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Bebop Spoken There

Kurt Elling: ''There's something to learn from every musician you play with''. (DownBeat, December 2024).

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Rupert Burley (Dynamic Agency): "BSH just goes from strength to strength".

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Josh Weir: I love the writing on bebop spoken here... I think the work you are doing is amazing.

Postage

17630 (and counting) posts since we started blogging 16 years ago. 904 of them this year alone and, so far, 49 this month (Dec. 20).

From This Moment On ...

December

Sun 22: Hot Club du Nord @ The Globe, Newcastle. 1:00pm. £15.00. + bf. Xmas party. SOLD OUT!
Sun 22: Red Kites Jazz @ Gibside Chapel, nr. Rowlands Gill. 1:00pm. Admission charge applies.
Sun 22: Paul Skerritt @ Hibou Blanc, Newcastle. 2:00pm. Free. Vocalist Skerritt working with backing tapes.
Sun 22: Ruth Lambert Trio @ The Juke Shed, Union Quay, North Shields. 3:00pm. Free.
Sun 22: 4B @ The Ticket Office, Whitley Bay. 3:00pm. Free.
Sun 22: Revolutionaires @ Tyne Bar, Ouseburn, Newcastle. 4:00pm. Free. Superb rhythm & blues outfit.
Sun 22: Laurence Harrison, Paul Grainger & Mark Robertson @ Prohibition Bar, Newcastle. 7:00pm. A ‘Jar on the Bar’ gig.
Sun 22: The Globe Xmas Party @ The Globe, Newcastle. 7:00pm. Free. Live music (musicians TBC).
Sun 22: Ray Stubbs R & B All-Stars @ Zerox, Sandhill, Newcastle. 7:00pm (doors).

Mon 23: Harmony Brass @ Cullercoats Crescent Club. 1:00pm. Free.
Mon 23: Vieux Carré Jazzmen @ The Wheatsheaf, Benton Sq., Whitley Road, Palmersville NE12 9SU. Tel: 0191 266 8137. 1:00pm. Free. CANCELLED!
Mon 23: Edison Herbert Trio @ The Vault, Darlington. 4:00pm. Free.
Mon 23: Jason Isaacs @ St. James’ STACK, Newcastle. 4:00-6:00pm. Free. Vocalist Isaacs working with backing tapes.
Mon 23: Milne-Glendinning Band @ The Vault, Darlington. 7:00pm. Free.

Tue 24: Lindsay Hannon & Mark Williams @ Ernest, Ouseburn, Newcastle. 11:00am-1:00pm. Free.
Tue 24: Paul Skerritt @ Mambo Wine & Dine, South Shields. 1:00pm. Free. Vocalist Skerritt working with backing tapes.

Wed 25: Wot? No jazz!

Thu 26: The Boneshakers @ Tyne Bar, Ouseburn, Newcastle. 4:00pm. Free. The 17th annual Boneshakers’ Shindig.

Fri 27: Classic Swing @ Cullercoats Crescent Club. 1:00pm. Free.
Fri 27: Rendezvous Jazz @ The Monkseaton Arms. 1:00pm. Free. Business as usual!.
Fri 27: Jason Isaacs @ Seaburn STACK, Seaburn. 3:30-5:30pm. Free. Vocalist Isaacs working with backing tapes.
Fri 27: Michael Woods @ Prohibition Bar, Newcastle. 8:00pm. A ‘Jar on the Bar’ gig. Country blues guitar & vocals.

Sat 28: Jason Isaacs @ St. James’ STACK, Newcastle. 11:30am. Free. Vocalist Isaacs working with backing tapes.
Sat 28: Fri 20: Castillo Nuevo @ Revoluçion de Cuba, Newcastle. 5:30pm. Free.
Sat 28: Jude Murphy, Rich Herdman & Giles Strong @ Prohibition Bar, Newcastle. 8:00pm. A ‘Jar on the Bar’ gig.
Sat 28: Ray Stubbs R & B All-Stars @ Billy Bootlegger’s, Stepney Bank, Newcastle. 9:00pm. Free.

Reviewers wanted

Whilst BSH attempts to cover as many gigs, festivals and albums as possible, to make the site even more comprehensive we need more 'boots on the ground' to cover the albums seeking review - a large percentage of which never get heard - report on gigs or just to air your views on anything jazz related. Interested? then please get in touch. Contact details are on the blog. Look forward to hearing from you. Lance

Sunday, September 29, 2013

CD Review: Paul Edis Not Like Me

Paul Edis (piano).
(Review by Russell)
Paul Edis deservedly won praise for his sextet’s debut album There Will Be Time and his first solo piano recording is set to win further plaudits. This review of twelve tracks (nine of them composed by Edis) was undertaken without the usual accompanying notes indicating titles and running times. So, in a blindfold test, what to make of it? The album title is intriguing… Not Like Me. Having heard Edis in concert on numerous occasions,  one observation is that this is just like him!

It is evident that a fine piano was at his disposal and Edis makes best use of it. The opening track signals a conversational style; simple right hand motif, left hand explorations and a wonderful sudden ending. Notes made during the second track read ‘ballad…flowing…contemporary composition’. But was this an original composition? Difficult to tell. A good sign. The first of the standards  - Round Midnight - features Edis’ thoughtful approach to classic jazz material. How to say something new about Monk.? Play the tune, let it happen. Edis does just that. 
Another Edis composition has the pianist under the lid to attend to the plumbing. A mid-tempo, down beat melody develops into complex textures, punctuated by a dark chord change, then another. Track five, hinting at My Favourite Things, highlights flowing two-handed piano as the composer gets inside the tune, thoroughly examining it with another great ending. 
A slower tempo number reveals the melody-rich Edis, the sort of tune a vocalist could pick up on. The seventh installment, with an element of nursery rhyme, hears solid two handed playing, sustained notes ringing out. The eighth reminds the listener of Edis’ classical background - an introspective intro of descending lines which wouldn't be out of place on the concert platform. 
My Favourite Things swings with a blues feel and a  touch of stride. Hear Edis play this live and you will struggle to suppress the cry Bravo!  The penultimate number has to be heard. Bring Me Sunshine is a tour de force; comic, pub sing-a-long, (the brilliant) Les Dawson and the equally brilliant Dudley Moore. Bravo!  The final composition sketches delicate improvisations across an uncluttered, quiet canvas. Not Like Me is, at present, available as a download. Essential listening. www.pauledis.co.uk
Russell.

2 comments :

Paul Edis said...

Thanks for the great review! Apologies for the lack of track listings - I thought I'd put a sleeve with the CD...in case you're still curious(?!) the tracks are as follows
1 Pulse
2 From Nothing to Nowhere
3 Round Midnight
4 Eastern
5 Not like me
6 For Bill
7 Vignette
8 Olivier
9 My Favourite Things
10 Beneath the Surface
11 Bring Me Sunshine
12 Sunrise
Thanks again!

Anonymous said...

I've occasionally heard Paul Edis play solo pieces at gigs where he is part of a group but sadly have never had the opportunity to get to one of his solo piano performances, so what a delight to discover he has made a solo album. I'm a CD (or vinyl) man myself but in this case an instant download was required. What a great album and what a variety of styles and influences! Russell did a very good job in his 'ears only' review picking up on the sources Edis has integrated into the tracks - Bill Evans, Monk, classical, improv, stride and I think I can hear Tatum come in the door a few times. However, while the shade of Les Dawson does hang over Bring Me Sunshine, surely the credit should go to Eric M and Andre Preview (and the notes are still not in the right order!).
JC

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