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Bebop Spoken There

Paul Edis: "One of the regulars at The Gala today called me a 'turncoat' and another a 'deserter' - that's a very northern way of displaying affection in response to the news that I'm leaving the area. 'They're vicious down there mind you'. " - (Twitter January24, 2020)

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Hudson Music: Lance's "Bebop Spoken Here" is one of the heaviest and most influential jazz blogs in the UK.

Today Monday January 27

Afternoon

Jazz

Jazz in the Afternoon - Cullercoats Crescent Club, 1 Hudleston, Cullercoats NE30 4QS. Tel: 0191 253 0242. 1:00pm. Free admission.

Evening

?????

To the best of our knowledge, details of the above events are correct but may be subject to alteration.

Monday, May 16, 2016

Early Birds Band @ Lit and Phil - May 14.

Paul Edis - alto, piano, MD. Ben Lawrence - trumpet. Nick Caughey - tenor. Francis Tulip - guitar. Dan Lawrence - bass guitar. Mathew MacKellar - drums. James Metcalfe - trumpet. Phil Grobe - piano.
(Review by Steven T).
With none of the mainstays there, it's fallen to me and my extended, misspent youth impaired memory to report on the latest offering from Dr. Edis and his young hopefuls. 
With the approaching departure of a couple of members he's added James Metcalfe on trumpet and Dr. Phil on piano, perhaps to replace Francis on guitar and to free up Paul to further beef up the horns.
This hit immediately on opener Maiden Voyage by Herbie Hancock with two trumpets, alto and tenor coming over more like a classic funk band horn section  than soloists, although all delivered accomplished solos during the course of the morning.
No reflection on the trumpet players whatsoever and I know they'll forgive me if, for once, I single out Nick for his lovely, uncluttered, effortless, natural sound; more Lester Young or Ben Webster than Coleman Hawkins, Sonny Rollins or Trane. When I arrived just before they went on, he was sat playing his horn in an exact Pres position and I wished I'd had a pork pie hat to stick on his head.
Soul is not something you can learn, practice or fake and when it intersects with technique and composition (including improvisation) is when Jazz becomes the Great American/C20th Art Form. Shame he's not pursuing music as a career but great he's sticking around.
Couple of birthdays in the audience changed the format a little and the rest of the band left Francis and Paul on piano to play Vignette, a Paul original for Francis' mothers $%"&*()! birthday. The pair played this in Darlington a few weeks ago and it was magical and I hope it had a similar impact on his mother on her birthday.
Mother of Dan and Ben (or is it Ben and Dan?) also has a birthday; on Tuesday she'll be £()*&%$£ and the band played a great, fun, almost New Orleans style version of Happy Birthday.
The unsung hero of this band is often hard-working bass player Dan (or is it Ben?), always animated, his shoes off, who didn't take any solos this time but gave us an interesting reinterpretation of You've Got A Friend In Me from Toy Story, he's renamed For Friends.
Following Blues for Alice, maintaining the (Early) Bird continuum, Dan (Ben ) suggested the excellent Manteca by Dizzy, with some great quirky piano from Dr. Phil in a suitably concise solo, and ending with an excellent extended exchange between Paul on alto and drummer Mathew MacKellar.
They're back at the Lit and Phil at the same time on June 18 and July 16, supporting Sue Ferris at Ushaw on Friday, May 27, supporting the Gala Big Band in Crook on Friday July 15, opening Saturday at the Ushaw festival and the final performance of this particular line up is supporting Nigel Price at the Jazz Café on Friday, Sept. 16.
Steven T
In the picture, Francis and the Brothers Lawrence are unwinding after the gig.

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