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Bebop Spoken There

Jeremy Pelt: "I'm so much into melodies and into sound, and the presence of sound, that I don't necessarily want to try to play in between the cracks of a note." - (DownBeat November 2020)

The Things They Say!

Hudson Music: Lance's "Bebop Spoken Here" is one of the heaviest and most influential jazz blogs in the UK.

Rupert Burley (Dynamic Agency): "BSH just goes from strength to strength".

Postage

12,000 (and counting) posts since we started blogging 12 years ago. 1140 of them this year alone and, so far, 87 this month (Oct. 27).

Coming soon ...

IT IS ADVISABLE TO CHECK IN ADVANCE WITH THE VENUE THAT THE GIG IS ON.

OCTOBER

THURSDAY 29

Vieux Carre Jazzmen - The Holystone, Whitley Road, North Tyneside NE27 0DA. Tel: 0191 266 6173. 1:00pm. Free.

Abbie Finn Trio - Prohibition Bar, Pink Lane, Newcastle NE1 5DW. 8:00pm. Free (donations). Limited capacity (upstairs). It’s Abbie’s birthday!

Maine St Jazzmen - Sunniside Social Club, Sunniside Road, Sunniside NE16 5NA. Tel: 0191 488 7347. 8:00-10:00pm. Free. Note earlier start/finish.

FRIDAY 30

Neil William & Ben Holland - Prohibition Bar, Pink Lane, Newcastle NE1 5DW. 8:00pm-10:00pm. Free (donations). Limited capacity. Jazz standards from the 1920s & 30s.

SATURDAY 31

Alice Grace & Pawel Jedrzejewski - Prohibition Bar, Pink Lane, Newcastle NE1 5DW. 8:00pm-10:00pm. £10.00. Online booking (to book a table). Limited capacity. Alice & Pav join a multi-bill of entertainers (magician etc) to celebrate Prohibition Bar’s fifth anniversary. SOLD OUT!

Saturday, May 21, 2016

Thomas Strønen – Time is a Blind Guide @ Sage Gateshead. May 20

Thomas Strønen (percussion), Kit Downes (piano), Lucy Railton (cello), Håka Aase (violin) & Ole Morten Vågan (double bass)
(Review by Russell/Photo courtesy of Ken Drew).
A busy Friday evening at Sage Gateshead – the Royal Northern Sinfonia in Sage One, the soulful Laura Mvula playing to a standing-room-only crowd in Sage Two and the Anglo-Norwegian project of Thomas Strønen and friends in the Northern Rock Foundation Hall.  
The cabaret-style layout in the flexible studio space of the Northern Rock helps engender an informal air, making the connection between performer and audience more immediate. Percussionist Thomas Strønen’s Time is a Blind Guide project recorded an album a year or so ago and it is only now that the musicians were able to commit to a short tour such is the busy schedule of all concerned. This Sage Gateshead date, the first of four concerts in four days (London, Birmingham and Norwich to follow), renewed Strønen’s connections with the Borough of Gateshead. 
The tall, tanned percussionist recalled a gig at Caedmon Hall with Iain Ballamy in their Food days, long before the Norman Foster-designed Sage Gateshead first laid its foundations. Time is a Blind Guide (its inspiration Anne Michaels' novel Fugitive Pieces) is an elegant conception. Countrymen Håka Aase (violin) and Ole Morten Vågan (double bass) share Strønen’s cool Nordic mindset; still, at rest, listening. The quintet’s British component – Kit Downes (piano) and cellist Lucy Railton – have a clear empathy for the music, similarly stilled, at rest, yet fully engaged.
Baka, The Drowned City and Lost Souls – three pieces, without pause, to open the concert with Strønen’s subsequent observation: Cheerful and positive! The Norwegian was aware that the music was anything but foot-tapping Dr Jazz material. He referred to the current tour as a tour of ‘cultural capitals’. Sage Gateshead, Kings Place, London, CBSO Centre, Birmingham and Norwich Playhouse succeed as bastions of culture making possible gigs such as Strønen’s Time is a Blind Guide. A final piece (Fugitive Pieces) developed from a typical minimalist opening to something approaching sophisticated swing via Strønen’s virtuosic brush work. The Jazz Police went home satisfied.
Tell Tale: David Ferris (piano), James Banner (double bass) & Ric Yarborough (drums)
Earlier, a support set featured the Birmingham-based trio Tell Tale. Recent graduates of the Birmingham Conservatoire hot house, this half hour set proved to be a real bonus. Structured improv (rehearsed to the nth) drawing on Dostoyevsky, Conlon Nancarrow – Numbers (for Conlon), comp. James Banner – and French impressionist painter Corot, Tell Tale maintained the ‘High Art’ connection, a million crochets away from N’Awlins.    
Russell.

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