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Bebop Spoken There

Charles McPherson: “Jazz is best heard in intimate places”. (DownBeat, July, 2024).

The Things They Say!

Hudson Music: Lance's "Bebop Spoken Here" is one of the heaviest and most influential jazz blogs in the UK.

Rupert Burley (Dynamic Agency): "BSH just goes from strength to strength".

'606' Club: "A toast to Lance Liddle of the terrific jazz blog 'Bebop Spoken Here'"

The Strictly Smokin' Big Band included Be Bop Spoken Here (sic) in their 5 Favourite Jazz Blogs.

Ann Braithwaite (Braithwaite & Katz Communications) You’re the BEST!

Holly Cooper, Mouthpiece Music: "Lance writes pull quotes like no one else!"

Simon Spillett: A lovely review from the dean of jazz bloggers, Lance Liddle...

Josh Weir: I love the writing on bebop spoken here... I think the work you are doing is amazing.

Postage

16590 (and counting) posts since we started blogging 16 years ago. 483 of them this year alone and, so far, 29 this month (July 14).

From This Moment On ...

July

Tue 16: Vieux Carré Hot 4 @ Victoria & Albert Inn, Seaton Terrace, Seaton Delaval NE25 0AT. 12:30pm. £15.00 (tel: 0191 237 3697). Summer BBQ in the Beer Graden.
Tue 16: Jam session @ The Black Swan, Newcastle. 7:30pm. Free. House trio: Alan Law, Paul Grainger & Abbie Finn.

Wed 17: Vieux Carré Jazzmen @ Cullercoats Crescent Club. 1:00pm. Free.
Wed 17: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington. 7:00pm. Free. Rehearsal session (open to the public).
Wed 17: Take it to the Bridge @ The Globe, Newcastle. 7:30pm. Free.
Wed 17: John Pope & John Garner + Nisha Ramayya @ Cluny 2, Newcastle. 7:30pm (doors). £15.00. (£12.00. adv.). A Gem Arts Masala Festival event.

Thu 18 Gateshead Jazz Appreciation Society @ Brunswick Methodist Church, Newcastle NE1 7BJ. 2:30pm. £4.00.
Thu 18: Theo Croker @ The Glasshouse, Gateshead. 8:00pm.
Thu 18: Brad Linde’s Continentals @ The Globe, Newcastle. 8:00pm.
Thu 18: Eva Fox & the Jazz Guys @ Prohibition Bar, Newcastle. 8:00pm. A ‘Jar on the Bar’ gig.
Thu 18: Ray Stubbs R&B All Stars @ The Mill Tavern, Hebburn. 8:00pm. Rhythm & blues.
Thu 18: Tees Hot Club @ Dorman’s Club, Middlesbrough. 8:30pm. Guest band: Darlington Big Band.

Fri 19: Luis Verde with the Dean Stockdale Trio @ The Lit & Phil, Newcastle. 1:00pm. SOLD OUT!
Fri 19: Classic Swing @ Cullercoats Crescent Club. 1:00pm. Free.
Fri 19: Rendezvous Jazz @ The Monkseaton Arms. 1:00pm. Free.
Fri 19: New Orleans Preservation Jazz Band @ The Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 19: Luis Verde with the Dean Stockdale Trio @ Traveller’s Rest, Darlington. 8:00pm. Opus 4 Jazz Club.
Fri 19: Zoë Gilby Trio @ Seventeen Nineteen, Hendon, Sunderland. 7:30pm.

Sat 20: Snake Davis & Helen Watson Duo @ Chopwell Community Centre NE17 7HZ. 7:30pm. £17.50.

Sun 21: Paul Skerritt @ Hibou Blanc, Newcastle. 2:00pm.
Sun 21: Salty Dog @ The Globe, Newcastle. 3:00pm.
Sun 21: 4B @ The Ticket Office, Whitley Bay. 3:00pm. Free. Sun 21: The Big Easy @ The White Room, Stanley. 5:00pm.
Sun 21: Ben Crosland Quartet @ The Globe, Newcastle. 8:00pm.

Mon 22: Harmony Brass @ Cullercoats Crescent Club. 1:00pm. Free.

Sunday, February 26, 2017

CD Review: Theo Bleckmann – Elegy

Theo Bleckmann – voice; Ben Monder – guitar; Shai Maestro – piano; Chris Tordini – double bass; John Hollenbeck – drums
(Review by Hugh C)
German-born vocalist, Theo Bleckmann, now resides in New York.  He has been described as a “sound painter” - on this CD he uses his instrument to create both broad brush strokes and delicate patterns, he has also composed most of the material.  Bleckmann has had a musical association with guitarist Ben Monder and drummer John Hollenbeck for over two decades, but a more recent association with pianist Shai Maestro and bassist Chris Tordini.
Elegy sets out to be an “exploration of death or transcendence in some existential way”.  Bleckmann states that in this album he wants to “create songs that deal with this subject matter not in a morbid way, but with some light to it”.  

The CD consists of a series of songs contributing to the exploration, with short instrumental interludes, each of which are improvisations on Bleckmann's written material.  Semblance is the first of these and rapidly moves into Comedy Tonight, setting Sondheim's words and arranged in memory of Bleckmann's mother, who died recently at the age of 91 still looking for things to make her laugh.  Bleckmann's atmospheric take on Sondheim's lyrics are supported by Maestro's solo piano.  Fields, followed by The Mission feature the whole band in balladic mood, with Bleckmann's vocalese floating over the instrumentalists.  After another brief instrumental interlude – Littlefields - comes the title track, Elegy, which has a darker musical texture, through which emerges the more uplifting finale.  To Be Shown to Monks at a Certain Temple, based on an 8th-century Zen poem by Chiao Jan, is about not giving up and exhorts the listener “not to think about death, but keep on moving; not to be morose, keep on living”.

Another instrumental interlude - Cortege - precedes a short reprise of Elegy, leading into Take My Life.  Bleckmann composed this thinking about Bach and his cantatas, especially “Ich habe genug” - Bach was looking forward to the afterlife; Bleckmann here imagines in his lyrics what it would be like to die, but ultimately finds “no other God but silence”.  Wither (sic) – no h and no question mark - is another vocalese, no lyrics.  This reverts to the ballad format with fine piano from Maestro, sensitively supported by the three other band members.  A final instrumental improvisation, Alate, closes the set in a rising chordal progression, rather in the manner of an old black and white film ending, with a slowly closing iris ultimately forming a small central dot, followed by the word FIN.

This is certainly a thought-provoking offering.  The musicianship of all the band members is beyond question.  I think it would probably pass Lance's Outré test.  It is certainly unconventional (even for an ECM recording) and could possibly be considered bizarre.  I do think that Bleckmann has probably achieved his objective and created songs that deal with this subject matter [exploration of death or transcendence in some existential way] not in a morbid way, but with some light to it.
Hugh C

Elegy is now released on ECM (ECM 2512  479 9717)

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