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Bebop Spoken There

Jimmy Vaughan: "I don't just want to turn out stuff because I'm supposed to. I'm not a plumber. I don't want it to be just a job" - (Downbeat, August 2019)

Archive

Daily: July 6 - October 27

Precarity John Akomfrah’s film (2017, 46 mins) about Buddy Bolden - Baltic Centre for Contemporary Art, Gateshead Quays, South Shore Road, Gateshead NE8 3BA. Tel: 0191 478 1810. Screenings at intervals during the day. part of Akomfrah's exhibition Ballasts of Memory. Exhibition (daily) July 6 - October 27. 10:00am-6:00pm. Free.

Today Monday July 22

Afternoon

Jazz

Precarity John Akomfrah’s film (2017, 46 mins) about Buddy Bolden (See above).

Jazz in the Afternoon - Cullercoats Crescent Club, 1 Hudleston, Cullercoats NE30 4QS. Tel: 0191 253 0242. 1:00pm. Free admission.

Evening

?????.

To the best of our knowledge, details of the above events are correct but may be subject to alteration.

Tuesday, May 17, 2016

The Tyne Trio @ JRA Community Festival. May 16

Charlie Philp (guitar), Joe Reeve (tenor & alto saxophones) & Bev Morris (double bass) + Dominic Lodge (drums), Robbie Sherratt (violin), Courts Winfield (keyboards)
(Review by Russell).
The Tyne Trio, the Quayside Quartet, the Jesmond Sextet. An ailing, absent vocalist, the plot thickens. The core trio, formed in 2015, consisting of Newcastle University students Charlie Philp, guitar, Joe Reeve, saxophone and bassist Bev Morris, put together a sextet for this second evening of jazz at Jesmond Library during this year’s Jesmond Residents Community Association Festival. Alto saxophonist Dominic Lodge took the drum chair, thus the quartet, known as the Quayside Quartet, represented two-thirds of the musicians on the stand. The trio and quartet work the function circuit across Newcastle and for this public concert performance drafted in friends Robbie Sherratt, violin and keyboards man Courts Winfield to present two sets as a sextet to another sizeable festival gathering.
Vocalist Gina Devine was indisposed on the evening. In time-honoured fashion the show went ahead and Ms Devine will, no doubt, be heard singing at a later date. The printed set list (an indication of someone being organised!) read: STANDARDS/BALLADS (Possibly in order, who knows?). Coltrane’s Mr PC opened the programme. All Blues followed, an extended blow on Ain’t Misbehavin’ featured Joe Reeve on tenor and again on Take the A Train, the latter number heard Robbie Sherratt open up on violin.
A new name to BSH, Bev Morris, proved to be consistently good throughout the evening. Solid, no nonsense double bass playing, Morris is one to watch. His rhythm partner, Dom Lodge, known to BSH as a saxophonist, occupied the drum chair to good effect, handling variously bossas, calypsos, swing and blues. Courts Winfield (keyboards) read the charts, supported the frontline and took the occasional solo. So What and Night in Tunisia hit the jackpot; Morris at the right tempo, bandleader Charlie Philp fluent on guitar and Sherratt cutting loose on the former, Morris and Sherratt impressing once more on the latter.
It is clear that Charlie Philp put a lot of work into the two jazz nights at Jesmond Library,  hopefully, he’ll do it all again next year.
Russell.                                        

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About this blog - contact details.

Bebop Spoken Here -- Here, being the north-east of England -- centred in the blues heartland of Newcastle and reaching down to the Tees Delta and looking upwards to the Land of the Kilt.
Not a very original title, I know; not even an accurate one as my taste, whilst centred around the music of Bird and Diz, extends in many directions and I listen to everything from King Oliver to Chick Corea and beyond. Not forgetting the Great American Songbook the contents of which has provided the inspiration for much great jazz and quality popular singing for round about a century.
The idea of this blog is for you to share your thoughts and pass on your comments on discs, gigs, jazz - music in general. If you've been to a gig/concert or heard a CD that knocked you sideways please share your views with us. Tell us about your favourites, your memories, your dislikes.
Lance (Who wishes it to be known that he is not responsible for postings other than his own and that he's not always responsible for them.)
Contact: lanceliddle@gmail.com I look forward to hearing from you.

Submissions for review

Whilst we appreciate the many emails, texts, messages and other communications we receive requesting album/gig reviews on BSH, regrettably, we are unable to reply to all of them other than those we are able to answer with a positive response.
Similarly, CDs received by post will only be considered if accompanied by sufficient background material.
Finally, bear in mind that this is a jazz-based site when submitting your album.
Lance