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Bebop Spoken There

Charles Lloyd: "I'm raring to go out to play, because I know I'll find something to explain the inexplicable." (DownBeat August 2022)

The Things They Say!

Hudson Music: Lance's "Bebop Spoken Here" is one of the heaviest and most influential jazz blogs in the UK.

Rupert Burley (Dynamic Agency): "BSH just goes from strength to strength".

'606' Club: "A toast to Lance Liddle of the terrific jazz blog 'Bebop Spoken Here'"

The Strictly Smokin' Big Band included Be Bop Spoken Here (sic) in their 5 Favourite Jazz Blogs.
Ann Braithwaite (Braithwaite & Katz Communications) You’re the BEST! -- Holly Cooper, Mouthpiece Music: "Lance writes pull quotes like no one else!"

Postage

14438 (and counting) posts since we started blogging 14 years ago. 716 of them this year alone and, so far, 13 this month (August 6).

From This Moment On ...

August

Wed 10: Vieux Carré Jazzmen @ Cullercoats Crescent Club. 1:00pm.
Wed 10: Castillo Nuevo @ Revoluçion de Cuba, Newcastle. 5:30-8:30pm.
Wed 10: Darlington Big Band @ Darlington & Simpson Rolling Mills Club, Darlington. 7:00pm. Rehearsal session (open to the public).
Wed 10: 4B @ The Exchange, North Shields. 7:00pm.
Wed 10: Take it to the Bridge @ The Globe, Newcastle. 7:30pm.

Thu 11: Vieux Carré Jazzmen @ The Holystone, North Tyneside. 1:00pm.
Thu 11: Baghdaddies @ Cumberland Arms, Newcastle. Time TBC.
Thu 11: Indigo Jazz Voices: Little Big Band Special @ The Globe, Newcastle. 7:45pm. POSTPONED!
Thu 11: Tees Hot Club @ Dorman’s Club, Middlesbrough. 9:00pm. Guests Donna Hewitt (sax) Josh Bentham (sax) Garry Hadfield (keys).

Fri 12: Ben Gilbert Trio @ Bishop Auckland Town Hall. 1:00pm.
Fri 12: Classic Swing @ Cullercoats Crescent Club. 1:00pm.
Fri 12: New Orleans Preservation Jazz Band @ Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 12: Rendezvous Jazz @ The Monkseaton Arms, Monkseaton. 1:00pm.

Sun 14: Vieux Carré Hot 4 @ Spanish City, Whitley Bay. 12 noon.
Sun 14: Tees Valley Jazzmen @ Hammer & Pincers, Preston le Skerne. 1:00pm.
Sun 14: Vieux Carré Jazzmen @ West Park, South Shields. 2:00pm.
Sun 14: Foundry Jazz Ensemble @ The Exchange, North Shields. 3:00pm.
Sun 14: Anth Purdy @ Blues & Bourbon, Newcastle. 4:00pm. Free.
Sun 14: Castillo Nuevo @ Revoluçion de Cuba, Newcastle. 5:30-8:30pm.
Sun 14: Sunday Night Am Jam Special @ The Globe, Newcastle. 7:30pm. Note start time.

Mon 15: Jazz in the Afternoon @ Cullercoats Crescent Club. 1:00pm.
Mon 15: Stu Collingwood Organ Trio @ Black Bull, Blaydon. 8:00pm. Blaydon Jazz Club.

Wednesday, May 18, 2016

CD Review:Fabrizio Sotti Trio - Forty

Fabrizio Sotti - Guitar. Peter Slavov - Bass. Francisco Mela - Drums.
(Review by Steve T)
Sotti has previously mixed genres working with a variety of artists including Ice T, Cassandra Wilson, Shaggy, Zucchero, Tupac, Whitney Houston, Randy Brecker, John Patitucci and Al Foster. For a little local colour he played with David Knopfler of Dire Straits.
The title of the new album from New Yorker, by way of Italy, indicates his age and a new beginning with a change of direction to a basic Jazz guitar, electric bass and drums trio featuring nine originals and a cover of the Antonio Carlos Jobin favourite How Insensitive.
It's a short album for these days, only just passing the forty minute mark by seconds - maybe another reason for the title - which is not necessarily a bad thing.
‘You’ll hear Wes, Jim Hall and Mike Stern ' he tells us and you wouldn't argue - I asked for a guitarist’s perspective and these were the three names that came back to me. 'But now it's me, my personality, my feelings, my way of playing.'    
This he identifies as clear phrasing and not overplaying, though there's plenty of the latter; not that I personally mind; guitarists nowadays love to criticise excessive technique as a bad thing and then try to play as fast as they can. 
For variety you'll get a minor blues in 3/4 on opener Redemption, more blues on Is that what you think?, lone nylon string guitar on Beginning Now, calypso on Thalia ( his daughters name ), a guitar/ bass duo on So Far So Close and, apparently, a reference to Bach on The Bridge.
The title track is the most interesting, alternating between funk rubato and straight ahead swinging giving a joyous playful quality.
Despite his prior claim, there's plenty of impressive finger work, and all three musicians acquit themselves well, and the album is fine but overall the feel is fairly low-key and probably only of real interest to guitarists and guitar trio enthusiasts - the aforementioned guitarist liked it rather more than I did - but they won't hear anything they haven't heard before, and much better.
As Lance said on a previous review, it's hard to imagine how this can compete for your hard earned cash with your wants list of classics by Mingus, Miles and Trane, or Christian, Wes and Metheny. And while the media and industry would have us believe that CDs, like the death of Bobby Ewing, were just a dream, with the choice between reassuringly expensive chunks of memorabilia you'll never play and downloading an album only to choose the selection which grabbed you on first play and compiling it on to some gadget with your other favourite songs, it's a sobering thought for any prospective Jazz musician who can count their audiences in dozens if they're lucky.
Steve T.
Release Date June 10 on Sotti Entertainment.

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