Bebop Spoken There

Dominick "Domo" Branch: ''Most people say drummers can't write, they're just time-keepers only beating on things. But I have a very musical brain.'' (DownBeat February, 2026)

The Things They Say!

This is a good opportunity to say thanks to BSH for their support of the jazz scene in the North East (and beyond) - it's no exaggeration to say that if it wasn't for them many, many fine musicians, bands and projects across a huge cross section of jazz wouldn't be getting reviewed at all, because we're in the "desolate"(!) North. (M & SSBB on F/book 23/12/24)

Postage

18288 (and counting) posts since we started blogging 18 years ago. 142 of them this year alone and, so far this month (Feb. 14), 42

From This Moment On ...

February

Thu 19: Jazz Appreciation North East @ Brunswick Methodist Church, Newcastle NE1 7BJ. 2:00pm. £5.00. Subject: George Shearing Jazz Moments.

Fri 20: Alex Clarke w. Dean Stockdale Trio @ The Lit & Phil, Newcastle. 1:00pm. SOLD OUT! Clarke w. Dean Stockdale, Mick Shoulder, Abbie Finn.
Fri 20: Classic Swing @ Cullercoats Crescent Club. 1:00pm. Free.
Fri 20: Rendezvous Jazz @ The Monkseaton Arms. 1:00pm. Free.
Fri 20: New Orleans Preservation Jazz Band @ The Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 20: Squabble @ Warkworth Memorial Hall. 7:00pm. Steve Chambers (organ); Jude Murphy (double bass, vocals); Sid White (drums).
Fri 20: Jive Aces @ Queen’s Hall, Hexham. 7:00pm (6:30pm doors).
Fri 20: Alex Clarke w. Dean Stockdale Trio @ Sunderland Minster. 7:30pm. Clarke w. Dean Stockdale, Mick Shoulder, Abbie Finn.

Sat 21: ???

Sun 22: Musicians Unlimited: Big Band Blast @ West Hartlepool RFC. 1:00-3:00pm . Free.
Sun 22: Joe Steels Group @ Queen’s Hall, Hexham. 3:00pm. A Blue Patch album tour.
Sun 22: More Jam @ The Globe, Newcastle. 2:00pm. Free.
Sun 22: 4B @ The Ticket Office, Whitley Bay. 3:00pm. Free.
Sun 22: Harben Kay Quartet @ The Globe, Newcastle. 8:00pm.

Mon 23: Joe Steels Group @ Yamaha Music School, Blyth. 1:00pm. A Blue Patch album tour.
Mon 23: Harmony Brass @ Cullercoats Crescent Club. 1:00pm. Free.

Tue 24: Finn-Keeble Group @ Newcastle House Hotel, Rothbury. 7:30pm. £11.00.
Tue 24: Liam Oliver & Shayo Oshodi @ The Black Swan, Newcastle. 7:30pm. Free.

Thu 26: Castillo Nuevo Orquesta @ Pilgrim, Newcastle. 7:30pm (doors). £6.50.
Thu 26: Shalala @ The Globe, Newcastle. 8:00pm. £7.00 adv.
Thu 26: Mick Cantwell Band @ The Harbour View, Roker, Sunderland. 8:00pm. Blues.

Reviewers wanted

Whilst BSH attempts to cover as many gigs, festivals and albums as possible, to make the site even more comprehensive we need more 'boots on the ground' to cover the albums seeking review - a large percentage of which never get heard - report on gigs or just to air your views on anything jazz related. Interested? then please get in touch. Contact details are on the blog. Look forward to hearing from you. Lance

Monday, April 08, 2013

GIJF: Day 3: On The Concourse: The Blue Jazz Quintet


Chris Finch (keys); Karen Rann (sop sax); Jeff Smith (tenor sax); Dave Parker (bass); Michael Howard (drums)
(Review by Ann Alex)
So Chris said to me, just before they went on, ‘ I’ve never played in front of this many people before’.  He needn’t have worried, the band were great, although I must confess to bias, as this is the band that we Blue Jazz Voices do our end of term gigs with, so we have a close relationship with them all.  But reviewers try to be unbiased, so, as I said, they were great!
They kicked off with composer, pianist, arranger, Tadd Dameron’s Ladybird, straight ahead jazz, lots of solos and swapping 4’s between bass and drums.  Horace Silver’s Song For My Father played as a bossa nova showed the band at their typical best, a solo from tenor sax, drums enjoying the rhythm, long, long notes from the saxes, then rhythm from everyone to end with.  The singers did this with the band a couple of years ago, Latin items are always fun but tricky to get right.  Other numbers included Coltrane’s Blue Train, with soprano sax and keys playing call and response; A Foggy Day In London Town, Wayne Shorter’s Footprints, which was introduced as being in 6/4 time, sounds difficult, but I don’t suppose it’s against the law;  and Sonny Rollins Tenor Madness, featuring tenor sax, bass and a long drum solo.  Why are drums solos always towards the end?  Perhaps it makes the whole band more memorable.
Chris deserves special mention for melodic, interesting keys, as he’s been out of the band for a while, and has returned even better than before.  Dave is a godsend to reviewers because of his very professional manner of announcing each number clearly, with the name of the composer.
Well done lads and Karen.  See you at our next gig!
Ann Alex.
PS: I'm told that all tracks played were on a CD the band have recorded and it is on their website.

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