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Bebop Spoken There

Kurt Elling: ''There's something to learn from every musician you play with''. (DownBeat, December 2024).

The Things They Say!

This is a good opportunity to say thanks to BSH for their support of the jazz scene in the North East (and beyond) - it's no exaggeration to say that if it wasn't for them many, many fine musicians, bands and projects across a huge cross section of jazz wouldn't be getting reviewed at all, because we're in the "desolate"(!) North. (M & SSBB on F/book 23/12/24)

Postage

17630 (and counting) posts since we started blogging 16 years ago. 904 of them this year alone and, so far, 49 this month (Dec. 20).

From This Moment On ...

December

Tue 24: Lindsay Hannon & Mark Williams @ Ernest, Ouseburn, Newcastle. 11:00am-1:00pm. Free.
Tue 24: Paul Skerritt @ Mambo Wine & Dine, South Shields. 1:00pm. Free. Vocalist Skerritt working with backing tapes.

Wed 25: Wot? No jazz!

Thu 26: The Boneshakers @ Tyne Bar, Ouseburn, Newcastle. 4:00pm. Free. The 17th annual Boneshakers’ Shindig.

Fri 27: Classic Swing @ Cullercoats Crescent Club. 1:00pm. Free.
Fri 27: Rendezvous Jazz @ The Monkseaton Arms. 1:00pm. Free. Business as usual!.
Fri 27: Jason Isaacs @ Seaburn STACK, Seaburn. 3:30-5:30pm. Free. Vocalist Isaacs working with backing tapes.
Fri 27: Michael Woods @ Prohibition Bar, Newcastle. 8:00pm. A ‘Jar on the Bar’ gig. Country blues guitar & vocals.

Sat 28: Jason Isaacs @ St. James’ STACK, Newcastle. 11:30am. Free. Vocalist Isaacs working with backing tapes.
Sat 28: Fri 20: Castillo Nuevo @ Revoluçion de Cuba, Newcastle. 5:30pm. Free.
Sat 28: Jude Murphy, Rich Herdman & Giles Strong @ Prohibition Bar, Newcastle. 8:00pm. A ‘Jar on the Bar’ gig.
Sat 28: Ray Stubbs R & B All-Stars @ Billy Bootlegger’s, Stepney Bank, Newcastle. 9:00pm. Free.

Sun 29: Paul Skerritt @ Hibou Blanc, Newcastle. 2:00pm. Free. Vocalist Skerritt working with backing tapes.
Sun 29: Alexia Gardner Quintet @ The Globe, Newcastle. 8:00pm.

Mon 30: Harmony Brass @ Cullercoats Crescent Club. 1:00pm. Free.
Mon 30: Vieux Carré Jazzmen @ The Wheatsheaf, Benton Sq., Whitley Road, Palmersville NE12 9SU. Tel: 0191 266 8137. 1:00pm. Free.
Mon 30: Jason Isaacs @ STACK, Exchange Sq., Middlesbrough. 4:00-6:00pm. Free. Vocalist Isaacs working with backing tapes.

Reviewers wanted

Whilst BSH attempts to cover as many gigs, festivals and albums as possible, to make the site even more comprehensive we need more 'boots on the ground' to cover the albums seeking review - a large percentage of which never get heard - report on gigs or just to air your views on anything jazz related. Interested? then please get in touch. Contact details are on the blog. Look forward to hearing from you. Lance

Sunday, February 12, 2017

Maria Chiara Argiro Group @ The Jazz Café February 10

Maria Chiara Argiro (piano); Sam Rapley (reeds); Tal Janes (guitar); Andrea DiBiase (bass); Gaspar Sena (drums)
(Review by Steve H/Photos courtesy of Mike Tilley) 
Friday night at the Jazz Cafe saw the upstairs room turn into Little Italy as many of the London based Italian band leader’s compatriots joined the locals for a wonderful evening of contemporary jazz. The band was featuring the release of their debut album The Fall Dance. Many of the tunes followed the same structure - a quiet opening solo by one of the group building into a cinematic melodious soundscape with all band members contributing to the impressive structure. 
The tune Stanhope Gardens inspired by the London street in the multi-ethnic area of Haringey stood out with its vibrant Turkish style ending. Argiro tended to be more bandleader than soloist although her style of playing, burying her head into the piano with her hair covering her entire face was quite beguiling. 

All the band members played excellent solos: Sam Rapley at times seemed Metheneyesque on guitar, Gaspar Sena excelled on drums and Andrea DiBiase, another Anglo-Italian put down some solid bass grooves, while I was blown away by Sam Rapley on both clarinet and tenor. The solo on the first number of the second set (Dream R) was as enjoyable as anything the great Seamus Blake had played at the Black Swan just 3 days previous. Full of passion, intrigue, subtlety and power, it was worth the admission fee alone. 
At the end of the gig the cosmopolitan audience showed their appreciation with a great ovation. The band despite a somewhat tortuous drive from London that day were still happy to hang around and chat to people. A lovely bunch of people had thoroughly warmed and rewarded those who had ventured out on a cold and harsh Newcastle Friday night.
Steve H.

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