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Bebop Spoken There

Dayna Stephens: "I always tell them [students] there will never be anyone who will play it [EWI] as technically proficient as this cat [Michael Brecker] did." - (JazzTimes June 2019).

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Today Tuesday June 25

Afternoon

Jazz

Classic Swing - The Ship Inn, Front Street, Monkseaton NE25 8DP. 0191 251 3677. 1:00pm. Free.

Evening

Jam Session - Black Swan Bar, Newcastle Arts Centre, 59 Westgate Rd., Newcastle NE1 1SG. Tel. 0191 222 9882. 8:00pm. Free. Trio Alan Law, Paul Grainger, John Bradford.

To the best of our knowledge, details of the above events are correct but may be subject to alteration.

Friday, May 06, 2016

Lewis Curry & Glenn Lambie @ St Nicholas Cathedral. May 6

Lewis Curry (keyboards & vocals) & Glenn Lambie (cajón)
(Review by Russell)
Lunchtime in the pews. 2015 graduates of Sage Gateshead and Newcastle University, Lewis Curry and Glenn Lambie played a short set in St Nicholas Cathedral to a small congregation of city visitors, city dwellers and assorted odd balls. A jazz set? No, but with Mr Tulip’s recent essay on Yes (no, please no!) finding a place on this jazz blog, there has to be a spot for two talented musicians finding their way on the north east’s vibrant music scene.
St Nicholas has to be one of the largest performance spaces on Tyneside. Placing two musicians in front of the altar, the architectural splendour of the cathedral could quite easily intimidate and inhibit. Lewis Curry sat at his Yamaha keyboard, singing songs, percussionist Glenn Lambie sat crouched over his beat box cajón. The duo played one song after another, pop hits of the day and yesterday and the decades before yesterday. From Coldplay to David Bowie to the Beach Boys, it comes as no surprise to learn the lads play at numerous venues as a duo or with the full band – the Lewis Curry Band.
The Killers’ Are We Human or Are We Dancer? Radiohead’s High and Dry and one of Holland-Dozier-Holland’s classics – How Sweet it is (to be Loved by You) – suggests a pad full of tunes will see Curry make a living on the cabaret/function circuit. And nowt wrong with that. Perhaps it was lost on most, but there was a beautiful juxtaposition the likes of which can only be by chance being in a place of worship; the Beach Boys’ God Only Knows, followed by Superstition. Throw in Bowie’s Life on Mars and the brethren could be forgiven for thinking someone was taking the proverbial.
Russell.

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