Benet McLean – piano/vocals/violin; Noel Langley – trumpet; Aydenne Simone – vocals; Jason Yarde – ; saxophones ; Gareth Lockrane – flutes; Duncan Eagles – saxophones; Ashley Slater – trombone; Isabella Maria Asbjornsen – harp; Donald Gamble – percussion; Jonathan Harvey – bass; Saleem Raman – drums.
(Review by Lance)
The Bopped and the Bopless could easily be The Hipped and the Hopless! Not that I’m complaining, far from it. This is as fine an example of cross-gendering as you’ll find in a long day’s pogoing across the great divide. Suddenly the divide doesn’t seem that great! Take a look at the players involved – jazzmen to a core, albeit with their own tributaries that they occasionally sail off on, and they do the business here.
The business, of course, is run by McLean, of whom Ian Shaw said, “When Benet sings and plays, something so precise, virtuosic, soulful and swinging happens, it’s almost unnerving. That he isn’t playing arenas but is the Soho Prince of Jazz is of course wrong, yet refreshing. Dig, dig, dig!”
Not sure I can add to that except to concur and nod sagely. The only problem being, that when I nod ‘sagely,’ people think I’ve fallen asleep which, take it from me folks, you won’t be making with the zzzzzzzs whilst listening to this.
Available June 10 on 33 Jazz Records. Launched at 606 Club June 16.
Lance.
Lance.
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