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Bebop Spoken There

Anat Fort: "In order to play and tour with people and spend a lot of time with them, you need to get along with them" - (DownBeat June 2019).

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2019 Parliamentary Jazz Awards

The voting is open between now and May 31 to enable site visitors to nominate their choices in the various categories of this year's APPJAG awards which can be done here.
BSH was very proud to be nominated and to win the 2018 Media Award and hope we can have your support again this year.

Today Monday May 27

Afternoon

Jazz

Vieux Carré Hot 4 - Spanish City Plaza, Whitley Bay NE26 1BG. 12:00 - 3:00pm. Free.

Jazz in the Afternoon - Cullercoats Crescent Club, 1 Hudleston, Cullercoats NE30 4QS. Tel: 0191 253 0242. 1:00pm. Free.

Tyne Valley Big Band - Bywell Hall, Bywell, near Stocksfield NE43 7AB. £15.00. (concs. £14.00., child £5.00., £35.00. family). 2:00-4:00pm. A Northumberland County Show (all day) event.

Evening

Ruby Turner - Whitley Bay Playhouse, Marine Avenue, Whitley Bay NE26 1LZ. Tel: 0844 248 1588. 7:30pm. £28.80. A Mouth of the Tyne event.

To the best of our knowledge, details of the above events are correct but may be subject to alteration.

Sunday, May 29, 2016

Harry Potter and a Quintet On Fire - The Sue Ferris Quintet @ Ushaw College, Friday, May 27.











Sue Ferris, tenor sax & flute, Graham Hardy, trumpet & flugelhorn, Paul Edis, piano, Andy Champion, bass and Rob Walker, drums.
(Review/photos by Jerry)
Walking around inside Ushaw College you feel as if you have inadvertently wandered into a Harry Potter movie: the whole complex is impressively Neo-Gothic with much of the interior work designed by Pugin (of Palace of Westminster fame); a huge wall adjoins the main buildings constructed, apparently, for the sole purpose of playing “Cat”, an arcane ball-game like a prototype Quidditch and even the lengthy stroll to the toilets (everything here is on a grand scale) is via an “ambulacrum” with mullioned windows looking out over a grassed quadrangle.
There was certainly magic in the air tonight woven by Sue Ferris and her band of four top musical sorcerers (no apprentices here!) No apprentices, but there was a “wand” as the trusty sax was swapped for a silver flute at the first set’s end for a beautiful tune entitled Witchcraft. Apparently the only thing Sue Ferris couldn’t bewitch was the microphone which fell and slowly snaked floorwards earlier during Watch the Birdie – a Wayne Shorter tune with music cleverly mimicking the words of the title. Like a snake-charmer, she played the most persuasive of solos but gravity put the recalcitrant mic’ beyond her powers. Paul Edis (promoter/pianist/technician) fettled it at half-time. No rest for the wicked!
Earlier we had heard Just Squeeze Me with some fine interplay between sax and trumpet at the end and Well You Needn’t – which I noted down as “magic Monk”.
“Magic” was just my reaction on hearing a familiar favourite but both words seem apposite in the context of Harry Potter in a former seminary!
My notes on the Monk tune also included: “complex piano solo…staccato trumpet blasts…bass solo then crashing drum solo”, with the afterthought, “but subtly varied”. I returned to these notes in an attempt to articulate WHY I so enjoyed this quintet and the reason is partly encapsulated here in the combination of power and subtlety. For a quintet it is a BIG sound: the rhythm section pulls no punches; Sue Ferris, when she puffs her cheeks and runs down into the “basement notes” (my terminology – sorry!) can rattle the floorboards and Graham Hardy can hold a long note longer than I can nurse a pint of real ale!
Yet each can construct solos of such subtlety and variation that you wait, spellbound, to see where they are going next. Take the bluesy piano solo on Some Do, for example, or Andy Champion’s bowed bass on Silver’s Opus de Funk. Or the moody sax solo on Song for My Father with its cascading high notes, repeated phrases and downward runs. Or Graham Hardy’s mellow flugelhorn on his own arrangement of One Hand, One Heart. Or ANY of them on the last two numbers – Mercy, Mercy, Mercy and Take the A Train which brought rapturous applause.
A second reason, which endeared the quintet to this big and mixed-age audience, (more magic, there, I think) is the accessibility of the music. The set-list choices (I think I have mentioned them all apart from The Double-up) are mostly familiar tunes by familiar musicians; the ensemble playing is infectiously rhythmical and strong and the solos, however complex, are never so precious or technical as to bewilder the average listener like me. Thanks to all for a “magical” evening.
Jerry.
P.S. This outstanding performance was preceded by a brief “appetiser” from The Early Bird Band. See below for comments and pic..

3 comments :

Hugh said...

Great review, Jerry, for a great concert. Shame, though about the few people who insisted on having extended conversations or rustling popcorn packets during the performance.

JERRY said...

Sorry to hear that - nothing near us like that (front/right). Sadly it seems to be a feature at all manner of public performances these days!

Steven T said...

What s soulful player too. She joins that elite band including Mezz Mezrow, Eddie Hinton, Bill Clinton and FDT. I haven't included Zawinul, Corea and McLauglin because, as Miles said, they don't see colour; unlike him.

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