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Bebop Spoken There

Billy Cobham: "Miles said to us, 'Don't play in between takes,' so of course John [McLaughlin] played in between takes." - (JazzTimes, Nov. 2019).

Archive

Today Thursday November 21

Afternoon

Jazz

Vieux Carré Jazzmen - Holystone, Whitley Road, Holystone NE27 0DA. Tel: 0191 266 6173. 1:00pm. Free.

Evening

Jazz

Brand New Heavies - Riverside, Neptune House, Close, Newcastle NE1 3RQ. 7:00pm. £25.00.

Alice Grace-Jordan Alfonso Quintet - St James' & St Basil's Church, Fenham Hall Drive, Fenham, Newcastle NE4 9EJ. 7:30pm. £8.00. (£4.00. student).

Son Yambu - Whorlton Village Hall, Barnard Castle DL12 8XD. Tel: 01833 627253. 7:30pm. £10.00., £5.00. child, £25.00. family.

Maine Street Jazzmen - Sunniside Social Club, Hollywell Lane, Sunniside, Gateshead NE16 5NJ. Tel: 0191 488 7347. 8:30pm. Free.

Tees Hot Club w. Dan Johnson (tenor sax); Donna Hewitt (slto sax); Dave Archbold (keys). - Dorman’s Club, Oxford Road, Middlesbrough TS5 5DT. Tel: 01642 823813. 8:30pm. Free.

New Orleans Preservation Jazz Band - Oxbridge, Oxbridge Lane, Stockton on Tees TS18 4AW. 8:30pm. £2.50.

Blues/Soul/Funk/Etc.

?????

To the best of our knowledge, details of the above events are correct but may be subject to alteration.

Friday, September 06, 2013

Mo Scott, Paul Edis and Neil Harland @ The Lit and Phil.

Mo Scott (vcl); Paul Edis (pno); Neil Harland (bs).
(Review by Lance. Photo by Jerry)
Another one of those delightful vignettes that make these monthly, well attended, soirees at the Lit and Phil such a pleasing experience. Mo Scott is more frequently heard hollerin' the blues like as if she'd been brought up on the southside of Chicago and today, although she was in a more sedate mode, the blues tinged phrases and inflections were were never far away. The musical pairing of Scott and Edis began in April at Newcastle Arts Centre where the duo created some musical sparks at a gig organised by the Pink Lane Jazz Co-op. Given that Neil Harland plays bass guitar in Mo's blues band, it seemed only logical that the multi-talented Harland should bring his double bass to the party and make the duo a trio.
Mose Allison's Stop This World got things rolling - a voice like a rusty razor blade took us to the deep south - perfect for lyrics like Stop this world, let me off, There's just too many pigs in the same trough, There's too many buzzards sitting on the fence, Stop this world, its not making sense.. 
Couldn't sing those lines with a precise enunciated delivery. Edis on piano played sympathetic backing as well as a solo that told the truth. Gee Baby Ain't I Good to You? Come Rain or Come Shine and I've Got My Love to Keep me Warm followed. The latter, a vocal high spot with Mo showing that you don't need to scat to show off your jazz chops - just move the lyric around a bit, take a few permitted liberties with the melody and let it all just hang out. There were more gems but by now you've got the picture. Perhaps the vocal high spot was  Sippie Wallace's Women be Wise.
Your best girlfriend
Oh she might be a highbrow
Changes clothes three time a day
But what do you think she's doing now
While you're so far away?
You know she's lovin' your man
In your own damn bed...
You better call for the doctor
Try to investigate your head.

Lyrics like that are food and drink to Mo and she simply devours them!
Of course, needless to say, Paul and Neil were superb throughout. Drummers? Who needs 'em?!
Next month, on October 18, it's the dynamic guitar duo of James Birkett and Bradley Johnston.
Lance.

1 comment :

Jude (on f/b) said...

LOVE Mo - wish we could have got to hear this.

Blog Archive

About this blog - contact details.

Bebop Spoken Here -- Here, being the north-east of England -- centred in the blues heartland of Newcastle and reaching down to the Tees Delta and looking upwards to the Land of the Kilt.
Not a very original title, I know; not even an accurate one as my taste, whilst centred around the music of Bird and Diz, extends in many directions and I listen to everything from King Oliver to Chick Corea and beyond. Not forgetting the Great American Songbook the contents of which has provided the inspiration for much great jazz and quality popular singing for round about a century.
The idea of this blog is for you to share your thoughts and pass on your comments on discs, gigs, jazz - music in general. If you've been to a gig/concert or heard a CD that knocked you sideways please share your views with us. Tell us about your favourites, your memories, your dislikes.
Lance (Who wishes it to be known that he is not responsible for postings other than his own and that he's not always responsible for them.)
Contact: lanceliddle@gmail.com I look forward to hearing from you.

Submissions for review

Whilst we appreciate the many emails, texts, messages and other communications we receive requesting album/gig reviews on BSH, regrettably, we are unable to reply to all of them other than those we are able to answer with a positive response.
Similarly, CDs received by post will only be considered if accompanied by sufficient background material.
Finally, bear in mind that this is a jazz-based site when submitting your album.
Lance