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Bebop Spoken There

Charles McPherson: “Jazz is best heard in intimate places”. (DownBeat, July, 2024).

The Things They Say!

Hudson Music: Lance's "Bebop Spoken Here" is one of the heaviest and most influential jazz blogs in the UK.

Rupert Burley (Dynamic Agency): "BSH just goes from strength to strength".

'606' Club: "A toast to Lance Liddle of the terrific jazz blog 'Bebop Spoken Here'"

The Strictly Smokin' Big Band included Be Bop Spoken Here (sic) in their 5 Favourite Jazz Blogs.

Ann Braithwaite (Braithwaite & Katz Communications) You’re the BEST!

Holly Cooper, Mouthpiece Music: "Lance writes pull quotes like no one else!"

Simon Spillett: A lovely review from the dean of jazz bloggers, Lance Liddle...

Josh Weir: I love the writing on bebop spoken here... I think the work you are doing is amazing.

Postage

16611 (and counting) posts since we started blogging 16 years ago. 1504 of them this year alone and, so far, 50 this month (July 23).

From This Moment On ...

July

Sat 27: BBC Proms: BBC Introducing stage @ The Glasshouse, Gateshead. 12 noon. Free. Line-up inc. Nu Groove (2:00pm); Abbie Finn Trio (2:50pm); Dilutey Juice (3:50pm); SwanNek (5:00pm); Rivkala (6:00pm).
Sat 27: Nomade Swing Trio @ Billy Bootlegger’s, Ouseburn, Newcastle. 2:00pm. Free.
Sat 27: Mississippi Dreamboats @ Prohibition Bar, Newcastle. 8:00pm.
Sat 27: Milne-Glendinning Band @ Cafédral, Owengate, Durham. 9:00pm. £9.00. & £6.00. A Durham Fringe Festival event.
Sat 27: Theon Cross + Knats @ The Glasshouse, Gateshead. 10:00pm. £22.00. BBC Proms: BBC Introducing Stage (Sage Two). A late night gig.

Sun 28: Musicians Unlimited @ Jackson’s Wharf, Hartlepool. 1:00pm. Free.
Sun 28: Paul Skerritt @ Hibou Blanc, Newcastle. 2:00pm.
Sun 28: Miss Jean & the Ragtime Rewind Swing Band @ Fonteyn Ballroom, Dunelm House (Durham Students’ Union), Durham. 2:00pm. £9.00. & £6.00. A Durham Fringe Festival event.
Sun 28: More Jam @ The Globe, Newcastle. 2:00pm. Free.
Sun 28: Ruth Lambert Trio @ The Juke Shed, Union Quay, North Shields. 3:00pm. Free.
Sun 28: 4B @ The Ticket Office, Whitley Bay. 3:00pm. Free.
Sun 28: Nomade Swing Trio @ Red Lion, Alnmouth. 4:00pm. Free.
Sun 28: Jazz Jam Sandwich! @ Prohibition Bar, Newcastle. 7:00pm. Free. A ‘Jar on the Bar’ gig.
Sun 28: Jeffrey Hewer Collective @ The Globe, Newcastle. 8:00pm.
Sun 28: Milne Glendinning Band @ Cafédral, Owengate, Durham. 9:00pm. £9.00. & £6.00. A Durham Fringe Festival event.

Mon 29: Harmony Brass @ Cullercoats Crescent Club. 1:00pm. Free.

Tue 30: ???

Wed 31: Vieux Carré Jazzmen @ Cullercoats Crescent Club. 1:00pm. Free.
Wed 31: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington. 7:00pm. Free. Rehearsal session (open to the public).
Wed 31: Take it to the Bridge @ The Globe, Newcastle. 7:30pm. Free.

August

Thu 01: Gateshead Jazz Appreciation Society @ Brunswick Methodist Church, Newcastle NE1 7BJ. 2:30pm. £4.00.
Thu 01: Funky Drummer @ The Globe, Newcastle. 7:30pm. Free.
Thu 01: Elsadie & the Bobcats @ Prohibition Bar, Newcastle. 8:00pm. Free. A ‘Jar on the Bar’ gig.

Fri 02: Mainly Two @ The Lit & Phil, Newcastle. 1:00pm. Free (donations). SOLD OUT! Fri 02: Classic Swing @ Cullercoats Crescent Club. 1:00pm. Free.
Fri 02: Rendezvous Jazz @ The Monkseaton Arms. 1:00pm. Free.
Fri 02: New Orleans Preservation Jazz Band @ The Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 02: Pete Tanton’s Chet Set @ Saltburn Community Hall. 7:30pm. POSTPONED!

Tuesday, September 10, 2013

CD Review: Stacey Kent – The Changing Lights.

Stacey Kent (vcl); Graham Harvey (pno); John Parricelli, Roberto Menesal (gtr); Jeremy Brown (bs); Jim Tomlinson (ten/fl); Matt Home, John Morrison (dms)
(Review by Debra M.)
Stacey Kent’s tenth album, The Changing  Lights,  stems from her love of Brazil and its music, an obsession that began as a teenager, when she discovered the bossa novas of Stan Getz and Joao Gilberto. The album is a mix of Latin standards and Jim Tomlinson collaborations with writer Kazuo Ishiguro, and poets Antonio Ladeira and Bernie Beaupere.
The legendary Brazilian guitarist Roberto Menescal also guests on his own composition ‘O Barquinho’, and on the Tomlinson/Ladeira song  ‘A Tarde’. The  intention was to recreate the feeling of ‘saudade’ , a Portuguese word with no English counterpart, which Kent describes as a vague nostalgia directed towards what one has lost as well as towards what one has never had.. 
These sentiments are encapsulated in the title track, where  Ishiguro’s  ‘changing  lights’  are symbolic in  recollections of times gone by with a former lover, triggered by a chance street encounter. His lyrics also impress in ‘The Summer We Crossed Europe in The Rain, and  in ‘Waiter, Oh Waiter’, a light hearted take on the problems of deciphering the menu in an expensive restaurant. Kent’s conversational, whimsical delivery is reminiscent of Blossom Dearie entertaining the supper clubs of New York. Yet she sounds most at ease in the rhythmic, lilting ‘One Note Samba’ , initially sung accompanied only by drums, then featuring upbeat solos  and interplay by Graham Harvey on piano & Tomlinson on flute.
Stacey’s light, warm voice and precise intonation particularly suits the melodic phrasing and rhythms of Latin music, and Jim Tomlinson’s careful arrangements are sympathetic to her understated, subtle style.  This multilingual project is a natural progression of Stacey Kent’s musical journey, and will no doubt appeal to her established international audience.  However, it is unlikely to satisfy those who prefer more vocal dynamism and improvisation. How insensitive…..
Stacey Kent – The    Changing Lights is due for release by Parlophone on Sept. 16.
Debra M.

4 comments :

Anonymous said...

More pretentious waffle from the Olive Oyl of song!

Jim Oxley

Debra Milne said...

I (hopefully) presume you are referring to Ms Kent...

Anonymous said...

Play nice Jim,

Dom C

lupo said...

I would not call it pretentious, although the recording is probably uber-polished and it misses on the carefree spirit of Brazilian music. However, Stacey Kent is elegant, subtle and charming as ever. Probably too precise for her own good

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