Total Pageviews

Bebop Spoken There

Orrin Evans: “I’d like to see a younger audience and an audience that looks more like me at the clubs.” – (Down Beat November 2014).

Kevin Flanagan: "Besides, I'd got sick of playing jazz to people who looked like my father." - (Straight No Chaser Issue 0ne Summer 1988.)

Archives

Today Thursday August 17

Afternoon
Vieux Carré Jazzmen - Holystone, Whitley Rd., nr. Newcastle NE27 0DA. 1:oopm. Free.
Rendezvous Jazz - Tynemouth Metro Station, Station Tce., Tynemouth NE30 4RE. 1pm. Free.
-----
Evening.
Indigo Jazz Voices - Globe, 11 Railway St., Newcastle NE4. 7:30pm. £5.
Maine Street Jazzmen - Potter's Wheel, Sunniside NE16 5EE. 8:30pm. Free.
-----
Tees Valley Jazzmen - White Horse Hotel, Burtree Lane, Harrogate Hill, Darlington DL1 3AD. 1:30pm. Free.
-----
Tees Hot Club w.Kevin Eland (trumpet); Mark Toomey (alto); Dave Archibold (keys)- Dormans, Oxford Rd., Middlesbrough TS5 5DT. Free. 9pm.
New Orleans Preservation Jazz Band - Oxbridge, Oxbridge Lane, Stockton TS18 4AW. 8:30pm.01642 678129.
-----
To the best of our knowledge, details of the above events are correct but may be subject to alteration.

Friday, May 13, 2016

CD Review: Per Oddvar Johansen – Let's Dance

Per Oddvar Johansen (drums, violins, vibraphone, guitars, wood percussion and electronics); Helge Lien (piano); Torben Snekkestad (saxophones, reed trumpet).
(Review by Hugh C.)
Per Oddvar Johansen has played a prominent role in Norwegian music over many years but   Let's Dance is the first album under his own name.  He is joined in the trio by long-standing collaborators Helge Lien on piano and saxophonist Torben Stekkestad on this album of his own compositions.  
There are nine tracks on the album.  The atmosphere throughout is one of contemplation and meditation.  Let's Dance features Snekkestad's haunting soprano saxophone over slowly progressive piano and drums.  As might be expected, the whole has the air of a slow dance.  No. 7 a slightly more jaunty number (pun intended!)  Forest Flower begins with breathy saxophonics from Snekkestad.  Sounds created by Lien inside the piano begin to emerge, creating a feeling of expectancy – perhaps by the end the flower is open.  Flying has a similar abstract start, now incorporating violin and piano, the sound enhanced by electronics.  This, at 8:24, is the longest track on the album.  There is a very slow sonic build up, somewhat reminiscent of the Pink Floyd albums I used to listen to in my youth - the expected guitar, however, does not appear.  Panorama features the Lien's delicate piano and subtle brushwork from Johansen, over which Snekkestad lays a haunting melody.  The guitar does appear in Uluru (for Annette), along with birdsong and a fast flowing stream.  Impromptro features again Snekkestad's avant-garde saxophonic wizardry.  This segues straight into Families
where we are back in more familiar melodic territory (on the whole).  The final track, Song M, rounds off the disc with melodic saxophone and piano over Johansen's expressive drumwork.
Lovers of the “nordic sound” will warm to this album, though of course this may put others off.  The album as a whole is well crafted and packaged in suitably minimalist style to suit the music, with a black and white picture of mist clad pine trees.  Released by Edition Records (Cat No. EDN1068), Let's Dance is available now.
Samples.
Hugh.

No comments :

Post a Comment

Blog Archive

About this blog - contact details.

Bebop Spoken Here -- Here, being the north-east of England -- centred in the blues heartland of Newcastle and reaching down to the Tees Delta and looking upwards to the Land of the Kilt.
Not a very original title, I know; not even an accurate one as my taste, whilst centred around the music of Bird and Diz, extends in many directions and I listen to everything from King Oliver to Chick Corea and beyond. Not forgetting the Great American Songbook the contents of which has provided the inspiration for much great jazz and quality popular singing for round about a century.
The idea of this blog is for you to share your thoughts and pass on your comments on discs, gigs, jazz - music in general. If you've been to a gig/concert or heard a CD that knocked you sideways please share your views with us. Tell us about your favourites, your memories, your dislikes.
Lance (Who wishes it to be known that he is not responsible for postings other than his own and that he's not always responsible for them.)
Contact: lanceliddle@gmail.com I look forward to hearing from you.

Subscribe!