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Bebop Spoken There

Jackie Paris: "A singer's got to be able to tell a story. Frank Sinatra and Nat Cole are best at that; Mel Tormé too. I like to take a lyric that means something and sing it right to the person it was meant for." - (DownBeat October 11, 1962).

Archive

Daily: July 6 - October 27

Precarity John Akomfrah’s film (2017, 46 mins) about Buddy Bolden - Baltic Centre for Contemporary Art, Gateshead Quays, South Shore Road, Gateshead NE8 3BA. Tel: 0191 478 1810. Screenings at intervals during the day. Part of Akomfrah's exhibition Ballasts of Memory. Exhibition (daily) July 6 - October 27. 10:00am-6:00pm. Free.

Today Tuesday September 17

Afternoon

Jazz

Precarity John Akomfrah’s film (2017, 46 mins) about Buddy Bolden (see above).

Classic Swing - The Ship Inn, Front Street, Monkseaton NE25 8DP. 0191 251 3677. 1:00pm - 3:00pm. Free.

Evening

Jazz

Acoustic Infusion with the Mighty Horns - Forum Music Centre, Borough Road, Darlington DL1 1SG. Tel: 01325 363135. 7:30pm (doors 7:00pm). £5.00. Rick Laughlin & co.

Strictly Smokin’ Sessions - Black Swan Bar, Newcastle Arts Centre, Westgate Road, Newcastle NE1 1SG. Tel: 0191 222 9882. 8:00pm. £8.00. & £6.00.

River City Jazzmen - Block & Tackle, Blackthorn Way, Ashington NE63 8NW. Tel: 01670 819845. 8:00pm. £4.00. Guest: Don Armstrong (reeds). Note earlier start.

Blues

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To the best of our knowledge, details of the above events are correct but may be subject to alteration.

Tuesday, May 24, 2016

CD Review: Johnny Hunter Quartet - While We Still Can.

Johnny Hunter (dms); Ben Watts (ten); Graham South (tpt); Stewart Wilson (bs).
(Review by Lance).
Johnny Hunter isn't just an A-list drummer but he's also a composer laying to rest the old '3 musicians + 1 drummer = 1 quartet' joke.
This is perhaps more ambitious than previous recordings - quote:  “For a while, I've been fascinated by the music of the Middle East and have found many similarities with contemporary jazz - with this album I wanted to explore some of the traits which draw me to it.
I combined rhythms such as the Turkish Laz (7/8) or Karsilama (9/8) (odd time signatures split into groupings of twos and threes) and the idea of tetrachords/Arabic maqam (groupings of four notes which can be built up to create various scales, albeit using the Western 12 tone scale) with my own background of post-rock and free improvisation, and the Ornette Coleman approach of ‘here's the theme, now let it go’, with very little predetermined structure for the solos to follow. The title is about the appreciation of everything in your life, be it your pets, your family or your bass player; you never know when they may move to Glasgow".
Hmmm... well those observations almost persuaded me to sling this in the direction of the long-suffering Russell! But no, being a glutton for punishment, I decided to give it a listen and, you know what? it wasn't punishment at all!
It's complex, sensibly the first track - Overture - is an out and out swinger that opens the door for the more outré items to follow.
To put this in context, imagine hearing Ornette's Tomorrow is the Question for the first time or Don Ellis' The Electric Bath, Brubeck's Time Out and you've got an idea of where we are at. Hunter manages to incorporate many of the above influences without any suggestion of plagiarism. It's an exploration into many cultures by four fine players.
I can't fault the musicianship but I doubt if it will make it to the car stereo!
Lance.
Johnny Hunter Quartet - While We Still Can available on Efpi on June 17.

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About this blog - contact details.

Bebop Spoken Here -- Here, being the north-east of England -- centred in the blues heartland of Newcastle and reaching down to the Tees Delta and looking upwards to the Land of the Kilt.
Not a very original title, I know; not even an accurate one as my taste, whilst centred around the music of Bird and Diz, extends in many directions and I listen to everything from King Oliver to Chick Corea and beyond. Not forgetting the Great American Songbook the contents of which has provided the inspiration for much great jazz and quality popular singing for round about a century.
The idea of this blog is for you to share your thoughts and pass on your comments on discs, gigs, jazz - music in general. If you've been to a gig/concert or heard a CD that knocked you sideways please share your views with us. Tell us about your favourites, your memories, your dislikes.
Lance (Who wishes it to be known that he is not responsible for postings other than his own and that he's not always responsible for them.)
Contact: lanceliddle@gmail.com I look forward to hearing from you.

Submissions for review

Whilst we appreciate the many emails, texts, messages and other communications we receive requesting album/gig reviews on BSH, regrettably, we are unable to reply to all of them other than those we are able to answer with a positive response.
Similarly, CDs received by post will only be considered if accompanied by sufficient background material.
Finally, bear in mind that this is a jazz-based site when submitting your album.
Lance