Total Pageviews

Farewell Blues

R I P Terry Shannon - November 5, 1929 - October 29, 2022
R I P Oliver Soden - ? - November 6, 2022
R I P Top Cat Daphne - ? - November 24, 2022.
R I P Louise Tobin - November 11, 1918 - November 26, 2022

Bebop Spoken There

Kenny Barron: "During the pandemic I got to do a lot more cooking. As long as you can read you can cook." - (DownBeat December, 2022)

The Things They Say!

Hudson Music: Lance's "Bebop Spoken Here" is one of the heaviest and most influential jazz blogs in the UK.

Rupert Burley (Dynamic Agency): "BSH just goes from strength to strength".

'606' Club: "A toast to Lance Liddle of the terrific jazz blog 'Bebop Spoken Here'"

The Strictly Smokin' Big Band included Be Bop Spoken Here (sic) in their 5 Favourite Jazz Blogs.

Ann Braithwaite (Braithwaite & Katz Communications) You’re the BEST!

Holly Cooper, Mouthpiece Music: "Lance writes pull quotes like no one else!"

Postage

14845 (and counting) posts since we started blogging 14 years ago. 1094 of them this year alone and, so far, 93 this month (Nov. 30).

From This Moment On ...

November

December
Mon 05: Harmony Brass @ Cullercoats Crescent Club. 1:00pm.
Mon 05: Sia Ahmad & Raymond MacDonald @ Blank Studios, Newcastle. 8:00pm. Tickets: £5.00. from www.seetickets.com. Live recording session - note no late admissions. BYOB.

Tue 06: Paul Skerritt @ The Rabbit Hole, Durham. 7:00pm. Free (table reservations 0191 386 5556). Feat. Johnny Murphy (keyboards).

Wed 07: Vieux Carré Jazzmen @ Cullercoats Crescent Club. 1:00pm.
Wed 07: Jam session @ Prohibition Bar, Newcastle. 12 noon-3:00pm.Free. New!
Wed 07: Darlington Big Band @ Darlington & Simpson Rolling Mills Club, Darlington. 7:00pm. Rehearsal session (open to the public).
Wed 07: 4B @ The Exchange, North Shields. 7:00pm.
Wed 07: Take it to the Bridge @ The Globe, Newcastle. 7:30pm.

Thu 08: Vieux Carré Jazzmen @ The Holystone, North Tyneside. 1:00pm. Last one of the year, resuming Jan 26.
Thu 08: Gateshead Jazz Appreciation Society @ Gateshead Central Library. 3:00-5:00pm. £1.00. All welcome.
Thu 08: Indigo Jazz Voices @ The Globe, Newcastle. 7:45pm.
Thu 08: Christmas Crooners @ Alnwick Playhouse. 7:30pm.
Thu 08: Musicians Unlimited @ Dorman’s Club, Middlesbrough. 8:30pm. £5.00. on the door.

Fri 09: Vieux Carré Hot 4 @ Spanish City, Whitley Bay. 12 noon. £25.00. 'Afternoon Jazz with Festive Lunch'.
Fri 09: Classic Swing @ Cullercoats Crescent Club. 1:00pm.
Fri 09: New Orleans Preservation Jazz Band @ Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 09: Rendezvous Jazz @ The Monkseaton Arms, Monkseaton. 1:00pm.
Fri 09: Jason Isaacs @ Northern Rugby Club, Gosforth, Newcastle. 7:00pm. £25.00 (inc. two course Xmas meal). Isaacs performing with backing tapes.

Sat 10: Lindsay Hannon & Martin Douglas: Life Drawing & Improvised Music @ Cobalt Studios, Newcastle. 2:00-4:00pm. TBC.
Sat 10: Alan Barnes Octet: A Jazz Xmas Carol @ Black Swan, Newcastle. 8:00pm. £20.00. All-star band!

Sun 11: Vieux Carré Hot 4 @ Spanish City, Whitley Bay. 12 noon.
Sun 11: Spanish City Rollers @ Northumberland Square, North Shields. 12:30pm. Free. Community band inc. Graham Hardy.
Sun 11: Am Jam @ Prohibition Bar, Newcastle. 3:00pm. Free. Jam session, all welcome.
Sun 11: Musicians Unlimited @ Park Inn, Hartlepool. 1:00pm. Xmas party feat. Mick Donnelly Quartet. 4:00pm. Tickets: £6.00 (admission from 12 noon).
Sun 11: Paul Skerritt @ Liberty Brown's, Sunderland. 1:00pm.
Sun 11: Tees Valley Jazzmen @ Hammer & Pincers, Preston le Skerne. 1:00pm. £5.00.
Sun 11: Foundry Jazz Ensemble @ The Exchange, North Shields. 3:00pm.
Sun 11: DC Blues Band @ Tyne Bar, Newcastle. 4:00pm. Free. Blues Band.
Sun 11: Jason Isaacs @ Hoochie Coochie, Newcastle. 5:30pm. SOLD OUT!
Sun 11: Boys of Brass @ Stack, Seaburn. 6:00pm. Free.
Sun 11: Elda with Faye MacCalman + John Pope & John Garner @ The Globe, Newcastle. 8:00pm.

Thursday, February 09, 2017

Southport Jazz Festival : Birmingham Conservatoire Ellington Orchestra - February 5.

MD, Jeremy Price. Featured pianist (Far East Suite), John Turville.
(Review Steve T/Photos courtesy of Neil Hughes © Robert Burns.)
Brexit! Trump! Who cares? Let's have some Ellington. So spoke Jeremy Price and I think we all agreed.
It all began with the rhythm section: piano, guitar, bass, drums, with Price on trombone as the rest of the horns marched in to take their seats, playing as they came: four trumpets, three trombones and five saxes. The festival was gagging for a stage full of musicians, reflected in our appreciation. 
Trumpets are out, one trombone left, down to tenor, cut.
Years ago, when the time came to face the beast, my strategy was to sprawl through multiple box sets and key albums from the mid-fifties onwards, when such things began to appear.
I had decided to not even try to identify pieces, but Price kept it simple, doing them in threes: A Flat Minor, Half the Fun and Harlem Air Shaft; Flirty Bird, Idiom 59 and Koko; Across the Track Blues, Happy Go Lucky and Rockin’ in Rhythm.
A Train to finish and the Ella Fitzgerald arrangement which keeps us waiting for the main melody, and I think I've heard the Durham Gala Big Band do it this way.
They left the way they came in, down to big Jimmy Blanton.
The second set was the Far East Suite, a genius choice, a seriousambitious and difficult late work. Across the two sets we were given a wonderful contrast between early Ellington, which established him as the maestro for many of the greats (Miles, Mingus, Gil Evans, Cecil Taylor, Archie Shepp) across countless short pieces, in keeping with the technology of the times, and Ellington the elder statesman, highly respected as one of Americas greatest ever composers, in the era of the fortyish minute album.
The musicianship, from fourth years to first years, was of an astonishing level, with not an ounce of slack anywhere. Special mention of Sam Wright, swiftly switching between tenor and clarinet, and the only lady on the stage, which was something of a theme for the day. And my journey towards total acceptance of the clarinet continues.
I came out in search of a pee and a pint but everywhere was deserted: the loos, the lounge, the corridors, the bars, the only occasion this happened over the two days.
Back in the hall, the applause was raucous, encouraged by Price doing a brilliant job with the announcements, encouraging us to ease up on the reverence, smiling faces and thumbs going up across the room.
Appropriately it was Sam Wright’s clarinet that finally brought things to a close.
I've no doubt many there would have had this as the gig of the festival. 
Photos.
Steve T.

No comments :

Blog Archive