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Bebop Spoken There

Jimmy Vaughan: "I don't just want to turn out stuff because I'm supposed to. I'm not a plumber. I don't want it to be just a job" - (Downbeat, August 2019)

Archive

Daily: July 6 - October 27

Precarity John Akomfrah’s film (2017, 46 mins) about Buddy Bolden - Baltic Centre for Contemporary Art, Gateshead Quays, South Shore Road, Gateshead NE8 3BA. Tel: 0191 478 1810. Screenings at intervals during the day. part of Akomfrah's exhibition Ballasts of Memory. Exhibition (daily) July 6 - October 27. 10:00am-6:00pm. Free.

Today Sunday July 21

Afternoon

Jazz

Precarity John Akomfrah’s film (2017, 46 mins) about Buddy Bolden. (See above).

Streets of Brass - Durham city centre. DH1. 11:00am-5:00pm. Free. A Durham Brass Festival event.

Alice Grace & Ben Helm - Bonbar, Fenkle St., Newcastle NE1 5XU. Tel: 0191 232 8695. 1:30pm.

Vieux Carré Hot 4 - Spanish City, Spanish City Plaza, Whitley Bay NE26 1BG. 12 noon. Free.

Musicians Unlimited - Park Inn, Park Road, Hartlepool TS26 9HU. Tel: 01429 233126. 1:00pm (doors 12 noon). Free.

Jazz Social - Charts, Quayside, Newcastle NE1 3DX. Tel: 0191 338 7989. 4:00pm. Free.

Rajasthan Heritage Brass Band - Middlesbrough Town Hall, Albert Road, Middlesbrough TS1 2QJ. Tel: 01642 729729. 2:00pm. Free. A Summer Sessions in the Courtyard event.

Blues/Funk/Soul

Summertyne Americana - Sage Gateshead, St Mary’s Square, Gateshead Quays, Gateshead NE8 2JR. Tel: 0191 443 4661. King Bees 1:30-2:15pm. Free. Jumpin’ Hot Club stage.

Memphis Cruisers - Billy Bootleggers, Nelson St, Newcastle NE1 5AN. 3:00pm. Free.

Evening

Jazz

East Coast Jazz Jam - The Exchange, Howard Street, North Shields NE30 1SE. Tel: 0191 258 4111. 6:00pm. Free.

Scottish Swing Orchestra & Festival Broadway Chorus: West End Meets Wharton - Wharton Park, Durham DH1 4FJ. 6:00-8:00pm. Free. A Durham Brass Festival event. Details.

John Garner & Paul Edis + Nathan Lawson - Black Bull, Bridge St., Blaydon NE21 4JJ. Tel: 0191 414 2846. 7:30pm. £7.00. Garner (violin) & Edis (piano) play Bill Evans & original material. Support set from Nathan Lawson (guitar). Blaydon Jazz Club.

To the best of our knowledge, details of the above events are correct but may be subject to alteration.

Monday, April 08, 2013

GIJF Day 2. The Paul Edis Sextet: Concourse, Saturday April 6, 2013


Paul Edis (piano), Mick Shoulder (bass), Adam Sinclair (drums), Graeme Wilson (saxes), Graham Hardy (trumpet/flugelhorn), Alex Leathard (trombone).
(Review/photo by Jerry)
After initial reservations when its development was first announced, I have come to love the Sage. I feared it would be a “cathedral of music”: nothing more than an elite venue dedicated to devotees of classical music (a club from which I have voluntarily excluded myself for most of my life!). Structurally it is a cathedral, but there is nothing elitist or forbidding about it – rather it is a communal hub buzzing with life even on workaday days but all the more so when a major jazz festival is underway!
And whatever the genre, it is not all about the big stars (though they shone and dazzled all weekend like the Millennium Bridge at night) but about the local and the young and the up-and-coming….
On Friday, in Hall One, we had Jambone and NYJO: the very young, gifted locals and the slightly older national ensemble aided and abetted by local and national stars such as Tim Garland, Mark Nightingale, Jason Yarde and Jacqui Dankworth. And what a concert it was, from start to finish: proof, if proof were needed, that there IS a future for jazz and places like the Sage guarantee this wonderful continuum.
Exiting Hall One you become aware that the music still goes on – a band in the Concourse is in full (swinging) swing – its own audience now swelling with all those flooding down the stairs. The Concourse, with its almost non-stop, free, top-quality music typifies the open, welcoming atmosphere of the Sage in general and of the Festival in particular….
Which brings me, eventually, to the last shift on Saturday when a good crowd in the café and on the stairs enjoyed an hour-long set from the sextet featuring eight Edis originals, four of which I had not heard before. These four new (to me) pieces are set to feature “soonish” (Paul’s word) on the sextet’s  second CD – worth watching out for!
Administrate This, Echoes, Ravelations and Missing You (say “Aaah”, everyone!) were the familiar titles, arriving like old friends. Echoes sounds amazing in that huge, high-roofed space! In amongst those we had the Lord Prescott inspired Better than a Punch in the Face, Lost in Translation (50% Norwegian and 50% “Scouse”!), the suitably oriental Eastern and a cracking finale entitled simply The Timothys. This last was dedicated to his in-laws: such a belting good tune suggests that Paul knows which side his bread is buttered on! All heartily recommended – catch them when you can!
Jerry.

1 comment :

Anonymous said...

I too love the Sage and always get a buzz when I enter the building. It has to be said though that the Concourse is not the most acoustically perfect place for music, particularly when another concert ends and people walk back and forward in front of the band (maybe if the stage was moved forward towards the Cafe, traffic could go behind it?). However, when you are getting such a great band for free, what's to complain about. And that half the set was made up of new original piece shows the band is continuing to progress. Paul said that 'Eastern' was the working title for one piece and asked for other suggestions - How about 'East of Edis'?
The final new standout track 'The Timothys' was written in elevenths, according to Paul, as that's the number of family members. However, that's nothing - there were 11 in my mother's family and 12 in my father's. Nobody wrote them a tune but they had their own football league.
JC

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About this blog - contact details.

Bebop Spoken Here -- Here, being the north-east of England -- centred in the blues heartland of Newcastle and reaching down to the Tees Delta and looking upwards to the Land of the Kilt.
Not a very original title, I know; not even an accurate one as my taste, whilst centred around the music of Bird and Diz, extends in many directions and I listen to everything from King Oliver to Chick Corea and beyond. Not forgetting the Great American Songbook the contents of which has provided the inspiration for much great jazz and quality popular singing for round about a century.
The idea of this blog is for you to share your thoughts and pass on your comments on discs, gigs, jazz - music in general. If you've been to a gig/concert or heard a CD that knocked you sideways please share your views with us. Tell us about your favourites, your memories, your dislikes.
Lance (Who wishes it to be known that he is not responsible for postings other than his own and that he's not always responsible for them.)
Contact: lanceliddle@gmail.com I look forward to hearing from you.

Submissions for review

Whilst we appreciate the many emails, texts, messages and other communications we receive requesting album/gig reviews on BSH, regrettably, we are unable to reply to all of them other than those we are able to answer with a positive response.
Similarly, CDs received by post will only be considered if accompanied by sufficient background material.
Finally, bear in mind that this is a jazz-based site when submitting your album.
Lance