For the past seventeen years we've been updating the world about jazz in the north east of England and updating the north east of England about jazz in the world. WINNER of the Jazz Media Category in the 2018 All Party Parliamentary Jazz Awards. Contact lanceliddle@gmail.com
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January 2025
Wed 22: Vieux Carré Jazzmen @ Cullercoats Crescent Club. 1:00pm. Free.
Wed 22: Take it to the Bridge @ The Globe, Newcastle. 7:30pm. Free.
Wed 22: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington. 7:00pm. Free. Rehearsal session (open to the public).
Wed 22: Pasadena Roof Orchestra @ Fire Station, Sunderland. 7:30pm.
Thu 23: Vieux Carré Jazzmen @ The Holystone, Whitley Road, Holystone. 1:00pm. Free. Fortnightly.
Thu 23: Jazz Appreciation North East @ Brunswick Methodist Church, Newcastle NE1 7BJ. 2:00pm. £4.00. Subject: Obituaries 2024.
Thu 23: Jason Isaacs @ St James’ STACK, Newcastle. 4:30-6:30pm. Free. Vocalist Isaacs working with backing tapes.
Thu 23: Pedal Point Trio @ Prohibition Bar, Newcastle. 8:00pm. A ‘Jar on the Bar’ gig.
Fri 24: Zoë Gilby Quartet @ The Gala, Durham. 1:00pm. SOLD OUT!
Fri 24: Classic Swing @ Cullercoats Crescent Club. 1:00pm. Free.
Fri 24: Rendezvous Jazz @ The Monkseaton Arms. 1:00pm. Free.
Fri 24: New Orleans Preservation Jazz Band @ The Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 24: Creakin’ Bones & the Sunday Dinners @ Lindisfarne Social Club, Wallsend. 9:00pm. Admission: TBC. Jazz, blues , jump jive, rock ‘n’ roll.
Sat 25: Boys of Brass @ St James’ STACK, Newcastle. 3:30-5:30pm. Free.
Sat 25: New '58 Jazz Collective @ Jackson's Wharf, Hartlepool. 6:30pm (doors). Free. A Burns' Night event. Jazz, swing, funk, soul, blues etc.
Sat 25: Edison Herbert Trio @ The Vault, Darlington. 7:00pm. Free.
Sat 25: Red Kites Jazz @ Parish Hall, St Barnabas’ Church, Rowlands Gill. 7:30pm. £10.00. BYOB (tea & coffee available), raffle. Proceeds to St Barnabas’ Church. Performance feat. Shayo (vocals).
Sat 25: Jack & Jay’s Songbook @ Prohibition Bar, Newcastle. 8:00pm. A ‘Jar on the Bar’ gig.
Sun 26: Musicians Unlimited @ Jackson’s Wharf, Hartlepool. 1:00pm. Free.
Sun 26: Graham Hardy Eclectic Quartet @ Queen’s Hall, Hexham. 3:00pm.
Sun 26: Ruth Lambert Trio @ The Juke Shed, Union Quay, North Shields. 3:00pm. Free.
Sun 26: 4B @ The Ticket Office, Whitley Bay. 3:00pm. Free.
Sun 26: Jazz Jam Sandwich! @ Prohibition Bar, Newcastle. 7:00pm. A ‘Jar on the Bar’ gig.
Sun 26: Tweed River Jazz Band @ Barrels Ale House, Berwick-upon-Tweed. 7:30pm. Free.
Sun 26: Gratkowski, Tramontana, Beresford, Affifi @ The Globe, Newcastle. 8:00pm. £12.00. JNE.
Sun 26: Jazz Jam @ Fabio’s, Saddler St., Durham. 8:00pm. Free. A Durham University Jazz Society promotion. All welcome.
Mon 27: Harmony Brass @ Cullercoats Crescent Club. 1:00pm. Free.
Tue 28: ???
Wed 29: Vieux Carré Jazzmen @ Cullercoats Crescent Club. 1:00pm. Free.
Wed 29: Take it to the Bridge @ The Globe, Newcastle. 7:30pm. Free.
Wed 29: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington. 7:00pm. Free. Rehearsal session (open to the public).
Thu 30: Matters Unknown (aka Jonathan Enser, Nubiyan Twist) + support TBA @ Cobalt Studios, Newcastle. 8:00pm (7:00pm doors). £12.22 (gig & food); £9:04 (gig only).
Thu 30: Soznak @ The Mill Tavern, Hebburn. 8:00pm. Free.
Thu 30: Struggle Buggy @ Harbour View, Roker, Sunderland. 8:00pm. Free. Rhythm & blues.
Reviewers wanted
Monday, September 02, 2013
Saxophonists Take Note
Blog Archive
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2013
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1099
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September
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98
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- Bebop Spoken There
- CD Review: Frank Potenza Quartet - For Joe.
- CD Review: Brian Molley Quartet - Clock
- Graeme Wilson Quartet @ Bridge Hotel Sunday Sept. 29
- CD Review: Paul Edis Not Like Me
- There's Life After Jazz Café
- The Customs House Big Band @ St. Cuthbert’s Parish...
- Hitched!
- Café Society Swing looks good!
- Radio Russell
- CD Review: Blue Touch Paper - Drawing Breath.
- Jazz North: Board Director opportunities
- Beverley Beirne Quartet @ The Lit and Phil
- CD Review: Francois Bourassa Quartet Idiosyncrasie
- Autumn in New York looks good.
- Happy Birthday Herb Jeffries - 100 today!
- CD Review: Catrin Finch & Seckou Keita - Clychau D...
- Graham Hardy and the Paul Edis Trio @ The Cherry T...
- Andy Wilson, guitarist formerly of Burdon Tce, Jes...
- Duke Ellington in Kabul - 1963
- This Wednesday - Beverley Beirne Quartet at The Li...
- Delius, Brice & Sanders @ The Bridge Hotel. Sept. 22
- Strictly Smokin' Big Band @ Hoochie Coochie Sunday...
- CD Review: Empirical Tabula Rasa
- Salsa Café Hits Westgate Road Swinging. - BudTones...
- Future Passed Trio @ Vortex Jazz Club Dalston . Se...
- CD Review: Dave Askren/Jeff Benedict - It's All Ab...
- A Big Yes for Steve Howe @ Sage Gateshead.
- CD Review: Synergy - Nine Tales of the Pendulum
- Ruthie Culver and the Utter Jazz Quartet with read...
- Arts Council Pull the Plug.
- Dominic J Marshall Trio Tour Dates.
- Sunday (Oct 22) Afternoon @ Hoochie Coochie
- CD Review: John Abercrombie Quartet - 39 Steps.
- CD Review: John Funkhouser - Still.
- Son of Charlie Galbraith please get in touch.
- This Sunday (22nd) @ The Bridge
- Pink Lane Jazz Co-op Update
- CD Review: Suzi Stern - Romancing The Dark
- CD Review: Colorado Conservatory For the Jazz Arti...
- Sugar Kane (Marilyn Monroe) in Some Like It Hot.
- North East Bands in Manchester.
- Aussie Alto Ace Dead
- CD Review: Jason Lee Bruns Jazz Collective - Live ...
- CD Review: Wilford Brimley with the Jeff Hamilton ...
- Jazz A-B-Z by Wynton Marsalis and Paul Rogers
- Katherine Stone Quartet @ The Cherry Tree, Jesmond.
- Film/Improv Music on Radio 3 Tonight.
- Daryl Sherman and Houston Person Wednesday, Septem...
- Paul Edis Sextet @ Blaydon Jazz Club. September 15
- Blaydon Update
- Mitch Laddie Band @ The Cluny. September 13
- Big Band Broadcast from 1969.
- Back in the USSR (Ukraine actually)
- CD Review: Stephen McQuarry Trio - Azure.
- Advice from Raymond Chandler
- CD Review: Mike Jones Trio - Plays Well With Others.
- Autumnal Songs
- Northern Monkey Brass Band @ The British Science F...
- CD Review: Brass Jaw - Minted
- Preview: Denys Baptiste's Now Is The Time...Let Fr...
- CD Review: Gregory Porter - Liquid Spirit
- CD Review: Shane Cooper - Oscillations.
- Caro Emerald @ Sage Gateshead. Sept. 10
- Montreux Jazz Festival - Diana Krall, George Benso...
- R.I.P. Fred Katz
- CD Review: Stacey Kent – The Changing Lights.
- Montreux Jazz Festival: Lee Ritenour/Jonathan Bati...
- This Sunday at Blaydon Jazz Club.
- New Jazz Venue For Saturday Nights
- Montreux Jazz Festival: Sting @ Auditorium Stravin...
- Lickety Split @ Ashington Jazz Club Sept. 4
- Darlington New Orleans Jazz Club
- Splinter @ The Bridge Jam Session
- CD Review: Ollie Howell - Sutures and Stitches.
- From Korner to Bossa
- My Two Favourite Gals!
- Mo Scott, Paul Edis and Neil Harland @ The Lit and...
- It's not just the BBC Big Band that are being hit!
- Support the Petition to save the BBC Big Band from...
- CD Review: Phillip Clouts Quartet - The Hour of th...
- CD Preview: Blue Touch Paper ‘Drawing Breath’
- New venture from Gabriele.
- Move Over Sonny, Shift Wayne...
- Branford Marsalis/SNJO Scottish Tour Dates
- Not smiling re Smulyan tour.
- Man Overboard on Radio 3 Thursday Sept. 5
- Am I losing it?
- CD review: griffith hiltz trio - this is what you ...
- CD Review: Nicky Schrire - Space And Time: Songs F...
- CD Review: Tom Goehring - A Reflected Journey
- Lindsay Hannon Plus @ The Cherry Tree, Jesmond.
- The Importance of Checking out Ernest.
- Saxophonists Take Note
- Sam Gardner Quartet @ The Bridge Hotel, Newcastle.
- Pizza Pull Plug
- The Regals @ Tyne Bar Blues All-Dayer.August 31
- Pictures from the past
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September
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7 comments :
Try Kenny G then! By the way, this has been said before - but the comment was made about MOZART. "The famous complaint of Emperor Joseph II about The Marriage of Figaro - "too many notes, Mozart" - is generally perceived to be a gaffe by a blockhead. In fact, Joseph was echoing what nearly everybody, including his admirers, said about Mozart: he was so imaginative that he couldn't turn it off, and that made his music at times intense, even demonic. Hence Mozart's bad, or cautionary, reviews: "too strongly spiced"; "impenetrable labyrinths"; "bizarre flights of the soul"; "overloaded and overstuffed".
Still, in the end, the reputation of Mozart in his own time was about what it is today: he was considered an incomparable master."
Yawn...yawn...yawn....heard it all before!
Jazz = freedom of expression = play as you want to play. As far as I know, there is no magic number of notes that comprise a good jazz solo, but if any anoraks...sorry, fans...out there know how many there SHOULD be, I'd be grateful if they'd put the answer on a postcard and....
Louis once stated: "It's not the notes you play that are importand, it's the ones you don't play"
I rest my case!
Really? If you don't like 'lots of notes' sax solos, avoid gigs where the repertoire or style is post 1930.
Listening to jazz is subjective, like any of the arts, everyone brings their own experiences and expectations and inevitably hears the same music differently. Some might not understand what's happening at a musical or technical level but still engage with the performance and the broader sound and energy, it's up to you if you're willing to invest in what you hear or just have something familiar and unchallenging that you can dip in and out of.
There's lots I don't care to hear in jazz, but usually it's down to undeveloped musicality or overly developed technique at the expense of the music. Why not spend a bit of time with some more 'modern' records, see if you can get to a place where you can relate to what you are hearing.
There's really no case to answer. Miles played some very emotive solos using relatively few notes as did Chet Baker. Dizzy did the same using a lot of notes. Who's to say one is greater than the other. A musicians uses the tools at his disposal. If that player has practised hard and long enough to attain greater technical command of his instrument he's going to use that technique otherwise he may as well have swapped the woodshed for the pub.
I did swap the woodshed for the pub, Lance (hic!)...........
The inference that Miles played fewer notes due to a limited technique is mistaken, he had the ability to burn through changes (check out the live albums Four And More/My Funny Valentine), the sparse playing was a conscious, stylistic choice.
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