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Bebop Spoken There

Dave Gelly: “From 1 January 1920, when prohibition was imposed in the US, people didn’t stop drinking, they just stopped drinking legally.” – (Jazz Journal October 2017).

Regina Carter: “When I was a teenager, I would daydream about going out on a date and dancing to Ella’s music.” (Down Beat October 2017).

Today Tuesday November 21

Afternoon

Classic Swing - The Ship, Front St., Monkseaton NE25 8DP. 1pm. Free. New weekly mainstream session. 2 mins from Monkseaton metro.
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Evening

Jam session - Jazz Café, 25 Pink Lane, Newcastle NE1 5DW. 0191 222 9882. 8:00pm Free. Session led by Mark Williams.

Omar Sosa + Seckou Keita - Sage Gateshead, St Mary’s Square, Gateshead NE8 2JR. 0191 443 4666. 8:00pm. £21.80. Sage Two.

Gypsy Jazz Jam - Prohibition Bar, Arch 3, Brandling Street, Gateshead NE8 2BA. Doors 7:00pm. Free. ‘No audience as such – everyone is a player/musician or a gypsy!’

Charles Gordon - Vermont Hotel, Castle Garth, Newcastle NE1 1RQ. 0191 233 1010.

10:00pm. Free.

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To the best of our knowledge, details of the above events are correct but may be subject to alteration.

Saturday, February 11, 2017

Billie Meets Kurt @ The Globe Jazz Bar - February 9

Gabi Heller (vocals, percussion); Steve Glendinning (guitar)
(Review by Ann Alex/photos courtesy of Kaveh Enami).
A drink was spilt over my notes and then my birthday intervened to prevent this review being done as quickly as it should, but no matter, this Jazz Coop presentation may well qualify as my Gig of the Year, yes, it was just sooo good. Gabi had done loads of research for this. You’ve heard of illustrated lectures, well this was an illustrated gig. Gabi presented the thesis that Billie Holiday and Kurt Weill could possibly have met sometime during 1934-1950 in New York, maybe at the Cafe Society, which was the first integrated club. Just imagine, Weill, a middle class, Jewish immigrant, a socialist, twice married to his singer Lotte Lenya, and Billie, black, born to a teenage mother, raised in care, with addiction problems, and both of them immensely talented.

 Anyway, their various songs were presented to us with great understanding and feeling, and Gabi managed to make Billie’s songs her own, no mean feat. And Steve’s playing was so good that it defies description, heartfelt, skilled, always matching Gabi’s interpretations. Good Morning Heartache, a spirited version rather than being utterly depressed, which maybe portrayed Billie’s addiction issues; I’m A Stranger Here Myself  (immigration and stranger to love); a song called, I think, Crazy In Love; Weill’s song Here I Stay, with scatting as it should be, keeping close to the guitar chords. Lover Man followed, and Tell Me More and Then Some, with shaking percussion and a long effective solo from Steve. The first set was rounded off with a clever medley of songs about boats and boat travelling immigrants.
The second set opened with travel songs, I’m Travellin’ Light and Weill’s Show Me The Way To The Next Whisky Bar (great fun), then a heartfelt Don’t Explain; All Of Me; and a beautiful slow, sad, September Song. Strange Fruit, the song I liked best, had edgy chords on a small zither and on the guitar, ending with Steve playing a single chord with fingers up and down the guitar. (Sorry about the lack of technical explanation). Weill’s Speak Low was followed by a well-earned encore of God Bless the Child, which Gabi somehow made her own.
I’d looked forward to this gig and I certainly wasn’t disappointed.
Ann Alex 

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Bebop Spoken Here -- Here, being the north-east of England -- centred in the blues heartland of Newcastle and reaching down to the Tees Delta and looking upwards to the Land of the Kilt.
Not a very original title, I know; not even an accurate one as my taste, whilst centred around the music of Bird and Diz, extends in many directions and I listen to everything from King Oliver to Chick Corea and beyond. Not forgetting the Great American Songbook the contents of which has provided the inspiration for much great jazz and quality popular singing for round about a century.
The idea of this blog is for you to share your thoughts and pass on your comments on discs, gigs, jazz - music in general. If you've been to a gig/concert or heard a CD that knocked you sideways please share your views with us. Tell us about your favourites, your memories, your dislikes.
Lance (Who wishes it to be known that he is not responsible for postings other than his own and that he's not always responsible for them.)
Contact: lanceliddle@gmail.com I look forward to hearing from you.

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