Bebop Spoken There

Gary Bartz: ''Music is nature's gift to man. It's the only religion. We're living in a terrible era, but what a beautiful thing music is. Look how it brings us together like religion is supposed to; and with no language barriers.'' (Jazzwise September, 2026)

The Things They Say!

This is a good opportunity to say thanks to BSH for their support of the jazz scene in the North East (and beyond) - it's no exaggeration to say that if it wasn't for them many, many fine musicians, bands and projects across a huge cross section of jazz wouldn't be getting reviewed at all, because we're in the "desolate"(!) North. (M & SSBB on F/book 23/12/24)

Postage

18918 (and counting) posts since we started blogging 18 years ago. 782 of them this year alone and, so far this month (Sept. 18.) 61.

Reviewers wanted

Whilst BSH attempts to cover as many gigs, festivals and albums as possible, to make the site even more comprehensive we need more 'boots on the ground' to cover the albums seeking review - a large percentage of which never get heard - report on gigs or just to air your views on anything jazz related. Interested? then please get in touch. Contact details are on the blog. Look forward to hearing from you. Lance

From This Moment On

September.

Mon 21: Friends of Jazz @ Cullercoats Crescent Club. 1:00pm. Free.
Mon 21: Lewis Watson Quartet @ The Black Bull, Blaydon. 8:00pm. Coltrane centenary.

Tue 22: ???

Wed 23: Vieux Carré Hot 4 @ Cullercoats Crescent Club. 1:00pm. Free.
Wed 23: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington. 7:00pm. Free. Rehearsal session (open to the public).
Wed 23: Lewis Watson Quartet @ The Lit & Phil, Newcastle. 7:30pm. A John Coltrane Centenary Concert (b. 23. 09. 1926). SOLD OUT!
Wed 23: Take it to the Bridge @ The Globe, Newcastle. 7:30pm. Free.

Thu 24: Vieux Carré Hot 4 @ The Millstone, Mill Rise, South Gosforth, Newcastle. 1:00pm. Free.
Thu 24: Castillo Nuevo Orquesta @ Pilgrim, Newcastle. £6.50. 7:30pm (doors).
Thu 24: Arun Ghosh @ Gosforth Civic Theatre, Newcastle. 8:00pm (7:30pm doors). £21.05. (£22.00. on the door). A Newcastle Festival of Jazz & Improvised Music event.
Thu 24: Shalala @ The Globe, Newcastle. 8:00pm. £7.00.

Fri 25: Mark Williams Trio @ The Gala, Durham. 1:00pm. £9.00.
Fri 25: Classic Swing @ Cullercoats Crescent Club. 1:00pm. Free.
Fri 25: Rendezvous Jazz @ The Monkseaton Arms. 1:00pm. Free.
Fri 25: New Orleans Preservation Jazz Band @ The Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 25: Get the Blessing + Dilettante @ The Cluny (Cluny 2), Newcastle. 7:30pm (doors). £18.00. + bf. A Newcastle Festival of Jazz & Improvised Music event.
Fri 25: Jazz Sabbath @ The Glasshouse, Gateshead. 8:00pm.

Sat 26: Adam Fairhall & Johnny Hunter: Play Mary Lou Williams @ The Cumberland Arms, Byker, Newcastle. 6:00pm. Free. A Newcastle Festival of Jazz & Improvised Music event.
Sat 26: John Pope Quintet + Urvashi @ The Cumberland Arms, Byker, Newcastle. 8:00pm. £15.40. A Newcastle Festival of Jazz & Improvised Music event.

Sun 27: Salty Dog @ The Cluny. 12:30pm (doors). Free (donations).
Sun 27: Musicians Unlimited @ West Hartlepool RFC. 1:00pm. Free.
Sun 27: Zach Sewell-Lara Hopper Quintet @ Queen’s Hall, Hexham. 3:00pm. £12.00., £10.00.
Sun 27: Sun 27: Ruth Lambert Trio @ The Juke Shed, North Shields. 3:00pm. Free. RESCHEDULED to Sunday 4 October.
Sun 27: 4B @ The Ticket Office, Whitley Bay. 3:00pm. Free.
Sun 27: Alex Hitchcock Quartet @ The Globe, Newcastle. 8:00pm. £16.00., £14.00. A Newcastle Festival of Jazz & Improvised Music event.

Tuesday, September 24, 2013

Graham Hardy and the Paul Edis Trio @ The Cherry Tree, Monday Sept. 23

Graham Hardy trumpet and flugelhorn, Paul Edis piano, Paul Susans bass and Rob Walker drums.
(Review by Jerry).
A brief review as I am out of practice!
A disappointing, but not disappointed audience at The Cherry Tree this evening enjoyed fine food, a first set which was excellent, and a second set which was amazing!
I flunked the “Name That Tune” test completely in the first set (jazznoramus!), but found at the interval that I had been enjoying: Long Ago and Far Away, Nica’s Dream, Like Someone in Love, Meditation and Body and Soul. Apologies for merely listing these, but I AM out of practice and was preoccupied with the delightful business of eating (not drinking, I was driver)!
I had noted with alarm the disappearance of the Monday night Table d’hote menu but need not have feared: we dined regally on the new “formule” which is the Á la Carte menu less 20%. Our bill for starters, mains and a bottle of white wine was broadly similar to the last time we dined here, almost a year ago. And the food was fabulous! Recent trips enable me to make comparisons: my crispy duck salad starter blew the socks (spice-wise) off anything I ate in Gerrard Street in London at the weekend while the coley fillet (with chorizo and crispy belly-pork) was as nice a piece of fish as any I found during our summer in France! Chapeau (hats off) to the chef!
I scored several points for tune recognition in the second set which kicked off with Joyspring followed by Boplicity, for which I scribbled “Good groove” in my notepad (not sure what that means, but it felt good). Next up was big applause for It Ain't Necessarily So – an arrangement I’d never heard before which I found later was by Gil Evans. My scribbled note here (“INTERESTING”) really didn’t do it justice!
Graham Hardy’s technique with the “plunger” on Black and Tan Fantasy had the womenfolk weak at the knees, apparently, before we were drummed into Four by Rob Walker then a belting and irresistible invitation to Sing, Sing, Sing! High octane stuff! Order was briefly restored with God Bless the Child before a marching finale of Cherokee and much more applause (the audience was small but vociferous), Wonderful!
It’s my birthday on Wednesday: I think I’ve had my best present already!
Jerry.

1 comment :

JC said...

Just to add to Jerry's review, this was one of those nights when the Cherrytree really does get a jazz club feel (with, of course, fantastic food). As one of my companions said during 'Like Someone in Love' it could have been a basement club in New York. Later Graham Hardy and the band got a cool, West Coast sound and when he picked up his mute, it could have been the Cotton Club. What could be better - four fine musicians playing great jazz with the minimum of chat and gourmet eating at the same time. Terrific.
JC

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