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Bebop Spoken There

Orrin Evans: “I’d like to see a younger audience and an audience that looks more like me at the clubs.” – (Down Beat November 2014).

Kevin Flanagan: "Besides, I'd got sick of playing jazz to people who looked like my father." - (Straight No Chaser Issue 0ne Summer 1988.)

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Today Thursday August 17

Afternoon
Vieux Carré Jazzmen - Holystone, Whitley Rd., nr. Newcastle NE27 0DA. 1:oopm. Free.
Rendezvous Jazz - Tynemouth Metro Station, Station Tce., Tynemouth NE30 4RE. 1pm. Free.
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Evening.
Indigo Jazz Voices - Globe, 11 Railway St., Newcastle NE4. 7:30pm. £5.
Maine Street Jazzmen - Potter's Wheel, Sunniside NE16 5EE. 8:30pm. Free.
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Tees Valley Jazzmen - White Horse Hotel, Burtree Lane, Harrogate Hill, Darlington DL1 3AD. 1:30pm. Free.
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Tees Hot Club w.Kevin Eland (trumpet); Mark Toomey (alto); Dave Archibold (keys)- Dormans, Oxford Rd., Middlesbrough TS5 5DT. Free. 9pm.
New Orleans Preservation Jazz Band - Oxbridge, Oxbridge Lane, Stockton TS18 4AW. 8:30pm.01642 678129.
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To the best of our knowledge, details of the above events are correct but may be subject to alteration.

Sunday, May 01, 2016

Scottish National Jazz Orchestra - The Music of Dave Brubeck @ Sage Gateshead April 30

Bill Dobbins (pno); John Nugent (alto) w. Scottish National Jazz Orchestra directed by Tommy Smith.*
(Review by Lance).
Sage Gateshead's contribution to International Jazz Day was just that - International! Two Americans and an assortment of Scots combining to pay tribute to the late legend that was Dave Brubeck.
Frequently vilified by the critics during his lifetime, Brubeck has, upon his passing, become semi-sanctified. The true assessment lies somewhere in between. Certainly he could, at times, go over the top pounding the piano into near submission. However, he was also capable of great sensitivity as one of the evenings pieces, In Your Own Sweet Way, proved. 
Brubeck's main claim to fame was probably the innovative introduction of time signatures other than the usual 4/4 or occasional 3/4 that were the norm prior to the quartet's Time Out album. Numbers such as Take 5, Blue Rondo, Raggy Waltz, Unsquare Dance etc were unique conceptions that took jazz into a new dimension. Absolutely brilliant but it was difficult tapping your feet in 5/4 time! Personally, I preferred his earlier recordings such as Jazz at Oberlin which was straight down the middle swing. 
Prior to the concert, I knew little about the two featured American soloists. From Row M Dobbins even looked a bit like Brubeck although his playing wasn't quite as flamboyant as the late Dave's. Nugent, didn't look like Paul Desmond but he did display similar lyricism and his fuller tone was a delight to hear.
The Scottish National Jazz Orchestra rank amongst the world's finest and it was inspirational of Tommy Smith to approach Dobbins to orchestrate the quartet's music for big band. 
The band cut the charts brilliantly - in particular, the blend of the sax section on In Your Own Sweet Way - truly an object lesson in voicing a section. One of those rare moments when the Earth moves!
The raiders frae over the border also had outstanding moments solo--wise. Tommy Smith blew flute on Nomad, from Jazz Impressions of Eurasia with Phil O'Malley adding some trombone exotica. Tom McNiven excelled on flugel during It's a Raggy Waltz. Smith played tenor on Cassandra as did Wiszniewski on Mr. Fats. Paul Towndrow had a blast on Winter Ballad that was by no means overshadowed by Nugent.
All in all an enjoyable evening that deserved to have been better supported.
Prior to the concert, Dobbins, Nugent and Smith told those present about how the project came about. The SNJO were playing at the Rochester Jazz Festival in New York. Dobbins was not only playing there but also organising it and the rest, as they say, is history.
Lance.
PS: In an age where concert programmes cost almost as much as the tickets, it was a refreshing change to find out that at this gig they were free! 
*Click on programme for personnel of SNJO

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About this blog - contact details.

Bebop Spoken Here -- Here, being the north-east of England -- centred in the blues heartland of Newcastle and reaching down to the Tees Delta and looking upwards to the Land of the Kilt.
Not a very original title, I know; not even an accurate one as my taste, whilst centred around the music of Bird and Diz, extends in many directions and I listen to everything from King Oliver to Chick Corea and beyond. Not forgetting the Great American Songbook the contents of which has provided the inspiration for much great jazz and quality popular singing for round about a century.
The idea of this blog is for you to share your thoughts and pass on your comments on discs, gigs, jazz - music in general. If you've been to a gig/concert or heard a CD that knocked you sideways please share your views with us. Tell us about your favourites, your memories, your dislikes.
Lance (Who wishes it to be known that he is not responsible for postings other than his own and that he's not always responsible for them.)
Contact: lanceliddle@gmail.com I look forward to hearing from you.

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