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Bebop Spoken There

Benny Golson: "Art is a lifetime commitment." - (DownBeat August 2018.)

George Wein: "The musicians backstage at the Newport Festival said she [Marian McPartland] is more advanced in her harmonic structure than all the other piano players put together." - (DownBeat August 2018.)

Submissions for review

Whilst we appreciate the many emails, texts, messages and other communications we receive requesting album/gig reviews on BSH, regrettably, we are unable to reply to all of them other than those we are able to answer with a positive response.
Similarly, CDs received by post will only be considered if accompanied by sufficient background material.
Finally, bear in mind that this is a jazz-based site when submitting your album.
Lance

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If you experience any problems posting a comment, as I understand some readers are, then email it to me direct, stating which post your comment relates to - lanceliddle@gmail.com. Alternatively, try the Anonymous button but please sign your name!
Apologies for any inconvenience, this is due to circumstances beyond my control.

Today Monday July 23

Afternoon.

Jazz in the Afternoon - Cullercoats Crescent Club, 1 Hudleston, Cullercoats NE30 4QS. Tel: 0191 253 0242. 1:00pm. Free.

Evening

Jacqui Dankworth: Jazz Sirens - Hippodrome, Parkgate, Darlington DL1 1RR. Tel: 01325 405405. 7:30pm. £27.00., £24.00., £22.00. & £14.50.

To the best of our knowledge, details of the above eventsare correct but may be subject to alteration.

Friday, May 13, 2016

CD Review: Per Oddvar Johansen – Let's Dance

Per Oddvar Johansen (drums, violins, vibraphone, guitars, wood percussion and electronics); Helge Lien (piano); Torben Snekkestad (saxophones, reed trumpet).
(Review by Hugh C.)
Per Oddvar Johansen has played a prominent role in Norwegian music over many years but   Let's Dance is the first album under his own name.  He is joined in the trio by long-standing collaborators Helge Lien on piano and saxophonist Torben Stekkestad on this album of his own compositions.  
There are nine tracks on the album.  The atmosphere throughout is one of contemplation and meditation.  Let's Dance features Snekkestad's haunting soprano saxophone over slowly progressive piano and drums.  As might be expected, the whole has the air of a slow dance.  No. 7 a slightly more jaunty number (pun intended!)  Forest Flower begins with breathy saxophonics from Snekkestad.  Sounds created by Lien inside the piano begin to emerge, creating a feeling of expectancy – perhaps by the end the flower is open.  Flying has a similar abstract start, now incorporating violin and piano, the sound enhanced by electronics.  This, at 8:24, is the longest track on the album.  There is a very slow sonic build up, somewhat reminiscent of the Pink Floyd albums I used to listen to in my youth - the expected guitar, however, does not appear.  Panorama features the Lien's delicate piano and subtle brushwork from Johansen, over which Snekkestad lays a haunting melody.  The guitar does appear in Uluru (for Annette), along with birdsong and a fast flowing stream.  Impromptro features again Snekkestad's avant-garde saxophonic wizardry.  This segues straight into Families
where we are back in more familiar melodic territory (on the whole).  The final track, Song M, rounds off the disc with melodic saxophone and piano over Johansen's expressive drumwork.
Lovers of the “nordic sound” will warm to this album, though of course this may put others off.  The album as a whole is well crafted and packaged in suitably minimalist style to suit the music, with a black and white picture of mist clad pine trees.  Released by Edition Records (Cat No. EDN1068), Let's Dance is available now.
Samples.
Hugh.

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About this blog - contact details.

Bebop Spoken Here -- Here, being the north-east of England -- centred in the blues heartland of Newcastle and reaching down to the Tees Delta and looking upwards to the Land of the Kilt.
Not a very original title, I know; not even an accurate one as my taste, whilst centred around the music of Bird and Diz, extends in many directions and I listen to everything from King Oliver to Chick Corea and beyond. Not forgetting the Great American Songbook the contents of which has provided the inspiration for much great jazz and quality popular singing for round about a century.
The idea of this blog is for you to share your thoughts and pass on your comments on discs, gigs, jazz - music in general. If you've been to a gig/concert or heard a CD that knocked you sideways please share your views with us. Tell us about your favourites, your memories, your dislikes.
Lance (Who wishes it to be known that he is not responsible for postings other than his own and that he's not always responsible for them.)
Contact: lanceliddle@gmail.com I look forward to hearing from you.

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