Bebop Spoken There

John McLaughlin: ''It was then that Coltrane came along and single-handedly brought this dimension of spirituality into jazz. It was a pivotal experience to me.'' (DownBeat September, 2026)

The Things They Say!

This is a good opportunity to say thanks to BSH for their support of the jazz scene in the North East (and beyond) - it's no exaggeration to say that if it wasn't for them many, many fine musicians, bands and projects across a huge cross section of jazz wouldn't be getting reviewed at all, because we're in the "desolate"(!) North. (M & SSBB on F/book 23/12/24)

Postage

18957 (and counting) posts since we started blogging 18 years ago. 821 of them this year alone and, so far this month (Sept. 30.) 100.

Reviewers wanted

Whilst BSH attempts to cover as many gigs, festivals and albums as possible, to make the site even more comprehensive we need more 'boots on the ground' to cover the albums seeking review - a large percentage of which never get heard - report on gigs or just to air your views on anything jazz related. Interested? then please get in touch. Contact details are on the blog. Look forward to hearing from you. Lance

From This Moment On

October.

Mon 05: Friends of Jazz @ Cullercoats Crescent Club. 1:00pm. Free.
Mon 05: Saltburn Big Band @ Saltburn House Hotel. 7:00-9:00pm. Free. Rehearsal session (open to the public).

Tue 06: Alan Law @ The Ticket Office, Whitley Bay. 2:00pm. Free. Alan Law (piano) w. Paul Grainger (double bass).
Tue 06: Jam session @ The Black Swan, Newcastle. 7:30pm. Free. House trio: Murray Oak, Paul Grainger, John Bradford.
Tue 06: Customs House Big Band @ The Masonic Hall, Ferryhill. 7:30pm. Free.
Tue 06: Black is the Color of My Voice @ Northern Stage, Newcastle. 7:30pm. Apphia Campbell’s one-woman stage play inspired by Nina Simone. First night of two.

Wed 07: Vieux Carré Hot 4 @ Cullercoats Crescent Club. 1:00pm. Free. Wed 07: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington. 7:00pm. Free. Rehearsal session (open to the public).
Wed 07: Take it to the Bridge @ The Globe, Newcastle. 7:30pm. Free.
Wed 07: Black is the Color of My Voice @ Northern Stage, Newcastle. 7:30pm. Apphia Campbell’s one-woman stage play inspired by Nina Simone. Second night of two.

Thu 08: Vieux Carré Hot 4 @ The Millstone, Mill Rise, South Gosforth, Newcastle. 1:00pm. Free.
Thu 08: Pete Tanton’s Chet Set @ Newcastle Arts Centre. 7:30pm. Free (donations).
Thu 08: Indigo Jazz Voices w. Little Big Band @ The Globe, Newcastle. 7:45pm. £5.00.

Fri 09: Dean Stockdale Trio @ Bishop Auckland Methodist Church. 1:00pm. £9.00. Dean Stockdale (piano); Mick Shoulder (double bass); John Bradford (drums).
Fri 09: John Rowland Trio @ Jesmond Library, Newcastle. 1:00pm. £5.00.
Fri 09: Classic Swing @ Cullercoats Crescent Club. 1:00pm. Free.
Fri 09: Rendezvous Jazz @ The Monkseaton Arms. 1:00pm. Free.
Fri 09: New Orleans Preservation Jazz Band @ The Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 09: Shalala @ The Globe, Newcastle.

Sat 10: Catfish Keith @ Cluny 2, Newcastle. 7:30pm (doors). £19.00. + bf. Jumpin’ Hot Club.

Sun 11: Am Jam @ The Globe, Newcastle. 2:00pm. Free.
Sun 11: Michael Young Trio @ The Engine Room, Sunderland. 2:30pm. Free. Feat. guest Jack ‘Banjo’ Courtney (trumpet).
Sun 11: 4B @ The Ticket Office, Whitley Bay. 3:00pm. Free.
Sun 11: Harry Christelis Quartet @ The Globe, Newcastle. 8:00pm. A Jazz Co-op-JNE co-promotion.

Saturday, May 28, 2016

Funky jazz and howling Hammonds come to Durham

(Press release)
The James Taylor Quartet, who have set the standard for the coolest sounds in acid jazz for over a quarter of a century, are coming to Gala Theatre on Saturday 4 June at 7.30pm.
James Taylor, one of the greatest British instrumentalists of his generation, has taken his trademark howling Hammond organ sound to the masses since the 1980s.
The quartet have produced a bulging catalogue of remarkable albums and show-stopping gigs that continues to see them in hot demand everywhere from Ronnie Scott’s to Rome.
The band’s 2013 Closer To The Moon album release saw James Taylor’s impassioned musical curiosity lead to an ambitious and exciting project bringing together the worlds of jazz and classical music.
Taylor’s infectious trademark stylings, trusty Hammond and the group’s ever-alluring horns converse with a wild array of classical instrumentation, including celeste, vibes, harp, zither, gong, glockenspiel and even tubular bells.
Two years later, The Rochester Mass album pushed the boundaries even further. Recorded in just one day with the forty-strong Rochester Choir, the album is the first time that funk music and a religious mass have been fused. With numerous other albums to their name the band have also touched on genres as diverse as soul, rock and even rap!
The quartet’s relentlessly entertaining tunes, as well as upbeat and energetic live shows, have seen them hailed as one of the most important jazz-pop crossover outfits in British live music.
It was 1986 when the first Quartet coalesced after the demise of psychedelic mod scenesters the Prisoners. Notice of their dexterity in updating the cinematic jazz sound of the ’60s and ’70s, from spy themes to freeform jazz, was duly served with the debut single ‘Blow Up,’ followed by the ‘Mission Impossible’ EP. John Peel was soon offering a Radio 1 session.
The ensuing quarter-century has produced a bulging catalogue of remarkable albums and show-stopping gigs that continue to see JTQ in hot demand everywhere from Ronnie Scott’s to Rome. Along the way, there’ve been chart entries (notably the 1993 hit ‘Love The Life’ featuring Noel McKoy and the parent album ‘Supernatural Feeling,’ both of which nestled in the top 40), a MOBO Award nomination for 1998’s ‘Whole Lotta Live,’ and guest appearances by James with everyone from the Pogues and Manic Street Preachers to Tom Jones’ multi-platinum chart-topper ‘Reload.’
In a career that has embraced jazz, soul, rock, funk and often tipped its hat to classic detective and action movie soundtracks, JTQ delivered their own filmic moment in 1997, contributing ‘Austin’s Theme’ to the score album for ‘Austin Powers: International Man of Mystery.’ In 2007, the band completed their full-scale Motown tribute, ‘Don’t Mess With Mr. T,’ featuring guest vocalists Omar, Hil St. Soul and Donna Gardier. The same year brought both the spinoff project James Taylor’s 4th Dimension and a Ronnie Scott’s Jazz Award nomination for JTQ.
Tickets are £17.50 or only £15 for Gala Friends and can be purchased online at www.galadurham.co.uk , in person at Gala Theatre’s box office or by calling 03000 266 600.


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