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Bebop Spoken There

Maurice J. Summerfield: "Over dinner one night Barney [Kessel] told me about his seminar The Effective Guitarist, and in 1972 my company presented the first of twelve annual UK seminars in Newcastle upon Tyne." - (Just Jazz Guitar, September 1997)

The Things They Say!

Hudson Music: Lance's "Bebop Spoken Here" is one of the heaviest and most influential jazz blogs in the UK.

Rupert Burley (Dynamic Agency): "BSH just goes from strength to strength".

'606' Club: "A toast to Lance Liddle of the terrific jazz blog 'Bebop Spoken Here'"

The Strictly Smokin' Big Band included Be Bop Spoken Here (sic) in their 5 Favourite Jazz Blogs.

Ann Braithwaite (Braithwaite & Katz Communications) You’re the BEST!

Holly Cooper, Mouthpiece Music: "Lance writes pull quotes like no one else!"

Postage

15080 (and counting) posts since we started blogging 15 years ago. 99 of them this year alone and, so far, 99 this month (Jan. 30).

From This Moment On ...

January

Tue 31: ???

February

Wed 01: Vieux Carré Jazzmen @ Cullercoats Crescent Club. 1:00pm.
Wed 01: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington. 7:00pm. Rehearsal session (open to the public).
Wed 01: 4B @ The Exchange, North Shields. 7:00pm.
Wed 01: Take it to the Bridge @ The Globe, Newcastle. 7:30pm.
Wed 01: Moonlight Serenade Orchestra UK: Glenn Miller & Big Band Spectacular @ Darlington Hippodrome. 7:30pm.

Thu 02: Vieux Carré Jazzmen @ The Holystone, Whitley Road, North Tyneside. 1:00pm. Free.
Thu 02: Gateshead Jazz Appreciation Society @ Gateshead Central Library. 2:30-4:30pm. £1.00. All welcome.
Thu 02: Paul Skerritt Duo @ Tomahawk Steakhouse, High St., Yarm. 8:00pm.
Thu 02: Tees Hot Club @ Dorman's Club, Middlesbrough. 9:00pm. Guests: Dave Archbold (keys); Josh Bentham (tenor sax); Donna Hewwitt (alto sax); Adrian Beadnell (bass).

Fri 03: Classic Swing @ Cullercoats Crescent Club. 1:00pm.
Fri 03: New Orleans Preservation Jazz Band @ Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 03: Rendezvous Jazz @ The Monkseaton Arms, Monkseaton. 1:00pm.
Fri 03: Abbie Finn Trio @ Saltburn Community Hall. 7:30pm.
Fri 03: Dilutey Juice @ Bobik's, Punch Bowl, Newcastle. 7:30pm.
Fri 03: Smoove & Turrell @ Hoochie Coochie, Newcastle. 7:30pm (doors). £25.00.
Fri 03: TBA @ Prohibiton Bar, Newcastle. 8:00pm. Blind Pig Blues Club.

Sat 04: Alligator Gumbo @ St Augustine's Parish Centre, Darlington. 12:30pm.
Sat 04: Play Jazz! workshop @ The Globe, Newcastle. 1:30pm. Tutor: John Pope - Up Your Rhythm Game. £25.00. Enrol at: www.jazz.coop.
Sat 04: King Bees @ Grainger Market, Newcastle. 6:30pm (doors). Live music, comedy, DJs, food stalls. £10.00. advance, £15.00. on the door. Blues band King Bees on stage 9:45-11:15pm. A Great Market Caper event.
Sat 04: Jives Aces @ The Witham, Barnard Castle. 7:30pm.
Sat 04: Renegade Brass Band @ The Cluny, Newcastle. 7:30pm (doors).
Sat 04: Rendezvous Jazz @ Red Lion, Earsdon. 8:00pm. £3.00.

Sun 05 Vieux Carré Hot 4 @ Spanish City, Whitley Bay. 12 noon.
Sun 05: Rivkala @ Cumberland Arms, Newcastle. 6:00pm.
Sun 05: Jive Aces @ Fire Station, Sunderland. 7:30pm.
Sun 05: Dale Storr @ The Globe, Newcastle. 8:00pm.

Sun 05: Jam No.13 @ Fabio's, Saddler St., Durham. Free. Durham University Jazz Society jam session. All welcome (students & non-students alike).

Mon 06: Harmony Brass @ Cullercoats Crescent Club. 1:00pm.

Monday, April 08, 2013

GIJF Day 2. The Paul Edis Sextet: Concourse, Saturday April 6, 2013


Paul Edis (piano), Mick Shoulder (bass), Adam Sinclair (drums), Graeme Wilson (saxes), Graham Hardy (trumpet/flugelhorn), Alex Leathard (trombone).
(Review/photo by Jerry)
After initial reservations when its development was first announced, I have come to love the Sage. I feared it would be a “cathedral of music”: nothing more than an elite venue dedicated to devotees of classical music (a club from which I have voluntarily excluded myself for most of my life!). Structurally it is a cathedral, but there is nothing elitist or forbidding about it – rather it is a communal hub buzzing with life even on workaday days but all the more so when a major jazz festival is underway!
And whatever the genre, it is not all about the big stars (though they shone and dazzled all weekend like the Millennium Bridge at night) but about the local and the young and the up-and-coming….
On Friday, in Hall One, we had Jambone and NYJO: the very young, gifted locals and the slightly older national ensemble aided and abetted by local and national stars such as Tim Garland, Mark Nightingale, Jason Yarde and Jacqui Dankworth. And what a concert it was, from start to finish: proof, if proof were needed, that there IS a future for jazz and places like the Sage guarantee this wonderful continuum.
Exiting Hall One you become aware that the music still goes on – a band in the Concourse is in full (swinging) swing – its own audience now swelling with all those flooding down the stairs. The Concourse, with its almost non-stop, free, top-quality music typifies the open, welcoming atmosphere of the Sage in general and of the Festival in particular….
Which brings me, eventually, to the last shift on Saturday when a good crowd in the café and on the stairs enjoyed an hour-long set from the sextet featuring eight Edis originals, four of which I had not heard before. These four new (to me) pieces are set to feature “soonish” (Paul’s word) on the sextet’s  second CD – worth watching out for!
Administrate This, Echoes, Ravelations and Missing You (say “Aaah”, everyone!) were the familiar titles, arriving like old friends. Echoes sounds amazing in that huge, high-roofed space! In amongst those we had the Lord Prescott inspired Better than a Punch in the Face, Lost in Translation (50% Norwegian and 50% “Scouse”!), the suitably oriental Eastern and a cracking finale entitled simply The Timothys. This last was dedicated to his in-laws: such a belting good tune suggests that Paul knows which side his bread is buttered on! All heartily recommended – catch them when you can!
Jerry.

1 comment :

Anonymous said...

I too love the Sage and always get a buzz when I enter the building. It has to be said though that the Concourse is not the most acoustically perfect place for music, particularly when another concert ends and people walk back and forward in front of the band (maybe if the stage was moved forward towards the Cafe, traffic could go behind it?). However, when you are getting such a great band for free, what's to complain about. And that half the set was made up of new original piece shows the band is continuing to progress. Paul said that 'Eastern' was the working title for one piece and asked for other suggestions - How about 'East of Edis'?
The final new standout track 'The Timothys' was written in elevenths, according to Paul, as that's the number of family members. However, that's nothing - there were 11 in my mother's family and 12 in my father's. Nobody wrote them a tune but they had their own football league.
JC

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