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Bebop Spoken There

Dave Gelly: “From 1 January 1920, when prohibition was imposed in the US, people didn’t stop drinking, they just stopped drinking legally.” – (Jazz Journal October 2017).

Regina Carter: “When I was a teenager, I would daydream about going out on a date and dancing to Ella’s music.” (Down Beat October 2017).

Sunday November 19

Afternoon.

Musicians Unlimited - Park Hotel, Park Rd., Hartlepool TS26 9HU. 01249 233126.1pm. Free.

Tyne Horns - Exchange, Howard Street, North Shields NE30 1SE. 3:00pm. Free. New saxophone quartet – Louise Lambert (alto & tenor), Tom Adams (alto & soprano), Colin Wise (tenor) & Col Smith (baritone).

Mitch Laddie Band - Tyne Bar, Maling Street, Newcastle NE6 1LP. Tel: 0191 265 2550. 3:00pm. Free. Blues band.

Blues @ The Bay - Tanner Smith's, 17-19 South Parade, Whitley Bay NE26 2RE, 0191 2525941. 4pm. Blues Jam w. Scott Wall & Charlie Philp.

Somethin' Blue - Vesuvio, 3a Houndgate, Darlington DL1 5RL. 01325 788564. 5pm. Weekly.
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Evening

Arun Ghosh + Steve Ojay - Sage Gateshead, St Mary’s Square, Gateshead NE8 2JR. Tel: 0191 443 4666. 8:00pm. £15.30. Sage Two.

Big Muddy - The Globe, 11 Railway St., Newcastle NE4 7AD. 7:30pm. £5.

Paul Edis + Early Bird Band - Black Bull, Bridge Street, Blaydon NE21 4JJ. Tel: 0191 416 2846. 8:00pm. £5.00. Edis solo piano set followed by the Early Birds.

Toots and Littlefield - Billy Bootleggers, 28 Nelson St., Newcastle NE1 5AN. 9pm. Free.

To the best of our knowledge, details of the above events are correct but may be subject to alteration.

Monday, May 09, 2016

Roy Ayers preview Sage 2 Thursday May 12.













(Review by Steve T)
Promised a short review of this but then realised Mr. Ayers and I go back; back almost to the beginning; that's my beginning, not his.
It was 1977 and my brother brought in a 7" single - Running Away. Is it disco? Soul? Funk? Apparently it's Jazz Funk, like Benson, Hubert Laws and Idris Muhammed which had been infiltrating the more forward thinking end of the Northern Soul scene - ie Blackpool Mecca - for a couple of years and would orchestrate a complete split from stompy old Wigan Casino the following year.
Roy Ayers consolidated his position on the newly liberated Jazz Funk scene with a couple more dancefloor hits: Get On Up, Get On Down and Can't You See Me? the latter providing the soundtrack for a certain Durham Restaurant owner, who had adopted the Roy Ayers look of the time - tan suit and Panama – and, along with a friend, stripped down to their umbrellas at the Coach and Eight in Durham, which is probably too much information for anyone who's figured out who he is.
When Jazz Funk imploded shortly after (some would say it never amounted to anything and for a long time I would have agreed) I moved on to bigger and better things but was reminded of Roy Ayers when visionary DJ Colin Curtis played his version of For Real on pirate radio at a Soul Weekender in Fleetwood in the late eighties, mixing - or perhaps I should say exploding - into the original by Flowers, a monster track on the rare soul scene, at the time fetching £100 for a poor 7" edit and I'm told you can now name your price.
Nowadays, promoters sometimes prime acts to play tracks they've sometimes forgotten so we may get For Real, but hopefully we won't get Poo Poo La La which is where he wants to kiss you baby.
I've just missed him loads of times, including when he played Hoochie Coochie last year, which clashed with Dan Penn and Spooner Oldham at the Sage, legendary but ultimately over-rated soul songwriters, but I plumped for Fun Lovin Criminals, probably a mistake but Durham Gala is just so much more convenient for me.
I've decided to see him this year because he's almost 75 and because I'm a huge admirer of local vibes monster Chris Jelly from King Bee, who rates Roy, as you can imagine and I know it's mutual. King Bee are in fact supporting Roy Ayers and Lonnie Liston Smith (due at Hoochie soon) in Kent later in the month.
When Chris played the Empty Shop in Durham with the Steve Glendenning Quartet we were all completely mesmerised; even Carlo who normally bobs in and out sat transfixed throughout. At the interval he did a repair job with plasters patching up his hands and must factor in that he will destroy his hands whenever he performs, requiring a period of healing, and presumably Roy has been through the same thing. They should be given the freedom of the city, every city, town, village and hamlet, alongside the Queen, the President, the Pope and the Few.
There's still a few tickets available for Thursday night and Roy Ayers deserves it. So if you like Jazz, Jazz Funk, Funk, Soul or (pre Bee Gees/ Donna Summer) disco you should give it a go.
Steve T.

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Bebop Spoken Here -- Here, being the north-east of England -- centred in the blues heartland of Newcastle and reaching down to the Tees Delta and looking upwards to the Land of the Kilt.
Not a very original title, I know; not even an accurate one as my taste, whilst centred around the music of Bird and Diz, extends in many directions and I listen to everything from King Oliver to Chick Corea and beyond. Not forgetting the Great American Songbook the contents of which has provided the inspiration for much great jazz and quality popular singing for round about a century.
The idea of this blog is for you to share your thoughts and pass on your comments on discs, gigs, jazz - music in general. If you've been to a gig/concert or heard a CD that knocked you sideways please share your views with us. Tell us about your favourites, your memories, your dislikes.
Lance (Who wishes it to be known that he is not responsible for postings other than his own and that he's not always responsible for them.)
Contact: lanceliddle@gmail.com I look forward to hearing from you.

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