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Bebop Spoken There

Brian Dee: "I feel my generation had one advantage over today's players in that we were not musically educated in colleges, so we all sounded different. I could tell who it was just by the sound." - (Jazz Rag, Summer 2020).

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11,783 (and counting) posts since we started blogging 12 years ago. 1023 of them this year alone and, so far, 50 this month (Sept. 17).

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SEPTEMBER

IT IS ADVISABLE TO CHECK IN ADVANCE WITH THE VENUE THAT THE GIG IS ON

SATURDAY

Happy Birthday Katy Trigger & Mia Webb.

SUNDAY 20

Vieux Carre Hot 4 - Spanish City, Spanish City Plaza, Whitley Bay NE26 1BG. Tel: 0191 691 7090. 12 noon. Free.

Riviera Quartet - The Globe, 11 Railway St., Newcastle NE4 7AD. 8:00pm. A limited number of seats are available which MUST be bought in advance online. £7:50 or £5:45 live stream only.

THURSDAY 24

Vieux Carre Jazzmen - The Holystone, Whitley Road, North Tyneside NE27 0DA. 0191 266 6173. 1:00pm. Free.

Maine St Jazzmen - Sunniside Social Club, Sunniside Road, Sunniside NE16 5NA. Tel: 0191 488 7347. 8:00pm - 10pm. Free. Note earlier start/finish.

Sunday, February 12, 2017

Maria Chiara Argiro Group @ The Jazz Café February 10

Maria Chiara Argiro (piano); Sam Rapley (reeds); Tal Janes (guitar); Andrea DiBiase (bass); Gaspar Sena (drums)
(Review by Steve H/Photos courtesy of Mike Tilley) 
Friday night at the Jazz Cafe saw the upstairs room turn into Little Italy as many of the London based Italian band leader’s compatriots joined the locals for a wonderful evening of contemporary jazz. The band was featuring the release of their debut album The Fall Dance. Many of the tunes followed the same structure - a quiet opening solo by one of the group building into a cinematic melodious soundscape with all band members contributing to the impressive structure. 
The tune Stanhope Gardens inspired by the London street in the multi-ethnic area of Haringey stood out with its vibrant Turkish style ending. Argiro tended to be more bandleader than soloist although her style of playing, burying her head into the piano with her hair covering her entire face was quite beguiling. 

All the band members played excellent solos: Sam Rapley at times seemed Metheneyesque on guitar, Gaspar Sena excelled on drums and Andrea DiBiase, another Anglo-Italian put down some solid bass grooves, while I was blown away by Sam Rapley on both clarinet and tenor. The solo on the first number of the second set (Dream R) was as enjoyable as anything the great Seamus Blake had played at the Black Swan just 3 days previous. Full of passion, intrigue, subtlety and power, it was worth the admission fee alone. 
At the end of the gig the cosmopolitan audience showed their appreciation with a great ovation. The band despite a somewhat tortuous drive from London that day were still happy to hang around and chat to people. A lovely bunch of people had thoroughly warmed and rewarded those who had ventured out on a cold and harsh Newcastle Friday night.
Steve H.

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