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Farewell Blues

R I P Terry Shannon - November 5, 1929 - October 29, 2022
R I P Oliver Soden - ? - November 6, 2022
R I P Top Cat Daphne - ? - November 24, 2022.
R I P Louise Tobin - November 11, 1918 - November 26, 2022

Bebop Spoken There

Kenny Barron: "During the pandemic I got to do a lot more cooking. As long as you can read you can cook." - (DownBeat December, 2022)

The Things They Say!

Hudson Music: Lance's "Bebop Spoken Here" is one of the heaviest and most influential jazz blogs in the UK.

Rupert Burley (Dynamic Agency): "BSH just goes from strength to strength".

'606' Club: "A toast to Lance Liddle of the terrific jazz blog 'Bebop Spoken Here'"

The Strictly Smokin' Big Band included Be Bop Spoken Here (sic) in their 5 Favourite Jazz Blogs.

Ann Braithwaite (Braithwaite & Katz Communications) You’re the BEST!

Holly Cooper, Mouthpiece Music: "Lance writes pull quotes like no one else!"

Postage

14845 (and counting) posts since we started blogging 14 years ago. 1094 of them this year alone and, so far, 93 this month (Nov. 30).

From This Moment On ...

November

December
Mon 05: Harmony Brass @ Cullercoats Crescent Club. 1:00pm.
Mon 05: Sia Ahmad & Raymond MacDonald @ Blank Studios, Newcastle. 8:00pm. Tickets: £5.00. from www.seetickets.com. Live recording session - note no late admissions. BYOB.

Tue 06: Paul Skerritt @ The Rabbit Hole, Durham. 7:00pm. Free (table reservations 0191 386 5556). Feat. Johnny Murphy (keyboards).

Wed 07: Vieux Carré Jazzmen @ Cullercoats Crescent Club. 1:00pm.
Wed 07: Jam session @ Prohibition Bar, Newcastle. 12 noon-3:00pm.Free. New!
Wed 07: Darlington Big Band @ Darlington & Simpson Rolling Mills Club, Darlington. 7:00pm. Rehearsal session (open to the public).
Wed 07: 4B @ The Exchange, North Shields. 7:00pm.
Wed 07: Take it to the Bridge @ The Globe, Newcastle. 7:30pm.

Thu 08: Vieux Carré Jazzmen @ The Holystone, North Tyneside. 1:00pm. Last one of the year, resuming Jan 26.
Thu 08: Gateshead Jazz Appreciation Society @ Gateshead Central Library. 3:00-5:00pm. £1.00. All welcome.
Thu 08: Indigo Jazz Voices @ The Globe, Newcastle. 7:45pm.
Thu 08: Christmas Crooners @ Alnwick Playhouse. 7:30pm.
Thu 08: Musicians Unlimited @ Dorman’s Club, Middlesbrough. 8:30pm. £5.00. on the door.

Fri 09: Vieux Carré Hot 4 @ Spanish City, Whitley Bay. 12 noon. £25.00. 'Afternoon Jazz with Festive Lunch'.
Fri 09: Classic Swing @ Cullercoats Crescent Club. 1:00pm.
Fri 09: New Orleans Preservation Jazz Band @ Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 09: Rendezvous Jazz @ The Monkseaton Arms, Monkseaton. 1:00pm.
Fri 09: Jason Isaacs @ Northern Rugby Club, Gosforth, Newcastle. 7:00pm. £25.00 (inc. two course Xmas meal). Isaacs performing with backing tapes.

Sat 10: Lindsay Hannon & Martin Douglas: Life Drawing & Improvised Music @ Cobalt Studios, Newcastle. 2:00-4:00pm. TBC.
Sat 10: Alan Barnes Octet: A Jazz Xmas Carol @ Black Swan, Newcastle. 8:00pm. £20.00. All-star band!

Sun 11: Vieux Carré Hot 4 @ Spanish City, Whitley Bay. 12 noon.
Sun 11: Spanish City Rollers @ Northumberland Square, North Shields. 12:30pm. Free. Community band inc. Graham Hardy.
Sun 11: Am Jam @ Prohibition Bar, Newcastle. 3:00pm. Free. Jam session, all welcome.
Sun 11: Musicians Unlimited @ Park Inn, Hartlepool. 1:00pm. Xmas party feat. Mick Donnelly Quartet. 4:00pm. Tickets: £6.00 (admission from 12 noon).
Sun 11: Paul Skerritt @ Liberty Brown's, Sunderland. 1:00pm.
Sun 11: Tees Valley Jazzmen @ Hammer & Pincers, Preston le Skerne. 1:00pm. £5.00.
Sun 11: Foundry Jazz Ensemble @ The Exchange, North Shields. 3:00pm.
Sun 11: DC Blues Band @ Tyne Bar, Newcastle. 4:00pm. Free. Blues Band.
Sun 11: Jason Isaacs @ Hoochie Coochie, Newcastle. 5:30pm. SOLD OUT!
Sun 11: Boys of Brass @ Stack, Seaburn. 6:00pm. Free.
Sun 11: Elda with Faye MacCalman + John Pope & John Garner @ The Globe, Newcastle. 8:00pm.

Saturday, September 28, 2013

The Customs House Big Band @ St. Cuthbert’s Parish Centre, Crook. Friday Sept. 27

Bill Watson, Michael Lamb, Ken DeVere, Gordon Marshall: (trumpets); Gareth Weaver, Chris Kurgi-Smith, Michael Fletcher, Peter Morgan: (trombones);  Jill Brett, Kim Webb, (alto);  Alan Marshall, Peter Hepplewhite (tenor); Chris Kaberry(baritone); Bill Brittain (piano); Alan Smith (bass guitar); Barry Black (drums); Roy Willis (guitar)..
(Review and photo by Jerry)
7.15, and almost dark; under the open-beamed roof, candles glimmer beside simple floral displays and bowls of nibbles on each red-clothed table. The bar is well stocked with bottled ales and the band is doing a quick sound-check - a hint of what is to come. We are at Crook – my favourite venue bar none!

At 7.30 sharp we were drummed into Love for Sale which featured alto, trumpet and tenor – the first of many excellent solos this evening – and a big, big finish. Indiana was introduced as a “little thing”, but there was really nothing “little” about the sound from this 17-piece band!
We were urged to dance, if we felt like it, and buy the soloists drinks! Next, aptly, was Straight No Chaser! For Sunny Side of the Street Peter Morgan suggested that we sing (Ruth Lambert was absent, ill) and we did, rather shyly at first, but feeling “rich as Rockefeller” nonetheless.
Next was “Not the Stan Kenton Band (but we would like to be)” - trombones to the fore, on But Beautiful: full-throttle crescendos, alto sax solo, hints of foghorn baritone and a high trumpet finish (Ooops! I’m sounding like a wine-buff!) No dancers yet but the Latin rhythms of Storm Zone were clearly getting to the guy who samba-ed to the bar ahead of me, and during The Way You Look Tonight, TWO couples were up and dancing!
Why Musicians Can’t Dance (THREE couples now could) was given the lie, by Peter Morgan, some of whose moves while conducting had me expecting a moonwalk at any moment! A nice guitar solo on this one, too.
April in Paris closed the set with audience-participation (“One more time” we chanted)! So now he had us singing, dancing and chanting: if there’s any snow to be sold to the Inuit, here’s your man for the job!
The interval passed with pizza slices and raffle then back to the music!
Specifically, the music of Gordon Goodwin: the brilliant, cartoon inspired Hunting Wabbits. Its manic staccato opening, all honking brass and clashing cymbals, had the dancers back in action straight away and the melodic middle section featured more fine solos including soprano sax and piano before the drums announced a return to madness. The dancers needed to steer well clear of Mr Morgan’s windmill arms as he wound the band up to a frenetic finale! Goodwin also provided the set-closer, Sing Sang Sung – an “interesting” (understatement!) take on Sing Sing Sing heard on Monday at The Cherry Tree. There the audience had been vocal, here they were rowdily festive, dancing, clapping and hollering (someone near me was doing a passable impersonation of a tawny owl)!
In between these gems – all good, but I need to be brief – we had: Stardust (and an explanation of the name “Hoagy”); Groovin’ High (which lived up to its name); Moonlight in Vermont; Sister Sadie (bop bop bop-baa) and C Jam Blues with at least 10 solos to illustrate “What jazz bands are all about” (Peter Morgan’s words, not mine). Great stuff: this is a band to follow, if not to the ends of the earth, at least to Crook or South Shields or anywhere else you can catch them! Did anyone buy a drink for the soloists, I wonder?

Thanks to all at St. Cuthbert’s for an excellent night: next  gig is Djangologie, keep an eye on the listings for that. We’ll be there. – Jerry.

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