Bebop Spoken There

Ludovic Beier (Django Festival Allstars): ''Manouche means 'free man,' and gypsies have been travelers since they migrated west from India to Europe.'' (DownBeat March, 2026)

The Things They Say!

This is a good opportunity to say thanks to BSH for their support of the jazz scene in the North East (and beyond) - it's no exaggeration to say that if it wasn't for them many, many fine musicians, bands and projects across a huge cross section of jazz wouldn't be getting reviewed at all, because we're in the "desolate"(!) North. (M & SSBB on F/book 23/12/24)

Postage

18361 (and counting) posts since we started blogging 18 years ago. 215 of them this year alone and, so far this month (Mar. 8 ), 25

From This Moment On ...

March

Wed 11: Vieux Carré Jazzmen @ Cullercoats Crescent Club. 1:00pm. Free.
Wed 11: Jam Session @ The Tannery, Hexham. 7:00pm. Free.
Wed 11: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington. 7:00pm. Free. Rehearsal session (open to the public).
Wed 11: Take it to the Bridge @ The Globe, Newcastle. 7:30pm. Free

Thu 12: Boomslang @ The Black Swan, Newcastle. 7:30pm. Free.

Fri 13: Paul Skerritt Quartet @ Bishop Auckland Methodist Church. 1:00pm . £9.00.
Fri 13: The SH#RP Collective @ Jesmond Library, Newcastle. 1:00pm. £5.00.
Fri 13: Classic Swing @ Cullercoats Crescent Club. 1:00pm. Free.
Fri 13: Rendezvous Jazz @ The Monkseaton Arms. 1:00pm. Free.
Fri 13: New Orleans Preservation Jazz Band @ The Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 13: Soothsayers + Rookie Numbers @ Cobalt Studios, Newcastle. 7:00pm (doors). £17.51., £14.33., £11.16.

Sat 14: The Too Bad Jims @ Claypath Deli, Durham. 7:00pm (6:30pm doors). £13.20., £11.00. R&B.
Sat 14: NUJO @ Venue, Newcastle University Students’ Union. Time TBC. £15.00. supporter; £10.00. standard; £5.00. student. Seated event.

Sun 15: Michael Young Trio @ The Engine Room, Sunderland. 2:30pm. Free.
Sun 15: The Too Bad Jims @ The Georgian Theatre, Stockton. 3:00pm. £12.00. R&B.
Sun 15: 4B @ The Ticket Office, Whitley Bay. 3:00pm. Free.
Sun 15: Rebecca Poole @ The Globe, Newcastle. 8:00pm. £14.00., £12.00., £7.00. Poole w. Dean Stockdale & Ken Marley. CANCELLED!

Mon 16: Milne Glendinning Band @ Yamaha Music School, Blyth. 1:00pm.
Mon 16: Friends of Jazz @ Cullercoats Crescent Club. 1:00pm. Free.
Mon 16: Russ Morgan Quartet @ The Black Bull, Blaydon. 8:00pm. £10.00.

Tue 17: Jam session @ The Black Swan, Newcastle. 7:30pm. Free. House trio: Alan Law (piano); Paul Grainger (double bass); Scotty Adair (drums).

Reviewers wanted

Whilst BSH attempts to cover as many gigs, festivals and albums as possible, to make the site even more comprehensive we need more 'boots on the ground' to cover the albums seeking review - a large percentage of which never get heard - report on gigs or just to air your views on anything jazz related. Interested? then please get in touch. Contact details are on the blog. Look forward to hearing from you. Lance

Monday, April 08, 2013

GIJF: Day 3: On The Concourse: The Blue Jazz Quintet


Chris Finch (keys); Karen Rann (sop sax); Jeff Smith (tenor sax); Dave Parker (bass); Michael Howard (drums)
(Review by Ann Alex)
So Chris said to me, just before they went on, ‘ I’ve never played in front of this many people before’.  He needn’t have worried, the band were great, although I must confess to bias, as this is the band that we Blue Jazz Voices do our end of term gigs with, so we have a close relationship with them all.  But reviewers try to be unbiased, so, as I said, they were great!
They kicked off with composer, pianist, arranger, Tadd Dameron’s Ladybird, straight ahead jazz, lots of solos and swapping 4’s between bass and drums.  Horace Silver’s Song For My Father played as a bossa nova showed the band at their typical best, a solo from tenor sax, drums enjoying the rhythm, long, long notes from the saxes, then rhythm from everyone to end with.  The singers did this with the band a couple of years ago, Latin items are always fun but tricky to get right.  Other numbers included Coltrane’s Blue Train, with soprano sax and keys playing call and response; A Foggy Day In London Town, Wayne Shorter’s Footprints, which was introduced as being in 6/4 time, sounds difficult, but I don’t suppose it’s against the law;  and Sonny Rollins Tenor Madness, featuring tenor sax, bass and a long drum solo.  Why are drums solos always towards the end?  Perhaps it makes the whole band more memorable.
Chris deserves special mention for melodic, interesting keys, as he’s been out of the band for a while, and has returned even better than before.  Dave is a godsend to reviewers because of his very professional manner of announcing each number clearly, with the name of the composer.
Well done lads and Karen.  See you at our next gig!
Ann Alex.
PS: I'm told that all tracks played were on a CD the band have recorded and it is on their website.

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