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Bebop Spoken There

Vadim Neselovskyi, Professor of Jazz Piano, Berklee College of Music: “Every pianist has to deal with a very complex left-hand part at some point. This is the essential pianistic experience – to split your brain into two halves and execute two very different tasks at the same time.” – (Down Beat September 2017).

Roscoe Mitchell: “To me, improvisation is trying to improve your skills so you can make these on-point compositional decisions. That takes practice.” – (Down Beat September 2017)

Archives

Today Saturday September 23

Scarborough Jazz Festival - Day two of three.
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Evening
Bradley Johnston (solo guitar) - Cherry Tree, 9 Osborne Rd., Jesmond, Newcastle NE2 2AE. 7:30pm. No cover charge.
Rockafellas - Billy Bootleggers, 28 Nelson St., Newcastle NE1 5AN. 9pm. Free.
Tobie Carpenter Organ Trio - The Globe, 11 Railway St., Newcastle NE4 7AD. 8pm. £10.
Thin Man + Jon Gordon - The Globe, 11 Railway St., Newcastle NE4 7AD. 8pm. Free.
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Nikki Iles & Stan Sulzmann - Great Hall, Hexham Abbey, Hexham NE46 3NB. 10pm. £10/£8.
Pat McMahon Trio - Tannery, Gilesgate, Hexham NE46 3QD. 01434 605537. 9pm. Free.
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To the best of our knowledge, details of the above events are correct but may be subject to alteration.

Friday, February 03, 2017

Gerry Richardson’s Big Idea @ The Jazz Café. Feb 2

(Review by Russell/photo courtesy of Mike Tilley)
Stone Church. The Big Idea’s set list opener, Gerry Richardson’s brooding Hammond, then the explosive, dissipating horns. First thoughts? Gig of the year! The Big Idea is, without question, one of the cast iron, nailed-on bands. Blues for Big Red, then African Sunset (Richardson’s self-deprecating observation: Our big hit). The nine-piece hit the ground running, all the horns killing.
Big Jazz Club in the Sky – when you’ve heard it once you can join in with the lyrics – a list of the jazz greats, a winning tune. The Turnaround Shuffle (recent recruit to the drum chair Adam Sinclair on the money), Lady Day and John Coltrane (one of Richardson’s best vocals), the skanking Ska Odyssey (Big Red himself, Rod Sinclair on top form, as he was all night), and a new one in the pad, a Clarence Wheeler number, blistering it was. It will be in the set list next time – be there to hear it.
Several audience members were hearing the band for the first time. At the interval, all said they were mucho impressed…they’ve got ears!

Cannonball Adderley opened the second set, Song of the Ferris, a solo flute feature for a certain Sue Ferris took it down a notch, but not for long. Drummer Adam Sinclair (living proof that the drum machine should be rendered obsolete) gave what amounted to a drum ‘n’ bass masterclass on Another Dark One, then, the Big Idea’s party piece – All About McGriff. Richardson suggested this was the ‘jazz’ number of the evening. Rip-roaring, a Hammond jazz tear-up. Gig of the year?

All aboard for the finale. A nod to Richard Tee, Richardson invited all present to Take the Tee Train. One helluva exhilarating ride. Cue applause, encore won, let’s go out on Night                               
Train. On leaving the Jazz Café one punter, effusive in praise said: That was expletive deleted ridiculous!
Russell.
Gerry Richardson (Hammond B3 & vocals), Garry Linsley (alto saxophone), Stuart Johnson (tenor & soprano saxophones), Sue Ferris (tenor & baritone saxophones, flute), Dave Hignett (trumpet & flugelhorn), Mark Webb (trumpet), David Gray (trombone), Rod Sinclair (guitar) & Adam Sinclair (drums) 

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Bebop Spoken Here -- Here, being the north-east of England -- centred in the blues heartland of Newcastle and reaching down to the Tees Delta and looking upwards to the Land of the Kilt.
Not a very original title, I know; not even an accurate one as my taste, whilst centred around the music of Bird and Diz, extends in many directions and I listen to everything from King Oliver to Chick Corea and beyond. Not forgetting the Great American Songbook the contents of which has provided the inspiration for much great jazz and quality popular singing for round about a century.
The idea of this blog is for you to share your thoughts and pass on your comments on discs, gigs, jazz - music in general. If you've been to a gig/concert or heard a CD that knocked you sideways please share your views with us. Tell us about your favourites, your memories, your dislikes.
Lance (Who wishes it to be known that he is not responsible for postings other than his own and that he's not always responsible for them.)
Contact: lanceliddle@gmail.com I look forward to hearing from you.

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