Interestingly, Humph and Wynton talk about South Shields cornet maestro George Swift who died in 1985. One wonders if jazz really began in South Shields?
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March
Wed 11: Vieux Carré Jazzmen @ Cullercoats Crescent Club. 1:00pm. Free.
Wed 11: Jam Session @ The Tannery, Hexham. 7:00pm. Free.
Wed 11: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington. 7:00pm. Free. Rehearsal session (open to the public).
Wed 11: Take it to the Bridge @ The Globe, Newcastle. 7:30pm. Free
Thu 12: Boomslang @ The Black Swan, Newcastle. 7:30pm. Free.
Fri 13: Paul Skerritt Quartet @ Bishop Auckland Methodist Church. 1:00pm . £9.00.
Fri 13: The SH#RP Collective @ Jesmond Library, Newcastle. 1:00pm. £5.00.
Fri 13: Classic Swing @ Cullercoats Crescent Club. 1:00pm. Free.
Fri 13: Rendezvous Jazz @ The Monkseaton Arms. 1:00pm. Free.
Fri 13: New Orleans Preservation Jazz Band @ The Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 13: Soothsayers + Rookie Numbers @ Cobalt Studios, Newcastle. 7:00pm (doors). £17.51., £14.33., £11.16.
Sat 14: The Too Bad Jims @ Claypath Deli, Durham. 7:00pm (6:30pm doors). £13.20., £11.00. R&B.
Sat 14: NUJO @ Venue, Newcastle University Students’ Union. Time TBC. £15.00. supporter; £10.00. standard; £5.00. student. Seated event.
Sun 15: Michael Young Trio @ The Engine Room, Sunderland. 2:30pm. Free.
Sun 15: The Too Bad Jims @ The Georgian Theatre, Stockton. 3:00pm. £12.00. R&B.
Sun 15: 4B @ The Ticket Office, Whitley Bay. 3:00pm. Free.
Sun 15: Rebecca Poole @ The Globe, Newcastle. 8:00pm. £14.00., £12.00., £7.00. Poole w. Dean Stockdale & Ken Marley. CANCELLED!
Mon 16: Milne Glendinning Band @ Yamaha Music School, Blyth. 1:00pm.
Mon 16: Friends of Jazz @ Cullercoats Crescent Club. 1:00pm. Free.
Mon 16: Russ Morgan Quartet @ The Black Bull, Blaydon. 8:00pm. £10.00.
Tue 17: Jam session @ The Black Swan, Newcastle. 7:30pm. Free. House trio: Alan Law (piano); Paul Grainger (double bass); Scotty Adair (drums).
4 comments :
My favourite, among all the gems, is the 1928 duet with Earl Hines 'Weather Bird'. Other favourites - Savoy Blues 1927 with the great Lonnie Johnson. 1947 All Stars with Teagarden 'Stars Fell on Alabama' possibly one of the most moving tracks in all of jazz?
Hi Lance yes I heard it, it was great, as for favourites where do I start he never made a bad record.
Hotter Than That - Hot Five with Lonnie Johnson.
Jack Armstrong Blues - All Stars with Jack Teagarden.
When You're Smiling - Autobiography LP. (Reserved for my funeral.)
Stars Fell On Alabama - Ella & Louis.
What A Wonderful World - Even as an old man still turning dross into gold.
Hi Lance, now this is a hard one so much good stuff out there.
1) Cornet Chop Suey (Rec 1926) (The Hot Five)
This is a recording that any young aspiring jazz trumpet player should listen and learn from, it's all there, and Louis way ahead of his time, no one else was playing like this at that time.
2) When Your Smiling (Rec 1929) (His Orchestra)
Once again Louis playing things here, that no one else was doing, that last chorus out, where he is playing those fat top E's and holding the melody up an octave, is difficult to sustain to this day.
3) Back O'Town Blues (Rec 1947) (The All Stars)
From the town hall concerts, with Jack Teagarden, this recording reminds me so much of some of the things I have to deal with at Ned Kelly's, just listen to how Louis put's the heckler in his place, (Shut Up "Boy") absolute magic, plus a great vocal from Louis, wonderful atmosphere and fun.
4) Ella & Louis (Rec 1956)
This is a wonderful album, and sounds as fresh today, as if it was recorded just recently, two of the top entertainers of their time, and a great rhythm section with Oscar Peterson.
5) For this Lance I agree with you,for his output in the 1960's, I would have to go with Give Me A Kiss to Build A Dream On, this and What A Wonderful World are still very popular in Hong Kong with many young people, and every night we get requests for both, but for me it is A Kiss To Build A Dream On.
Colin Aitchison
Bandleader
Ned Kelly's Last Stand
Hong Kong.
Hi Lance,
It is very difficult to make a choice but probably my favourite solo is the two twelve bar choruses in Savoy Blues recorded late at night after presumably a long night playing a gig.
Also do not overlook his early efforts with Fletcher Henderson he plays a wonderful solo on Why Couldn't It Be Poor little Me.
From the 193O's his huge out put makes it almost impossible to select but I always loved the relaxed playing on Song Of The Islands.
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