For the past eighteen years we've been updating the world about jazz in the north east of England and updating the north east of England about jazz in the world. WINNER of the Jazz Media Category in the 2018 All Party Parliamentary Jazz Awards. Contact lanceliddle@gmail.com
June
Wed 03: Vieux Carré Hot 4 @ Cullercoats Crescent Club. 1:00pm. Free.
Wed 03: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington. 7:00pm. Free. Rehearsal session (open to the public).
Wed 03: Take it to the Bridge @ The Globe, Newcastle. 7:30pm. Free.
Thu 04: Vieux Carré Hot 4 @ The Millstone, Mill Rise, South Gosforth, Newcastle. 1:00pm. Free.
Thu 04: Postmodern Jukebox @ Glasshouse, Gateshead. 7:30pm.
Thu 04: Webster’s Ragtime Trio @ The Witham, Barnard Castle. 7:30pm. £17.00. Trio from Texas, USA.
Thu 04: King Bees @ The Harbour View, Roker, Sunderland. 8:00pm. Free. Chicago blues excellence!
Thu 04: Paul Skerritt @ Angels' Share, St George's Terrace, Jesmond, Newcastle NE2 2SX. 8:00pm. Free. Booking advised (0191 200 1975). Skerritt w. backing tapes.
Thu 04: Tees Hot Club @ Dorman’s Club, Middlesbrough. 8:30pm.
Fri 05: Classic Swing @ Cullercoats Crescent Club. 1:00pm. Free.
Fri 05: Rendezvous Jazz @ The Monkseaton Arms. 1:00pm. Free.
Fri 05: New Orleans Preservation Jazz Band @ The Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 05: FILM: Köln 75 @ Tyneside Cinema, Newcastle. 3:20pm. Dir. Ido Fluk. Drama based on the true story of Keith Jarrett’s 1975 concert in Cologne.
Fri 05: Pete Tanton & Alan Law @ Jesmond Library, Newcastle. 1:00pm. £5.00.
Fri 05: House of the Black Gardenia: Summer Tyne Swing Festival @ Northumbria University Students’ Union, Newcastle. 7:00pm. £130.00; £95.00; £70.00; £50.00. Note: all day dance event (classes & socials). House of the Black Gardenia evening performance. Day 1/3.
Fri 05: Strictly Smokin’ Big Band + IKS Big Band @ Gosforth Civic Theatre, Newcastle. 7:30pm (doors). £24.00. Big band double bill. IKS Big Band (Germany).
Fri 05: Jeremy McMurray’s Pocket Jazz Orchestra @ Saltburn Community Hall. 7:30pm. £15.00
Sat 06: FILM: Köln 75 @ Tyneside Cinema, Newcastle. 2:40pm. Dir. Ido Fluk. Drama based on the true story of Keith Jarrett’s 1975 concert in Cologne.
Sat 06: Struggle Buggy @ Billy Bootleggers, Ouseburn, Newcastle. 3:00pm. Free. Blues.
Sat 06: Teresa Watson Band @ Billy Bootleggers, Ouseburn, Newcastle. 6:00pm. Free. Blues.
Sat 06: Lindsay Hannon: Tom Waits for No Man @ Dry Water Arts, Amble. 7:00pm (6:30pm doors). £15.00.
Sat 06: IKS Big Band: Summer Tyne Swing Festival @ Northumbria University Students’ Union, Newcastle. 7:00pm. £130.00; £95.00; £70.00; £50.00. Note: all day dance event (classes & socials). IKS Big Band evening performance. Day 2/3.
Sat 06: Tyne Valley Big Band @ Northumbrian Revival, West Benridge Farm, nr. Morpeth NE61 3RZ. 7:30-9:30pm. £21.47 (£2.77. child). 82nd D-Day anniversary event.
Sat 06: Rendezvous Jazz @ The Red Lion, Earsdon. 8:00pm. £3.00.
Sat 06: FILM: The Magic City: Birmingham According to Sun Ra @ The Star & Shadow Cinema, Newcastle. 9:30pm. £7.00., £5.00. Dir. Guillaume Maupin & Pablo Guarise.
Sun 07: FILM: Köln 75 @ Tyneside Cinema, Newcastle. 11:00am. Dir. Ido Fluk. Drama based on the true story of Keith Jarrett’s 1975 concert in Cologne.
Sun 07: Smokin’ Spitfires @ The Cluny, Newcastle. 12:45pm. £10.00.
Sun 07: Ian Bosworth Quintet @ Chapel, Middlesbrough. 1:00pm. Free. Feat. guest Steve Walker (trumpet).
Sun 07: Joe Steels: Celebrating Wes @ Central Bar, Gateshead. 2:00pm. £10.00. Trio: Joe Steels, Mick Shoulder, Abbie Finn.
Sun 07: Sax Choir @ The Globe, Newcastle. 2:00pm. Free.
Sun 07: Paul Skerritt @ Hibou Blanc, Newcastle. 2:00pm. Free. Table reservations (0191 261 8000). Skerritt w. backing tapes.
Sun 07: Eddie Gripper Trio @ Queen’s Hall, Hexham. 3:00pm. Gripper (piano); Clem Saynor (double bass); Patrick Barrett-Donlon (drums). Americana album tour.
Sun 07: 4B @ The Ticket Office, Whitley Bay. 3:00pm. Free.
Sun 07: Magpies of Swing: Summer Tyne Swing Festival @ Northumbria University Students’ Union, Newcastle. 4:00pm. £130.00; £95.00; £70.00; £50.00. Note: all day dance event (classes & socials). Magpies of Swing afternoon performance. Day 3/3.
Sun 07: FILM: Köln 75 @ Tyneside Cinema, Newcastle. 5:40pm. Dir. Ido Fluk. Drama based on the true story of Keith Jarrett’s 1975 concert in Cologne.
Sun 07: Webster’s Ragtime Trio @ The Ship Inn, Low Newton. 7:00pm. £12.50. Trio from Texas, USA.
Sun 07: Salty Dog @ Alnwick Playhouse. 7:00pm. £5.00. Performance in the Studio venue.
Sun 07: Ian Millar & Dominic Spencer @ Riding Mill Village Hall. 7:30pm. £12.00.
Sun 07: Swing Manouche @ The Globe, Newcastle. 8:00pm. Feat. Steve McGarvie (clarinet).
Mon 08: FILM: Köln 75 @ Tyneside Cinema, Newcastle. 11:50am. Dir. Ido Fluk. Drama based on the true story of Keith Jarrett’s 1975 concert in Cologne.
Mon 08: Friends of Jazz @ Cullercoats Crescent Club. 1:00pm. Free.
Mon 08: FILM: Köln 75 @ Tyneside Cinema, Newcastle. 5:15pm. Dir. Ido Fluk. Drama based on the true story of Keith Jarrett’s 1975 concert in Cologne.
Mon 08: Dave Bristow Quintet @ Cluny 2, Newcastle. 7:30pm (doors). £22.00., £11.00., £5.50. Bristow (piano); Christian Altehülshorst (trumpet); Félix Hardouin (alto sax); Gabriel Pierre (double bass); Guillaume Prévost (drums).
Tue 09: FILM: Köln 75 @ Tyneside Cinema, Newcastle. 3:00pm. Dir. Ido Fluk. Drama based on the true story of Keith Jarrett’s 1975 concert in Cologne.
Tue 09: Jazz Jam Sandwich @ The Black Swan, Newcastle. 7:30pm. Free.
Tue 09: FILM: Köln 75 @ Tyneside Cinema, Newcastle. 8:10pm. Dir. Ido Fluk. Drama based on the true story of Keith Jarrett’s 1975 concert in Cologne.
7 comments :
Try Kenny G then! By the way, this has been said before - but the comment was made about MOZART. "The famous complaint of Emperor Joseph II about The Marriage of Figaro - "too many notes, Mozart" - is generally perceived to be a gaffe by a blockhead. In fact, Joseph was echoing what nearly everybody, including his admirers, said about Mozart: he was so imaginative that he couldn't turn it off, and that made his music at times intense, even demonic. Hence Mozart's bad, or cautionary, reviews: "too strongly spiced"; "impenetrable labyrinths"; "bizarre flights of the soul"; "overloaded and overstuffed".
Still, in the end, the reputation of Mozart in his own time was about what it is today: he was considered an incomparable master."
Yawn...yawn...yawn....heard it all before!
Jazz = freedom of expression = play as you want to play. As far as I know, there is no magic number of notes that comprise a good jazz solo, but if any anoraks...sorry, fans...out there know how many there SHOULD be, I'd be grateful if they'd put the answer on a postcard and....
Louis once stated: "It's not the notes you play that are importand, it's the ones you don't play"
I rest my case!
Really? If you don't like 'lots of notes' sax solos, avoid gigs where the repertoire or style is post 1930.
Listening to jazz is subjective, like any of the arts, everyone brings their own experiences and expectations and inevitably hears the same music differently. Some might not understand what's happening at a musical or technical level but still engage with the performance and the broader sound and energy, it's up to you if you're willing to invest in what you hear or just have something familiar and unchallenging that you can dip in and out of.
There's lots I don't care to hear in jazz, but usually it's down to undeveloped musicality or overly developed technique at the expense of the music. Why not spend a bit of time with some more 'modern' records, see if you can get to a place where you can relate to what you are hearing.
There's really no case to answer. Miles played some very emotive solos using relatively few notes as did Chet Baker. Dizzy did the same using a lot of notes. Who's to say one is greater than the other. A musicians uses the tools at his disposal. If that player has practised hard and long enough to attain greater technical command of his instrument he's going to use that technique otherwise he may as well have swapped the woodshed for the pub.
I did swap the woodshed for the pub, Lance (hic!)...........
The inference that Miles played fewer notes due to a limited technique is mistaken, he had the ability to burn through changes (check out the live albums Four And More/My Funny Valentine), the sparse playing was a conscious, stylistic choice.
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