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Bebop Spoken There

Orrin Evans: “I’d like to see a younger audience and an audience that looks more like me at the clubs.” – (Down Beat November 2014).

Kevin Flanagan: "Besides, I'd got sick of playing jazz to people who looked like my father." - (Straight No Chaser Issue 0ne Summer 1988.)

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Today Saturday August 19

Radio
5pm Radio 3: Jazz Line-up. Live from George Heriot's School, Edinburgh. Includes Dime Notes; Gwyneth Herbert &Andy Sheppard/John Patticelli.
12 (midnight) Radio 3: Geoffrey Smith's Jazz. Mingus selection.
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Afternoon
?????
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Evening
Lin Lee Wong (solo piano) - Cherry Tree, 9 Osborne Rd., Jesmond, Newcastle NE2 2AE. 7:30pm. No cover charge.
Smokehouse Blues Band - Billy Bootleggers, 28 Nelson St., Newcastle NE1 5AN. 9pm. Free.
Sokool Band - The Globe, 11 Railway St., Newcastle NE4 7AD. 8pm. £5. Brenda Sokell w. quartet.
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Rendezvous Jazz - Durham Cathedral. 7:30pm. £12 (£10 - Friends of Durham Cathedral).
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To the best of our knowledge, details of the above events are correct but may be subject to alteration.

Sunday August 20

Afternoon.
Mark Williams (solo guitar) - Cherry Tree Restaurant, 9 Osborne Rd., Jesmond, Newcastle. 12:30pm. Free.
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Blues @ The Bay - Tanner Smith's 17-19 South Parade, Whitley Bay NE26 2RE, 0191 2525941. 4pm. Free. Blues jam w. Scott Wall & Charlie Philp.
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Musicians Unlimited - Park Hotel, Park Rd., Hartlepool TS26 9HU. 01249 233126.1pm. Free. Summer Break. Back Sept. 3
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Somethin' Blue - Vesuvio, 3a Houndgate, Darlington DL1 5RL. 01325 788564. 5pm. Weekly.
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Evening
Chris Martin - Billy Bootleggers, 28 Nelson St., Newcastle NE1 5AN. 9pm. Free.
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Paul Edis Trio - Black Bull, Bridge St. Blaydon NE21 4JJ. 8pm. £5.
To the best of our knowledge, details of the above events are correct but may be subject to alteration.

Saturday, May 21, 2016

Thomas Strønen – Time is a Blind Guide @ Sage Gateshead. May 20

Thomas Strønen (percussion), Kit Downes (piano), Lucy Railton (cello), Håka Aase (violin) & Ole Morten Vågan (double bass)
(Review by Russell/Photo courtesy of Ken Drew).
A busy Friday evening at Sage Gateshead – the Royal Northern Sinfonia in Sage One, the soulful Laura Mvula playing to a standing-room-only crowd in Sage Two and the Anglo-Norwegian project of Thomas Strønen and friends in the Northern Rock Foundation Hall.  
The cabaret-style layout in the flexible studio space of the Northern Rock helps engender an informal air, making the connection between performer and audience more immediate. Percussionist Thomas Strønen’s Time is a Blind Guide project recorded an album a year or so ago and it is only now that the musicians were able to commit to a short tour such is the busy schedule of all concerned. This Sage Gateshead date, the first of four concerts in four days (London, Birmingham and Norwich to follow), renewed Strønen’s connections with the Borough of Gateshead. 
The tall, tanned percussionist recalled a gig at Caedmon Hall with Iain Ballamy in their Food days, long before the Norman Foster-designed Sage Gateshead first laid its foundations. Time is a Blind Guide (its inspiration Anne Michaels' novel Fugitive Pieces) is an elegant conception. Countrymen Håka Aase (violin) and Ole Morten Vågan (double bass) share Strønen’s cool Nordic mindset; still, at rest, listening. The quintet’s British component – Kit Downes (piano) and cellist Lucy Railton – have a clear empathy for the music, similarly stilled, at rest, yet fully engaged.
Baka, The Drowned City and Lost Souls – three pieces, without pause, to open the concert with Strønen’s subsequent observation: Cheerful and positive! The Norwegian was aware that the music was anything but foot-tapping Dr Jazz material. He referred to the current tour as a tour of ‘cultural capitals’. Sage Gateshead, Kings Place, London, CBSO Centre, Birmingham and Norwich Playhouse succeed as bastions of culture making possible gigs such as Strønen’s Time is a Blind Guide. A final piece (Fugitive Pieces) developed from a typical minimalist opening to something approaching sophisticated swing via Strønen’s virtuosic brush work. The Jazz Police went home satisfied.
Tell Tale: David Ferris (piano), James Banner (double bass) & Ric Yarborough (drums)
Earlier, a support set featured the Birmingham-based trio Tell Tale. Recent graduates of the Birmingham Conservatoire hot house, this half hour set proved to be a real bonus. Structured improv (rehearsed to the nth) drawing on Dostoyevsky, Conlon Nancarrow – Numbers (for Conlon), comp. James Banner – and French impressionist painter Corot, Tell Tale maintained the ‘High Art’ connection, a million crochets away from N’Awlins.    
Russell.

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Bebop Spoken Here -- Here, being the north-east of England -- centred in the blues heartland of Newcastle and reaching down to the Tees Delta and looking upwards to the Land of the Kilt.
Not a very original title, I know; not even an accurate one as my taste, whilst centred around the music of Bird and Diz, extends in many directions and I listen to everything from King Oliver to Chick Corea and beyond. Not forgetting the Great American Songbook the contents of which has provided the inspiration for much great jazz and quality popular singing for round about a century.
The idea of this blog is for you to share your thoughts and pass on your comments on discs, gigs, jazz - music in general. If you've been to a gig/concert or heard a CD that knocked you sideways please share your views with us. Tell us about your favourites, your memories, your dislikes.
Lance (Who wishes it to be known that he is not responsible for postings other than his own and that he's not always responsible for them.)
Contact: lanceliddle@gmail.com I look forward to hearing from you.

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