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Bebop Spoken There

Raymond Chandler: “ I was walking the floor and listening to Khatchaturian working in a tractor factory. He called it a violin concerto. I called it a loose fan belt and the hell with it ". The Long Goodbye, Penguin 1959.

The Things They Say!

Hudson Music: Lance's "Bebop Spoken Here" is one of the heaviest and most influential jazz blogs in the UK.

Rupert Burley (Dynamic Agency): "BSH just goes from strength to strength".

'606' Club: "A toast to Lance Liddle of the terrific jazz blog 'Bebop Spoken Here'"

The Strictly Smokin' Big Band included Be Bop Spoken Here (sic) in their 5 Favourite Jazz Blogs.

Ann Braithwaite (Braithwaite & Katz Communications) You’re the BEST!

Holly Cooper, Mouthpiece Music: "Lance writes pull quotes like no one else!"

Simon Spillett: A lovely review from the dean of jazz bloggers, Lance Liddle...

Josh Weir: I love the writing on bebop spoken here... I think the work you are doing is amazing.

Postage

16350 (and counting) posts since we started blogging 16 years ago. 230 of them this year alone and, so far, 27 this month (April 11).

From This Moment On ...

April

Fri 12: Pete Tanton’s Chet Set @ The Old Library, Auckland Castle. 1:00pm. £8.00.
Fri 12: Classic Swing @ Cullercoats Crescent Club. 1:00pm. Free.
Fri 12: Rendezvous Jazz @ The Monkseaton Arms. 1:00pm. Free.
Fri 12: New Orleans Preservation Jazz Band @ The Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 12: Katrina Miller Trio @ Prohibition Bar, Newcastle. 8:00pm. Free. A ‘Jar on the Bar’ gig.

Sat 13: Giles Strong Quartet @ Claypath Deli, Durham. 7:00-9:00pm. £10.00.
Sat 13: Phantom Bagman + Forgetmenots @ Prohibition Bar, Newcastle. 7:30pm.£5.00. + bf. Upstairs.
Sat 13: Rockin’ Turner Brothers @ Prohibition Bar, Newcastle. 8:00pm. Free. A ‘Jar on the Bar’ gig. Downstairs.

Sun 14: Am Jam @ The Globe, Newcastle. 2:00pm. Free.
Sun 14: 4B @ The Ticket Office, Whitley Bay Metro Station. 3:00pm. Free.
Sun 14: Alan Law, Jude Murphy & Tim Johnston @ Prohibition Bar, Newcastle. 7:00pm. Free. A ‘Jar on the Bar’ gig.
Sun 14: JazzMain @ The Globe, Newcastle. 8:00pm.

Mon 15: Dave Newton @ Yamaha Music School, Seaforth St., Blyth NE24 1AY. 1:00 - 1:45pm. £8.00. + bf. Newton, solo piano.
Mon 15: Harmony Brass @ Cullercoats Crescent Club. 1:00pm. Free.
Mon 15: Hideout @ Cluny 2, Newcastle. 7:00pm. £7.50 + £1.33 bf. Feat. Sleep Suppressor + Flat Moon.
Mon 15: Russ Morgan Quartet @ The Black Bull, Blaydon. 8:00pm. £8.00.

Tue 16: The Horne Section’s Hit Show @ Middlesbrough Town Hall. 7:30pm.
Tue 16: Jam session @ The Black Swan, Newcastle. 7:30pm. Free. House trio: Bradley Johnston, Paul Grainger, Bailey Rudd.

Wed 17: Bailey Rudd (Minor Recital) @ The Music Studios, Haymarket Lane, Newcastle University. 11:40am. Bailey Rudd (drums). Open to the public.
Wed 17: Vieux Carré Jazzmen @ Cullercoats Crescent Club. 1:00pm. Free.
Wed 17: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington. 7:00pm. Free. Rehearsal session (open to the public).
Wed 17: The Horne Section’s Hit Show @ The Gala, Durham. 7:30pm. SOLD OUT!
Wed 17: Take it to the Bridge @ The Globe, Newcastle. 7:30pm. Free.

Thu 18: Vieux Carré Jazzmen @ The Holystone, Whitley Road, North Tyneside. 1:00pm. Free.
Thu 18: NONUNONU @ Elder Beer Café, Chillingham Road, Newcastle. 7:30pm.
Thu 18: Knats @ Hoochie Coochie, Newcastle. 8:00pm (doors 7:30pm). £8.00. + bf. Support act TBC.
Thu 18: Merlin Roxby @ Prohibition Bar, Newcastle. 8:00pm. Free. A ‘Jar on the Bar’ gig. Ragtime piano.
Thu 18: Tees Hot Club @ Dorman’s Club, Middlesbrough. 8:30pm. Guest band night with Just Friends: Ian Bosworth (guitar); Donna Hewitt (sax); Dave Archbold (keys); Ron Smith (bass); Mark Hawkins (drums).

Thursday, February 09, 2017

Southport Jazz Festival - Fabien Mary Quartet. February 5

Fabien Mary (trumpet), Hugo Uppi (guitar), Fabien Marcoz (bass), Steve Brown (drums).
(Review by Steve T/Photos courtesy of Neil Hughes; © Robert Burns).
To say the thought of two quartets on Saturday night had caught my attention is something of an understatement; the contrast between the two palpable. Firstly the standard sax, piano, bass and drums line-up, which says to many, myself included, John Coltrane, one of the greatest Jazz groups of all time. Then the young French group with a trumpet/guitar frontline and I'm at a loss to come up with a precedent, though I've no doubt it exists.

Matching suits and ties, this was slick and enigmatic, like Borg facing McEnroe or Connors. It felt like one Golden Age to another but we're still in this one. If you think Miles, it's like going from the quintet with Trane to the Second Great Quintet, both brilliant in different ways but, while Miles with Trane are known worldwide for the most famous, successful and iconic album in Jazz history, the Second Great Quintet haven't yet entirely slipped into the collective consciousness, even of Jazzers, so it feels more on-going, a work in progress.
We'd heard the guitarist is awesome and, unlike the waters in Casablanca, we weren't misinformed. Perfect, but in the best possible way, where each note is exacted the precise same value, nothing is missed or half struck with no slipping or sliding, the solos melodic, thoughtful and wonderfully inventive, but making perfect sense even as they unfold.
Even when harmonising with the trumpet, but then I realised the trumpet was exactly the same, they all were. Think Clifford Brown or Freddie Hubbard and yip, he is that good.
Pieces selected from an impressive array of writers, including Kenny Durham, Chick Corea, Grant Green and Horace Silver and don't you just love the contradictions in art, music, Jazz - life, having said earlier in the day I'm not too preoccupied with who wrote the melody.
For the first half of just one-hour long set the guitarist looked like the happiest man alive. Then he looked terrified, then bewildered and ultimately relaxed at the adulation they received, and I wondered whether they get this response everywhere they go.
You can Take me Home said the trumpeter in his sexy French accent, and I thought there were a lot of ladies in the audience. Better grab a CD before they all go.
Terrific contrast with the Derek Nash Quartet and while this one had the edge, I'd rather have both than more of this one. Hard bop, free bop, cool bop, nu bop, it sounds classic without being retro and contemporary without threatening to fall off a cliff. Exquisite.

Steve T.




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