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Bebop Spoken There

Raymond Chandler: “ I was walking the floor and listening to Khatchaturian working in a tractor factory. He called it a violin concerto. I called it a loose fan belt and the hell with it ". The Long Goodbye, Penguin 1959.

The Things They Say!

Hudson Music: Lance's "Bebop Spoken Here" is one of the heaviest and most influential jazz blogs in the UK.

Rupert Burley (Dynamic Agency): "BSH just goes from strength to strength".

'606' Club: "A toast to Lance Liddle of the terrific jazz blog 'Bebop Spoken Here'"

The Strictly Smokin' Big Band included Be Bop Spoken Here (sic) in their 5 Favourite Jazz Blogs.

Ann Braithwaite (Braithwaite & Katz Communications) You’re the BEST!

Holly Cooper, Mouthpiece Music: "Lance writes pull quotes like no one else!"

Simon Spillett: A lovely review from the dean of jazz bloggers, Lance Liddle...

Josh Weir: I love the writing on bebop spoken here... I think the work you are doing is amazing.

Postage

16350 (and counting) posts since we started blogging 16 years ago. 230 of them this year alone and, so far, 27 this month (April 11).

From This Moment On ...

April

Tue 16: The Horne Section’s Hit Show @ Middlesbrough Town Hall. 7:30pm.
Tue 16: Jam session @ The Black Swan, Newcastle. 7:30pm. Free. House trio: Bradley Johnston, Paul Grainger, Bailey Rudd.

Wed 17: Bailey Rudd (Minor Recital) @ The Music Studios, Haymarket Lane, Newcastle University. 11:40am. Bailey Rudd (drums). Open to the public.
Wed 17: Vieux Carré Jazzmen @ Cullercoats Crescent Club. 1:00pm. Free.
Wed 17: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington. 7:00pm. Free. Rehearsal session (open to the public).
Wed 17: The Horne Section’s Hit Show @ The Gala, Durham. 7:30pm. SOLD OUT!
Wed 17: Take it to the Bridge @ The Globe, Newcastle. 7:30pm. Free.

Thu 18: Vieux Carré Jazzmen @ The Holystone, Whitley Road, North Tyneside. 1:00pm. Free.
Thu 18: NONUNONU @ Elder Beer Café, Chillingham Road, Newcastle. 7:30pm.
Thu 18: Knats @ Hoochie Coochie, Newcastle. 8:00pm (doors 7:30pm). £8.00. + bf. Support act TBC.
Thu 18: Merlin Roxby @ Prohibition Bar, Newcastle. 8:00pm. Free. A ‘Jar on the Bar’ gig. Ragtime piano.
Thu 18: Tees Hot Club @ Dorman’s Club, Middlesbrough. 8:30pm. Guest band night with Just Friends: Ian Bosworth (guitar); Donna Hewitt (sax); Dave Archbold (keys); Ron Smith (bass); Mark Hawkins (drums).

Fri 19: Cia Tomasso @ The Lit & Phil, Newcastle. 1:00pm. ‘Cia Tomasso sings Billie Holiday’. SOLD OUT!
Fri 19: Classic Swing @ Cullercoats Crescent Club. 1:00pm. Free.
Fri 19: Rendezvous Jazz @ The Monkseaton Arms. 1:00pm. Free.
Fri 19: New Orleans Preservation Jazz Band @ The Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 19: Tweed River Jazz Band @ The Radio Rooms, Berwick. 7:00pm (doors). £5.00.
Fri 19: Lindsay Hannon: Tom Waits for No Man @ Seventeen Nineteen, Hendon, Sunderland. 7:30pm.
Fri 19: Levitation Orchestra + Nauta @ Cluny 2, Newcastle. 7:30pm (doors). £11.00.
Fri 19: Strictly Smokin’ Big Band @ The Witham, Barnard Castle. 8:00pm. ‘Ella & Ellington’.

Sat 20: Record Store Day…at a store near you!
Sat 20: Bright Street Band @ Washington Arts Centre. 6:30pm. Swing dance taster session (6:30pm) followed by Bright Street Big Band (7:30pm). £12.00.
Sat 20: Michael Woods @ Victoria Tunnel, Ouseburn, Newcastle. 7:00pm. Acoustic blues.
Sat 20: Rendezvous Jazz @ St Andrew’s Church, Monkseaton. 7:30pm. £10.00. (inc. a drink on arrival).

Sun 21: Jamie Toms Quartet @ Queen’s Hall, Hexham. 3:00pm.
Sun 21: 4B @ The Ticket Office, Whitley Bay Metro Station. 3:00pm. Free.
Sun 21: Lindsay Hannon: Tom Waits for No Man @ Holy Grale, Durham. 5:00pm.
Sun 21: The Jazz Defenders @ Cluny 2. Doors 6:00pm. £15.00.
Sun 21: Edgar Rubenis @ Prohibition Bar, Newcastle. 7:00pm. Free. A ‘Jar on the Bar’ gig. Blues & ragtime guitar.
Sun 21: Tweed River Jazz Band @ Barrels Ale House, Berwick. 7:00pm. Free.
Sun 21: Art Themen with the Dean Stockdale Trio @ The Globe, Newcastle. 8:00pm. £10.00. +bf. JNE. SOLD OUT!

Mon 22: Harmony Brass @ Cullercoats Crescent Club. 1:00pm. Free.

Sunday, May 29, 2016

Harry Potter and a Quintet On Fire - The Sue Ferris Quintet @ Ushaw College, Friday, May 27.











Sue Ferris, tenor sax & flute, Graham Hardy, trumpet & flugelhorn, Paul Edis, piano, Andy Champion, bass and Rob Walker, drums.
(Review/photos by Jerry)
Walking around inside Ushaw College you feel as if you have inadvertently wandered into a Harry Potter movie: the whole complex is impressively Neo-Gothic with much of the interior work designed by Pugin (of Palace of Westminster fame); a huge wall adjoins the main buildings constructed, apparently, for the sole purpose of playing “Cat”, an arcane ball-game like a prototype Quidditch and even the lengthy stroll to the toilets (everything here is on a grand scale) is via an “ambulacrum” with mullioned windows looking out over a grassed quadrangle.
There was certainly magic in the air tonight woven by Sue Ferris and her band of four top musical sorcerers (no apprentices here!) No apprentices, but there was a “wand” as the trusty sax was swapped for a silver flute at the first set’s end for a beautiful tune entitled Witchcraft. Apparently the only thing Sue Ferris couldn’t bewitch was the microphone which fell and slowly snaked floorwards earlier during Watch the Birdie – a Wayne Shorter tune with music cleverly mimicking the words of the title. Like a snake-charmer, she played the most persuasive of solos but gravity put the recalcitrant mic’ beyond her powers. Paul Edis (promoter/pianist/technician) fettled it at half-time. No rest for the wicked!
Earlier we had heard Just Squeeze Me with some fine interplay between sax and trumpet at the end and Well You Needn’t – which I noted down as “magic Monk”.
“Magic” was just my reaction on hearing a familiar favourite but both words seem apposite in the context of Harry Potter in a former seminary!
My notes on the Monk tune also included: “complex piano solo…staccato trumpet blasts…bass solo then crashing drum solo”, with the afterthought, “but subtly varied”. I returned to these notes in an attempt to articulate WHY I so enjoyed this quintet and the reason is partly encapsulated here in the combination of power and subtlety. For a quintet it is a BIG sound: the rhythm section pulls no punches; Sue Ferris, when she puffs her cheeks and runs down into the “basement notes” (my terminology – sorry!) can rattle the floorboards and Graham Hardy can hold a long note longer than I can nurse a pint of real ale!
Yet each can construct solos of such subtlety and variation that you wait, spellbound, to see where they are going next. Take the bluesy piano solo on Some Do, for example, or Andy Champion’s bowed bass on Silver’s Opus de Funk. Or the moody sax solo on Song for My Father with its cascading high notes, repeated phrases and downward runs. Or Graham Hardy’s mellow flugelhorn on his own arrangement of One Hand, One Heart. Or ANY of them on the last two numbers – Mercy, Mercy, Mercy and Take the A Train which brought rapturous applause.
A second reason, which endeared the quintet to this big and mixed-age audience, (more magic, there, I think) is the accessibility of the music. The set-list choices (I think I have mentioned them all apart from The Double-up) are mostly familiar tunes by familiar musicians; the ensemble playing is infectiously rhythmical and strong and the solos, however complex, are never so precious or technical as to bewilder the average listener like me. Thanks to all for a “magical” evening.
Jerry.
P.S. This outstanding performance was preceded by a brief “appetiser” from The Early Bird Band. See below for comments and pic..

3 comments :

Hugh said...

Great review, Jerry, for a great concert. Shame, though about the few people who insisted on having extended conversations or rustling popcorn packets during the performance.

JERRY said...

Sorry to hear that - nothing near us like that (front/right). Sadly it seems to be a feature at all manner of public performances these days!

Steven T said...

What s soulful player too. She joins that elite band including Mezz Mezrow, Eddie Hinton, Bill Clinton and FDT. I haven't included Zawinul, Corea and McLauglin because, as Miles said, they don't see colour; unlike him.

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