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Bebop Spoken There

Ethan Iverson: "I asked Bertha [Hope] if she ever used the word "contrafact" to describe the process of writing new tunes over old changes, and she replied, "Of course not. The only people who used that word went to a university to learn about jazz."" - (Jazz Times March 2020).

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COFID- 19

In the current climate we are doing our best to keep everyone up to date. All gigs, as we all know, are off.

However, good old YouTube has plenty to offer both old and new to help us survive whilst housebound. Plus now is a good time to stock up on your CDs.

Also, keep an eye out for live streaming sessions.

Alternatively, you could do as they do in Italy and sing from your balcony.

Today

As we all know there are no live gigs taking place in the immediate future. However, any links to jazz streaming that are deemed suitable - i.e. with a professional approach - will be considered for posting.

Friday, February 10, 2017

BABMUS @ The Jazz Café. February 9

Tom Bearpark Quartet: Tom Bearpark (keyboards), Thomas Dixon (alto & tenor saxophones), Stephen Wall (bass) & Adam Watson (drums) + guests
(Review by Russell)
BABMUS is a new partnership between Sage Gateshead’s thriving music education set-up and Newcastle’s Jazz Café. BA and BMus degree courses are delivered at Gateshead (hence BABMUS) and Newcastle’s Pink Lane jazz venue has kindly agreed to provide a regular gigging opportunity to the student musician. The Jazz, Popular and Commercial Music degree course has produced a significant number of success stories with alumnus making their mark in an ultra-competitive music world.

The opportunity to perform in a ‘live’ setting, in front of a paying audience is considered key to the development of the aspiring musician. Pianist Tom Bearpark is the young man in this Tyneside vanguard and who knows, one day Tom and his student friends could be performing at the Village Vanguard, NYC. Course tutors kept out of the way, the gig is a student-run gig. Bearpark imposed a three line whip thus ensuring fellow students turned out in force, making for a supportive environment and bar sales turned over (this is a jazz gig imperative), no doubt making the Jazz Café’s manager a happy bunny on the night!

Tom Bearpark leads the band, Thomas Dixon fronts the band. Bearpark cuts a shy figure, Dixon likewise, but someone has to do the talking so it fell to the amiable Dixon, playing alto and tenor on this gig, to say ‘hello’ and introduce the tunes. The quartet played many familiar numbers and, growing in confidence, launched into a freer piece culminating in a coruscating tenor workout…the sound of things to come! Several students sat in – female vocalists to the fore – and the Bearpark Quartet with the excellent Stephen Wall, bass and drummer Adam Watson completing the line-up went out on a high with Wonderful World (it was wonderful, featuring Wall’s into) and, right up Bearpark’s street, a rousing take on Horace Silver’s Song for my Father.

BABMUS has made an encouraging start with audience numbers exceeding expectations.  The session isn’t a free admission gig – it’s a real world, commercial proposition. Give it a try, show your support, a BABMUS gig is well worth catching.               

Russell.

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