Bebop Spoken There

Ludovic Beier (Django Festival Allstars): ''Manouche means 'free man,' and gypsies have been travelers since they migrated west from India to Europe.'' (DownBeat March, 2026)

The Things They Say!

This is a good opportunity to say thanks to BSH for their support of the jazz scene in the North East (and beyond) - it's no exaggeration to say that if it wasn't for them many, many fine musicians, bands and projects across a huge cross section of jazz wouldn't be getting reviewed at all, because we're in the "desolate"(!) North. (M & SSBB on F/book 23/12/24)

Postage

18383 (and counting) posts since we started blogging 18 years ago. 247 of them this year alone and, so far this month (Mar. 17 ), 57

Reviewers wanted

Whilst BSH attempts to cover as many gigs, festivals and albums as possible, to make the site even more comprehensive we need more 'boots on the ground' to cover the albums seeking review - a large percentage of which never get heard - report on gigs or just to air your views on anything jazz related. Interested? then please get in touch. Contact details are on the blog. Look forward to hearing from you. Lance

Tuesday, May 17, 2016

The Tyne Trio @ JRA Community Festival. May 16

Charlie Philp (guitar), Joe Reeve (tenor & alto saxophones) & Bev Morris (double bass) + Dominic Lodge (drums), Robbie Sherratt (violin), Courts Winfield (keyboards)
(Review by Russell).
The Tyne Trio, the Quayside Quartet, the Jesmond Sextet. An ailing, absent vocalist, the plot thickens. The core trio, formed in 2015, consisting of Newcastle University students Charlie Philp, guitar, Joe Reeve, saxophone and bassist Bev Morris, put together a sextet for this second evening of jazz at Jesmond Library during this year’s Jesmond Residents Community Association Festival. Alto saxophonist Dominic Lodge took the drum chair, thus the quartet, known as the Quayside Quartet, represented two-thirds of the musicians on the stand. The trio and quartet work the function circuit across Newcastle and for this public concert performance drafted in friends Robbie Sherratt, violin and keyboards man Courts Winfield to present two sets as a sextet to another sizeable festival gathering.
Vocalist Gina Devine was indisposed on the evening. In time-honoured fashion the show went ahead and Ms Devine will, no doubt, be heard singing at a later date. The printed set list (an indication of someone being organised!) read: STANDARDS/BALLADS (Possibly in order, who knows?). Coltrane’s Mr PC opened the programme. All Blues followed, an extended blow on Ain’t Misbehavin’ featured Joe Reeve on tenor and again on Take the A Train, the latter number heard Robbie Sherratt open up on violin.
A new name to BSH, Bev Morris, proved to be consistently good throughout the evening. Solid, no nonsense double bass playing, Morris is one to watch. His rhythm partner, Dom Lodge, known to BSH as a saxophonist, occupied the drum chair to good effect, handling variously bossas, calypsos, swing and blues. Courts Winfield (keyboards) read the charts, supported the frontline and took the occasional solo. So What and Night in Tunisia hit the jackpot; Morris at the right tempo, bandleader Charlie Philp fluent on guitar and Sherratt cutting loose on the former, Morris and Sherratt impressing once more on the latter.
It is clear that Charlie Philp put a lot of work into the two jazz nights at Jesmond Library,  hopefully, he’ll do it all again next year.
Russell.                                        

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