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Bebop Spoken There

Jimmy Vaughan: "I don't just want to turn out stuff because I'm supposed to. I'm not a plumber. I don't want it to be just a job" - (Downbeat, August 2019)

Archive

Daily: July 6 - October 27

Precarity John Akomfrah’s film (2017, 46 mins) about Buddy Bolden - Baltic Centre for Contemporary Art, Gateshead Quays, South Shore Road, Gateshead NE8 3BA. Tel: 0191 478 1810. Screenings at intervals during the day. part of Akomfrah's exhibition Ballasts of Memory. Exhibition (daily) July 6 - October 27. 10:00am-6:00pm. Free.

Today Monday July 22

Afternoon

Jazz

Precarity John Akomfrah’s film (2017, 46 mins) about Buddy Bolden (See above).

Jazz in the Afternoon - Cullercoats Crescent Club, 1 Hudleston, Cullercoats NE30 4QS. Tel: 0191 253 0242. 1:00pm. Free admission.

Evening

?????.

To the best of our knowledge, details of the above events are correct but may be subject to alteration.

Sunday, September 22, 2013

CD Review: Empirical Tabula Rasa

Nathaniel Facey (alto saxophone), Shaney Forbes (drums), Tom Farmer (double bass) & Lewis Wright (vibes) 
(Review by Russell)
Tabula Rasa is Empirical’s fourth CD. The listener is encouraged to approach the album without preconceptions, a blank slate (Tabula Rasa). Ears open, mind receptive. A two disc CD, Empirical work with the Benyounes String Quartet, having first  encountered them at Trinity Laban, London. All four members of Empirical have written for the album (fourteen tracks in total).
Keen to emphasise that the recording isn’t simply jazz quartet with the addition of strings, the opening track - The Simple Light Shines Brightest (comp. Facey) - begins with the Benyounes and Shaney Forbes’ sensitive percussion, then Lewis Wright’s vibes, with altoist Nathaniel Facey heard latterly. The contemporary jazz feel for which the band has become known is perhaps best represented by Empiricism (comp. Forbes) and Studies in Time (comp. Farmer). Forbes’ Where Wisdom is Found closes the first CD with a distinct ‘jazz with strings’ format. A lush string arrangement rather than ‘outside’ playing, without preconceptions this came as something of a surprise!
One for ‘Bones’ (comp. Facey) opens the second CD with the composer’s incisive, bullet-point alto encased in Wright’s ethereal  vibes until Forbes breaks it up with some sharp drumming. Wright’s The World in His Mind, a mid tempo piece, offers space to all; Forbes’ roams across the kit, playful alto dances this way then that and strings take it out. Facey’s bop-inspired Scoffie (The Moody One) lets Farmer take it for a walk as the quartet presses the accelerator. Contemporary classical, contemporary composition, call it what you will, Forbes’ Repentance signals another change of direction. Dark strings, urgent vibes (right out of 1960s French New Wave cinema), finally resolved in a pastoral stillness.
Empirical can be heard in concert with the Benyounes String Quartet at the Purcell Room, London on October 16.
Tabula Rasa is available now on Naim Jazz Records (naimcd 193).           
Russell.     

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About this blog - contact details.

Bebop Spoken Here -- Here, being the north-east of England -- centred in the blues heartland of Newcastle and reaching down to the Tees Delta and looking upwards to the Land of the Kilt.
Not a very original title, I know; not even an accurate one as my taste, whilst centred around the music of Bird and Diz, extends in many directions and I listen to everything from King Oliver to Chick Corea and beyond. Not forgetting the Great American Songbook the contents of which has provided the inspiration for much great jazz and quality popular singing for round about a century.
The idea of this blog is for you to share your thoughts and pass on your comments on discs, gigs, jazz - music in general. If you've been to a gig/concert or heard a CD that knocked you sideways please share your views with us. Tell us about your favourites, your memories, your dislikes.
Lance (Who wishes it to be known that he is not responsible for postings other than his own and that he's not always responsible for them.)
Contact: lanceliddle@gmail.com I look forward to hearing from you.

Submissions for review

Whilst we appreciate the many emails, texts, messages and other communications we receive requesting album/gig reviews on BSH, regrettably, we are unable to reply to all of them other than those we are able to answer with a positive response.
Similarly, CDs received by post will only be considered if accompanied by sufficient background material.
Finally, bear in mind that this is a jazz-based site when submitting your album.
Lance