Bebop Spoken There

Gary Bartz: ''Music is nature's gift to man. It's the only religion. We're living in a terrible era, but what a beautiful thing music is. Look how it brings us together like religion is supposed to; and with no language barriers.'' (Jazzwise September, 2026)

The Things They Say!

This is a good opportunity to say thanks to BSH for their support of the jazz scene in the North East (and beyond) - it's no exaggeration to say that if it wasn't for them many, many fine musicians, bands and projects across a huge cross section of jazz wouldn't be getting reviewed at all, because we're in the "desolate"(!) North. (M & SSBB on F/book 23/12/24)

Postage

18918 (and counting) posts since we started blogging 18 years ago. 782 of them this year alone and, so far this month (Sept. 18.) 61.

Reviewers wanted

Whilst BSH attempts to cover as many gigs, festivals and albums as possible, to make the site even more comprehensive we need more 'boots on the ground' to cover the albums seeking review - a large percentage of which never get heard - report on gigs or just to air your views on anything jazz related. Interested? then please get in touch. Contact details are on the blog. Look forward to hearing from you. Lance

From This Moment On

September.

Mon 21: Lewis Watson Quartet @ The Black Bull, Blaydon. 8:00pm. Coltrane centenary.

Tue 22: ???

Wed 23: Vieux Carré Hot 4 @ Cullercoats Crescent Club. 1:00pm. Free.
Wed 23: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington. 7:00pm. Free. Rehearsal session (open to the public).
Wed 23: Lewis Watson Quartet @ The Lit & Phil, Newcastle. 7:30pm. A John Coltrane Centenary Concert (b. 23. 09. 1926). SOLD OUT!
Wed 23: Take it to the Bridge @ The Globe, Newcastle. 7:30pm. Free.

Thu 24: Vieux Carré Hot 4 @ The Millstone, Mill Rise, South Gosforth, Newcastle. 1:00pm. Free.
Thu 24: Castillo Nuevo Orquesta @ Pilgrim, Newcastle. £6.50. 7:30pm (doors).
Thu 24: Arun Ghosh @ Gosforth Civic Theatre, Newcastle. 8:00pm (7:30pm doors). £21.05. (£22.00. on the door). A Newcastle Festival of Jazz & Improvised Music event.
Thu 24: Shalala @ The Globe, Newcastle. 8:00pm. £7.00.

Fri 25: Mark Williams Trio @ The Gala, Durham. 1:00pm. £9.00.
Fri 25: Classic Swing @ Cullercoats Crescent Club. 1:00pm. Free.
Fri 25: Rendezvous Jazz @ The Monkseaton Arms. 1:00pm. Free.
Fri 25: New Orleans Preservation Jazz Band @ The Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 25: Get the Blessing + Dilettante @ The Cluny (Cluny 2), Newcastle. 7:30pm (doors). £18.00. + bf. A Newcastle Festival of Jazz & Improvised Music event.
Fri 25: Jazz Sabbath @ The Glasshouse, Gateshead. 8:00pm.

Sat 26: Adam Fairhall & Johnny Hunter: Play Mary Lou Williams @ The Cumberland Arms, Byker, Newcastle. 6:00pm. Free. A Newcastle Festival of Jazz & Improvised Music event.
Sat 26: John Pope Quintet + Urvashi @ The Cumberland Arms, Byker, Newcastle. 8:00pm. £15.40. A Newcastle Festival of Jazz & Improvised Music event.

Sun 27: Salty Dog @ The Cluny. 12:30pm (doors). Free (donations).
Sun 27: Musicians Unlimited @ West Hartlepool RFC. 1:00pm. Free.
Sun 27: Zach Sewell-Lara Hopper Quintet @ Queen’s Hall, Hexham. 3:00pm. £12.00., £10.00.
Sun 27: Ruth Lambert Trio @ The Juke Shed, North Shields. 3:00pm. Free. Ruth Lambert (vocals); Giles Strong (guitar); Paul Grainger (double bass).
Sun 27: 4B @ The Ticket Office, Whitley Bay. 3:00pm. Free.
Sun 27: Alex Hitchcock Quartet @ The Globe, Newcastle. 8:00pm. £16.00., £14.00. A Newcastle Festival of Jazz & Improvised Music event.

Tuesday, September 10, 2013

CD Review: Stacey Kent – The Changing Lights.

Stacey Kent (vcl); Graham Harvey (pno); John Parricelli, Roberto Menesal (gtr); Jeremy Brown (bs); Jim Tomlinson (ten/fl); Matt Home, John Morrison (dms)
(Review by Debra M.)
Stacey Kent’s tenth album, The Changing  Lights,  stems from her love of Brazil and its music, an obsession that began as a teenager, when she discovered the bossa novas of Stan Getz and Joao Gilberto. The album is a mix of Latin standards and Jim Tomlinson collaborations with writer Kazuo Ishiguro, and poets Antonio Ladeira and Bernie Beaupere.
The legendary Brazilian guitarist Roberto Menescal also guests on his own composition ‘O Barquinho’, and on the Tomlinson/Ladeira song  ‘A Tarde’. The  intention was to recreate the feeling of ‘saudade’ , a Portuguese word with no English counterpart, which Kent describes as a vague nostalgia directed towards what one has lost as well as towards what one has never had.. 
These sentiments are encapsulated in the title track, where  Ishiguro’s  ‘changing  lights’  are symbolic in  recollections of times gone by with a former lover, triggered by a chance street encounter. His lyrics also impress in ‘The Summer We Crossed Europe in The Rain, and  in ‘Waiter, Oh Waiter’, a light hearted take on the problems of deciphering the menu in an expensive restaurant. Kent’s conversational, whimsical delivery is reminiscent of Blossom Dearie entertaining the supper clubs of New York. Yet she sounds most at ease in the rhythmic, lilting ‘One Note Samba’ , initially sung accompanied only by drums, then featuring upbeat solos  and interplay by Graham Harvey on piano & Tomlinson on flute.
Stacey’s light, warm voice and precise intonation particularly suits the melodic phrasing and rhythms of Latin music, and Jim Tomlinson’s careful arrangements are sympathetic to her understated, subtle style.  This multilingual project is a natural progression of Stacey Kent’s musical journey, and will no doubt appeal to her established international audience.  However, it is unlikely to satisfy those who prefer more vocal dynamism and improvisation. How insensitive…..
Stacey Kent – The    Changing Lights is due for release by Parlophone on Sept. 16.
Debra M.

4 comments :

Anonymous said...

More pretentious waffle from the Olive Oyl of song!

Jim Oxley

Debra Milne said...

I (hopefully) presume you are referring to Ms Kent...

Anonymous said...

Play nice Jim,

Dom C

lupo said...

I would not call it pretentious, although the recording is probably uber-polished and it misses on the carefree spirit of Brazilian music. However, Stacey Kent is elegant, subtle and charming as ever. Probably too precise for her own good

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