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Bebop Spoken There

Dave Gelly: "I honestly think that Danish singer Sinne Eeg must be one of the best jazz vocalists alive today, although I confess I haven't heard them all." - (Observer, 28.11.21)

The Things They Say!

Hudson Music: Lance's "Bebop Spoken Here" is one of the heaviest and most influential jazz blogs in the UK.

Rupert Burley (Dynamic Agency): "BSH just goes from strength to strength".

'606' Club: "A toast to Lance Liddle of the terrific jazz blog 'Bebop Spoken Here'"

The Strictly Smokin' Big Band included Be Bop Spoken Here (sic) in their 5 Favourite Jazz Blogs.
Ann Braithwaite (Braithwaite & Katz Communications) You’re the BEST! --

Postage

14757 (and counting) posts since we started blogging 13 years ago. 1376 of them this year alone and, so far, 92 this month (Nov. 29).

From This Moment On ...

November

Mon 29: Jazz in the Afternoon @ Cullercoats Crescent Club. 1:00pm.

December

Wed 01: Vieux Carré Jazzmen @ Cullercoats Crescent Club. 1:00pm.
Wed 01: Darlington Big Band @ Darlington & Simpson Rolling Mills Club, Darlington. 7:00pm. Rehearsal session (open to the public).
Wed 01: Jools Holland’s R & B Orchestra @ Newcastle City Hall. Doors: 6:30pm. 1st night.
Wed 01: Four @ The Exchange, North Shields. 7:00-9:30pm. In the bar.
Wed 01: Take it to the Bridge @ The Globe, Newcastle. 7:30pm.
Wed 01: Tom Ollendorff @ Café Cathedral, Owengate, Durham. 8:00pm. £5.00. A Durham Jazz Soc. event.

Thu 02: Vieux Carré Hot 4 @ Spanish City, Whitley Bay. 12 noon. £22.00. Xmas lunch. Tel: 0191 691 7090.
Thu 02: Jools Holland’s R & B Orchestra @ Newcastle City Hall. Doors: 6:30pm. 2nd night.
Thu 02: Jeremy McMurray & the Pocket Orchestra @ Billingham Catholic Club. 7:30pm. Fundraiser for SVP. Tickets: £5.00. from 07757 062798.
Thu 02: Maine Street Jazzmen @ Sunniside Social Club, Gateshead. 8:30pm.
Thu 02: Tees Hot Club, Dorman’s Club, Middlesbrough. 9:00pm.

Fri 03: Vieux Carré Hot 4 @ Spanish City, Whitley Bay. 12 noon. £22.00. Xmas lunch. Tel: 0191 691 7090.
Fri 03: Classic Swing @ Cullercoats Crescent Club. 1:00pm.
Fri 03: New Orleans Preservation Jazz Band @ Oxbridge Hotel, Stockton. 1:00pm.
Fri 03: Rendezvous Jazz @ The Monkseaton Arms, Monkseaton. 1:00pm.
Fri 03: Classic Swing @ Saltburn Community Theatre. 7:30pm.

Sat 04: Play Jazz! Workshop @ The Globe, Newcastle. 1:30pm. Tutor: Clark Tracey. £25.00., book at: www.jazz.coop. .
Sat 04: Hot Club du Nord @ St Cuthbert’s, Hebron, nr. Morpeth. 7:30pm. Festive Special! SOLD OUT!.
Sat 04: Tyne Valley Big Band @ Greenside Community Centre, Ryton. 7:30pm. £5.00..
Sat 04: Clark Tracey Quartet @ The Globe, Newcastle. 8:00pm. £15.00. .
Sat 04: Rendezvous Jazz @ The Red Lion, Earsdon, North Tyneside. 8:00pm. £3.00. Xmas party.

Sun 05 Vieux Carré Hot 4 @ Spanish City, Whitley Bay. 12 noon.
Sun 05: Smokin’ Spitfires @ The Cluny, Newcastle. 12:45pm.
Sun 05: Musicians Unlimited @ South Durham Social Club, Hartlepool. 1:00pm.
Sun 05: Foundry Jazz Ensemble @ The Exchange, North Shields. 3:00pm.
Sun 05: Glenn Miller Orchestra UK @ Stockton Globe. 3:00pm. Ray McVay & co.
Sun 05: Vieux Carré Jazzmen @ The Holystone, North Tyneside. 7:00pm.
Sun 05: Knats @ The Globe, Newcastle. 8:00pm.

Mon 06: Jazz in the Afternoon @ Cullercoats Crescent Club. 1:00pm.

Monday, April 08, 2013

GIJF Day 2. The Paul Edis Sextet: Concourse, Saturday April 6, 2013


Paul Edis (piano), Mick Shoulder (bass), Adam Sinclair (drums), Graeme Wilson (saxes), Graham Hardy (trumpet/flugelhorn), Alex Leathard (trombone).
(Review/photo by Jerry)
After initial reservations when its development was first announced, I have come to love the Sage. I feared it would be a “cathedral of music”: nothing more than an elite venue dedicated to devotees of classical music (a club from which I have voluntarily excluded myself for most of my life!). Structurally it is a cathedral, but there is nothing elitist or forbidding about it – rather it is a communal hub buzzing with life even on workaday days but all the more so when a major jazz festival is underway!
And whatever the genre, it is not all about the big stars (though they shone and dazzled all weekend like the Millennium Bridge at night) but about the local and the young and the up-and-coming….
On Friday, in Hall One, we had Jambone and NYJO: the very young, gifted locals and the slightly older national ensemble aided and abetted by local and national stars such as Tim Garland, Mark Nightingale, Jason Yarde and Jacqui Dankworth. And what a concert it was, from start to finish: proof, if proof were needed, that there IS a future for jazz and places like the Sage guarantee this wonderful continuum.
Exiting Hall One you become aware that the music still goes on – a band in the Concourse is in full (swinging) swing – its own audience now swelling with all those flooding down the stairs. The Concourse, with its almost non-stop, free, top-quality music typifies the open, welcoming atmosphere of the Sage in general and of the Festival in particular….
Which brings me, eventually, to the last shift on Saturday when a good crowd in the café and on the stairs enjoyed an hour-long set from the sextet featuring eight Edis originals, four of which I had not heard before. These four new (to me) pieces are set to feature “soonish” (Paul’s word) on the sextet’s  second CD – worth watching out for!
Administrate This, Echoes, Ravelations and Missing You (say “Aaah”, everyone!) were the familiar titles, arriving like old friends. Echoes sounds amazing in that huge, high-roofed space! In amongst those we had the Lord Prescott inspired Better than a Punch in the Face, Lost in Translation (50% Norwegian and 50% “Scouse”!), the suitably oriental Eastern and a cracking finale entitled simply The Timothys. This last was dedicated to his in-laws: such a belting good tune suggests that Paul knows which side his bread is buttered on! All heartily recommended – catch them when you can!
Jerry.

1 comment :

Anonymous said...

I too love the Sage and always get a buzz when I enter the building. It has to be said though that the Concourse is not the most acoustically perfect place for music, particularly when another concert ends and people walk back and forward in front of the band (maybe if the stage was moved forward towards the Cafe, traffic could go behind it?). However, when you are getting such a great band for free, what's to complain about. And that half the set was made up of new original piece shows the band is continuing to progress. Paul said that 'Eastern' was the working title for one piece and asked for other suggestions - How about 'East of Edis'?
The final new standout track 'The Timothys' was written in elevenths, according to Paul, as that's the number of family members. However, that's nothing - there were 11 in my mother's family and 12 in my father's. Nobody wrote them a tune but they had their own football league.
JC

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