0191 261 5618. 8:00pm. £6.00. (£5.00. concs.).

Stu Collingwood (solo piano) - The Rabbit Hole, 17 Hallgarth St., Durham DH1 3AT. Tel: 0191 386 5556. 7pm. Book in advance.

To the best of our knowledge, details of the above events are correct but may be subject to alteration.

Saturday, February 18, 2017

CD Review: Beata Pater - Fire Dance

Beata Pater (vocals, producer); Alex Danson (composer); Sam Newsome (sop sax); Anton Schwartz (ten sax); Aaron Lington (bar sax); Scott Collard (keys); Aaron German (bass); Alan Hall (drums); Brian Rice (perc).
(Review by Ann Alex)
I was prepared to be disappointed by this music which was described as wordless vocals, ‘pushing the envelope of vocal artistry’.  There was also a very wordy enclosure describing the music, which is sometimes a bad sign, but the music turned out to be absolutely delightful. Ms Pater and Alex Danson the composer have come up with fully integrated, interesting, tuneful, well thought out music, much of it influenced by eastern folk elements, but still suitable to be called jazz, perhaps world jazz would be an appropriate term. Listeners shouldn’t be put off by the track titles; Curse Of The Locusts; Daylight Saving; Sand Dunes; Harvest Season; Fire Dance; The Princess; Round Dance; Flashback; The Quest; Reaping Spell; Ritual. There is a loose narrative feel to the whole work.
The voice is one of the instruments of the band, often in the lead, and enhanced by multi-tracking, so the vocals are not scat at all, but are a well-integrated part of the whole. There is a rhythmic thrust which is influenced by North African and Eastern European music.  Curse of the Locusts opens with jungle-like drums, then a staccato vocal, a jazz tune moving along well, then the saxes enter, sounding a bit like insects, and the track ends with a kind of resolution with pleasing overdubbed voices. Harvest Season has a peasant dance rhythm, full of joy; The Princess is a drifting, dreamy piece, lots of keys soloing, followed by a very free falling soprano sax. Flashback gives us a drone, eastern sounding vocals, shakers on the percussion, rounded off with jazzy keys. Reaping Spell has constant repetition, like the spell, and Ritual is layered, punchy and vocal driven. The instrumentalists are all well up to the mark.
This is Ms Pater’s fifth album – her previous work has been mostly re-imagined jazz standards, and after hearing this album, I’d guess that the previous CDs are well worth the listening.
Fire Dance is available on Amazon, iTunes and CD Baby from February 28.
Also on B&B Records, Cat no. BB0421  See www.beatapater.com    
Ann Alex

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Bebop Spoken Here -- Here, being the north-east of England -- centred in the blues heartland of Newcastle and reaching down to the Tees Delta and looking upwards to the Land of the Kilt.
Not a very original title, I know; not even an accurate one as my taste, whilst centred around the music of Bird and Diz, extends in many directions and I listen to everything from King Oliver to Chick Corea and beyond. Not forgetting the Great American Songbook the contents of which has provided the inspiration for much great jazz and quality popular singing for round about a century.
The idea of this blog is for you to share your thoughts and pass on your comments on discs, gigs, jazz - music in general. If you've been to a gig/concert or heard a CD that knocked you sideways please share your views with us. Tell us about your favourites, your memories, your dislikes.
Lance (Who wishes it to be known that he is not responsible for postings other than his own and that he's not always responsible for them.)
Contact: lanceliddle@gmail.com I look forward to hearing from you.

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Whilst we appreciate the many emails, texts, messages and other communications we receive requesting album/gig reviews on BSH, regrettably, we are unable to reply to all of them other than those we are able to answer with a positive response.
Similarly, CDs received by post will only be considered if accompanied by sufficient background material.
Finally, bear in mind that this is a jazz-based site when submitting your album.
Lance