Bebop Spoken There

Ludovic Beier (Django Festival Allstars): ''Manouche means 'free man,' and gypsies have been travelers since they migrated west from India to Europe.'' (DownBeat March, 2026)

The Things They Say!

This is a good opportunity to say thanks to BSH for their support of the jazz scene in the North East (and beyond) - it's no exaggeration to say that if it wasn't for them many, many fine musicians, bands and projects across a huge cross section of jazz wouldn't be getting reviewed at all, because we're in the "desolate"(!) North. (M & SSBB on F/book 23/12/24)

Postage

18361 (and counting) posts since we started blogging 18 years ago. 215 of them this year alone and, so far this month (Mar. 8 ), 25

From This Moment On ...

March

Thu 12: Boomslang @ The Black Swan, Newcastle. 7:30pm. Free.

Fri 13: Paul Skerritt Quartet @ Bishop Auckland Methodist Church. 1:00pm . £9.00.
Fri 13: The SH#RP Collective @ Jesmond Library, Newcastle. 1:00pm. £5.00.
Fri 13: Classic Swing @ Cullercoats Crescent Club. 1:00pm. Free.
Fri 13: Rendezvous Jazz @ The Monkseaton Arms. 1:00pm. Free.
Fri 13: New Orleans Preservation Jazz Band @ The Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 13: Soothsayers + Rookie Numbers @ Cobalt Studios, Newcastle. 7:00pm (doors). £17.51., £14.33., £11.16.

Sat 14: The Too Bad Jims @ Claypath Deli, Durham. 7:00pm (6:30pm doors). £13.20., £11.00. R&B.
Sat 14: NUJO @ Venue, Newcastle University Students’ Union. Time TBC. £15.00. supporter; £10.00. standard; £5.00. student. Seated event.

Sun 15: Michael Young Trio @ The Engine Room, Sunderland. 2:30pm. Free.
Sun 15: The Too Bad Jims @ The Georgian Theatre, Stockton. 3:00pm. £12.00. R&B.
Sun 15: 4B @ The Ticket Office, Whitley Bay. 3:00pm. Free.
Sun 15: Rebecca Poole @ The Globe, Newcastle. 8:00pm. £14.00., £12.00., £7.00. Poole w. Dean Stockdale & Ken Marley. CANCELLED!

Mon 16: Milne Glendinning Band @ Yamaha Music School, Blyth. 1:00pm.
Mon 16: Friends of Jazz @ Cullercoats Crescent Club. 1:00pm. Free.
Mon 16: Russ Morgan Quartet @ The Black Bull, Blaydon. 8:00pm. £10.00.

Tue 17: Jam session @ The Black Swan, Newcastle. 7:30pm. Free. House trio: Alan Law (piano); Paul Grainger (double bass); Scotty Adair (drums).

Reviewers wanted

Whilst BSH attempts to cover as many gigs, festivals and albums as possible, to make the site even more comprehensive we need more 'boots on the ground' to cover the albums seeking review - a large percentage of which never get heard - report on gigs or just to air your views on anything jazz related. Interested? then please get in touch. Contact details are on the blog. Look forward to hearing from you. Lance

Wednesday, September 11, 2013

Caro Emerald @ Sage Gateshead. Sept. 10

Caro Emerald (vcl) + Band. (Apologies but I didn't catch any of the band members' names. If anyone can help out please do.)
Sage Gateshead was three tiers full which means totally sold out as indeed it has been for several weeks - and deservedly so. By no means was this a jazz gig although there were enough jazz elements present to appeal to all but the most blinkered aficionado. Jazz, Rock, Latin, Pop, Ska even Charleston were all in the mix along with a few more - often in the same tune!
Emerald has a voice that easily absorbs whatever genre she sings in and comes out as pure Caro. I didn't catch all the song titles but among the ones I did note were You Came Along, How Long, Liquid Lunch, I'm Comin' Back as a Man, Stuck, Tangled Up, Back it up. Night Like This, I Belong to You, I Want You, The Wonderful in You.
Her voice takes these songs and sings them as no one else could which isn't surprising as I believe she wrote them all herself!
Behind her the band were a precision unit yet still retained the looseness necessary in any performance irrespective of genre. The horns were outstanding as a unit and all three - baritone/tenor, trumpet/cornet and trombone/euphonium - had moments in the sun. The baritone player's blast on I Want You was of Gonsalves proportions that segued from a Charleston into a vintage Rock & Roll number with Caro herself doing a few bars of flapper style terpsichore.
The guitarist switched guitars several times, a solid body that may have been an SG (I was in row o), a semi and a Maccaferri. His chords and solos were the biz. The bassist switched from bass guitar to double bass to keyboard bass. Keyboards had an impressive solo feature, a guy on some kind of synth device produced weird yet often effective sounds and the kitman goosed everything nicely along. There was also somebody playing a marching style bass drum on a stand on one number. Have I missed anyone?
By the time the "last number" was reached we were all on our feet dancing, clapping and oo oo ooing along.
A confession! I hate encores! Not the actual music but the fact that we have to practically take the skin off our palms and shout ourselves hoarse calling for more before the artist(s) condescend to return.
Tonight, it was worth it! That Man was nothing less than brilliant. So good in fact that we bayed for more and got it.
A low keyed If You Go Away, sung partially in French, was as poignant a song as I've heard in long time. It was the only non-original after which we left in a thoughtful (yet happy) mood.
Apart from the music - the light show and the backdrop were artistic triumphs of their own!
Sorry you missed it or couldn't get a ticket? Well all is not lost.
Caro Emerald's 2014 "The Shocking Miss Emerald Tour" is back in the area on March 18 - not at Sage Gateshead but at Newcastle City Hall. As the City Hall has a smaller capacity I suggest you think about booking now!
Lance.

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