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Bebop Spoken There

Abbie Finn: "Even though there's a lot of great work being done to promote women in jazz, I still come up against some attitudes! I pulled up at a recording session with my drums in the car and the studio owner said, 'I'm sorry, this space is reserved for the drummer!'" - (Jazzwise April 2023).

The Things They Say!

Hudson Music: Lance's "Bebop Spoken Here" is one of the heaviest and most influential jazz blogs in the UK.

Rupert Burley (Dynamic Agency): "BSH just goes from strength to strength".

'606' Club: "A toast to Lance Liddle of the terrific jazz blog 'Bebop Spoken Here'"

The Strictly Smokin' Big Band included Be Bop Spoken Here (sic) in their 5 Favourite Jazz Blogs.

Ann Braithwaite (Braithwaite & Katz Communications) You’re the BEST!

Holly Cooper, Mouthpiece Music: "Lance writes pull quotes like no one else!"

Postage

15229 (and counting) posts since we started blogging 15 years ago. 248 of them this year alone and, so far, 61 this month (March 20).

From This Moment On ...

March

Fri 24: Classic Swing @ Cullercoats Crescent Club. 1:00pm.
Fri 24: New Orleans Preservation Jazz Band @ Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 24: Rendezvous Jazz @ The Monkseaton Arms, Monkseaton. 1:00pm.
Fri 24: FILM: Mo' Better Blues @ Forum Cinema, Hexham. 7:00pm.
Fri 24: Ian Millar & Dominic Spencer @ Scarth Hall, Staindrop, Co. Durham. 8:00pm. £10.00.
Fri 24: Archipelago + Bulbils @ Cobalt Studios, Newcastle. 7:00pm.

Sat 25: Vermont Big Band @ Walker Community Centre, Walker, Newcastle. 7:30pm. Fundraiser for Benfield Juniours Football Club. Hot food available, BYOB.
Sat 25: John Logan & Friends @ Prohibition Bar, Newcastle. 8:00pm. Rat Pack, Motown etc. 8:00pm. Free (donations).

Sun 26: Musicians Unlimited @ Park Inn, Hartlepool. 1:00pm.
Sun 26: More Jam @ The Globe, Newcastle. 3:00pm. Free.
Sun 26: 4B @ The Exchange, North Shields. 3:00pm.
Sun 26: Outlines @ The Globe, Newcastle. 8:00pm. JNE promotion (upstairs).

Mon 27: Harmony Brass @ Cullercoats Crescent Club. 1:00pm.

Tue 28: Paul Skerritt @ The Rabbit Hole, Hallgarth St., Durham DH1 3AT. 7:00pm. Paul Skerritt's (solo) weekly residency.
Tue 28: Sanaz Lavasani Trio @ Black Swan, Newcastle Arts Centre. 8:00pm. £12.00 (£10.00. adv).

Wed 29: Vieux Carré Jazzmen @ Cullercoats Crescent Club. 1:00pm.
Wed 29: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington. 7:00pm. Rehearsal session (open to the public).
Wed 29: 4B @ The Exchange, North Shields. 7:00pm.
Wed 29: Take it to the Bridge @ The Globe, Newcastle. 7:30pm.

Thu 30: Gateshead Jazz Appreciation Society @ Gateshead Central Library. 2:30-4:30pm. £2.00. All welcome.
Thu 30: Vieux Carré Jazzmen @ The Holystone, Whitley Road, North Tyneside. Back to 1:00pm stomp off. Free.
Thu 30: '58 Jazz Collective @ Hops & Cheese, Hartlepool. 7:30pm. Free.
Thu 30: Lindsay Hannon: Tom Waits for No Man @ Harbour View, Sunderland. 8:00pm.
Thu 30: Tees Hot Club @ Dorman's Club, Middlesbrough. 9:00pm.

Saturday, September 28, 2013

The Customs House Big Band @ St. Cuthbert’s Parish Centre, Crook. Friday Sept. 27

Bill Watson, Michael Lamb, Ken DeVere, Gordon Marshall: (trumpets); Gareth Weaver, Chris Kurgi-Smith, Michael Fletcher, Peter Morgan: (trombones);  Jill Brett, Kim Webb, (alto);  Alan Marshall, Peter Hepplewhite (tenor); Chris Kaberry(baritone); Bill Brittain (piano); Alan Smith (bass guitar); Barry Black (drums); Roy Willis (guitar)..
(Review and photo by Jerry)
7.15, and almost dark; under the open-beamed roof, candles glimmer beside simple floral displays and bowls of nibbles on each red-clothed table. The bar is well stocked with bottled ales and the band is doing a quick sound-check - a hint of what is to come. We are at Crook – my favourite venue bar none!

At 7.30 sharp we were drummed into Love for Sale which featured alto, trumpet and tenor – the first of many excellent solos this evening – and a big, big finish. Indiana was introduced as a “little thing”, but there was really nothing “little” about the sound from this 17-piece band!
We were urged to dance, if we felt like it, and buy the soloists drinks! Next, aptly, was Straight No Chaser! For Sunny Side of the Street Peter Morgan suggested that we sing (Ruth Lambert was absent, ill) and we did, rather shyly at first, but feeling “rich as Rockefeller” nonetheless.
Next was “Not the Stan Kenton Band (but we would like to be)” - trombones to the fore, on But Beautiful: full-throttle crescendos, alto sax solo, hints of foghorn baritone and a high trumpet finish (Ooops! I’m sounding like a wine-buff!) No dancers yet but the Latin rhythms of Storm Zone were clearly getting to the guy who samba-ed to the bar ahead of me, and during The Way You Look Tonight, TWO couples were up and dancing!
Why Musicians Can’t Dance (THREE couples now could) was given the lie, by Peter Morgan, some of whose moves while conducting had me expecting a moonwalk at any moment! A nice guitar solo on this one, too.
April in Paris closed the set with audience-participation (“One more time” we chanted)! So now he had us singing, dancing and chanting: if there’s any snow to be sold to the Inuit, here’s your man for the job!
The interval passed with pizza slices and raffle then back to the music!
Specifically, the music of Gordon Goodwin: the brilliant, cartoon inspired Hunting Wabbits. Its manic staccato opening, all honking brass and clashing cymbals, had the dancers back in action straight away and the melodic middle section featured more fine solos including soprano sax and piano before the drums announced a return to madness. The dancers needed to steer well clear of Mr Morgan’s windmill arms as he wound the band up to a frenetic finale! Goodwin also provided the set-closer, Sing Sang Sung – an “interesting” (understatement!) take on Sing Sing Sing heard on Monday at The Cherry Tree. There the audience had been vocal, here they were rowdily festive, dancing, clapping and hollering (someone near me was doing a passable impersonation of a tawny owl)!
In between these gems – all good, but I need to be brief – we had: Stardust (and an explanation of the name “Hoagy”); Groovin’ High (which lived up to its name); Moonlight in Vermont; Sister Sadie (bop bop bop-baa) and C Jam Blues with at least 10 solos to illustrate “What jazz bands are all about” (Peter Morgan’s words, not mine). Great stuff: this is a band to follow, if not to the ends of the earth, at least to Crook or South Shields or anywhere else you can catch them! Did anyone buy a drink for the soloists, I wonder?

Thanks to all at St. Cuthbert’s for an excellent night: next  gig is Djangologie, keep an eye on the listings for that. We’ll be there. – Jerry.

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