Total Pageviews

Bebop Spoken There

Lew Shaw (Syncopated Times' columnist): "My interest [at 95] is in classic jazz. The numbers aren't what they were 40 years ago, but I'm encouraged by the number of young musicians playing that style and the young audiences they attract." - (The Syncopated Times January 2021)

The Things They Say!

Hudson Music: Lance's "Bebop Spoken Here" is one of the heaviest and most influential jazz blogs in the UK.

Rupert Burley (Dynamic Agency): "BSH just goes from strength to strength".

Postage

12,365 (and counting) posts since we started blogging 12 years ago. 84 of them this year alone and, so far, 84 this month (Jan. 17).

Monday January 18

HAPPY BIRTHDAY SUSAN TOBOCMAN & ANDY PANAYI.

Monday, September 23, 2013

Delius, Brice & Sanders @ The Bridge Hotel. Sept. 22

Tobias Delius (tenor saxophone & clarinet), Olie Brice (double bass) & Mark Sanders (drums)
(Review by Russell)
Jazz North East’s On the Outside strand of free jazz and improv gigs began its autumn season with a co-promotion with the Bridge Hotel’s resident jazz promoters Splinter @ the Bridge. Toby Delius was in town making a first appearance in the north east working with regular visitors Olie Brice (bass) and drummer Mark Sanders.
Standing under the stage lights, from a distance Delius bore a resemblance to the late Mel Smith and frantic body movements recalled the late, great Dr Feelgood vocalist Lee Brilleaux. His music, that of the improviser, focused on short, constantly changing phrases. Light of touch, breathing life into his tenor, then, in an instant, a barrage of short, rapid fire lines. The bass and drums pairing responded in a nano second to Delius’ every move. Olie Brice possesses a full, rounded sound and Mark Sanders’ trade mark clattering style (bells, gongs, blocks, the works) flitted in and out, filling the space vacated by the tenor man.
Delius is a singing tenor man – Roland Kirk style (gutteral cries, whistles, the whole body experience). Sweating buckets (three changes of shirt!), Delius gave it his all. The audience reciprocated, ‘giving it up’ for the man. On occasion a sense of swing was there not too far below the surface. It’s a fair bet that Delius could do Louis Jordan. The world of the improviser is indeed a mysterious one, there was much to be had from this performance, Delius is worth hearing again.
Next week – Sunday September 29 – Splinter @ the Bridge presents the Graeme Wilson Quartet. Highly recommended.        
Russell.      

No comments :

Blog archive