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Bebop Spoken There

YolanDa Brown: "Ron Dennis (former McLaren Formula 1 chairman) introduced me as 'the Lewis Hamilton of the jazz world'. I thought, 'I'll take that'." - (i newspaper July 17, 2019)

Archive

Daily: July 6 - October 27

Precarity John Akomfrah’s film (2017, 46 mins) about Buddy Bolden - Baltic Centre for Contemporary Art, Gateshead Quays, South Shore Road, Gateshead NE8 3BA. Tel: 0191 478 1810. Screenings at intervals during the day. part of Akomfrah's exhibition Ballasts of Memory. Exhibition (daily) July 6 - October 27. 10:00am-6:00pm. Free.

Until July 21

Today Friday July 19

Afternoon

Jazz

Precarity John Akomfrah’s film (2017, 46 mins) about Buddy Bolden. See above.

John Settle’s Vibe-ology - Bishop Auckland Town Hall, Market Place, Bishop Auckland DL14 7NP. Tel: 03000 269 524. 1:00pm. £5.00.

Rendezvous Jazz - Monkseaton Arms, Front Street, Monkseaton NE25 8DP. Tel: 0191 251 3928. 1:00pm. Free.

New Orleans Swamp Donkeys - Ernest, Boyd Street, Newcastle NE1 2AP. Tel: 0191 260 5216. 5:00pm. Free.

Blues/Country/Folk

Summertyne Americana - Sage Gateshead, St Mary’s Square, Gateshead Quays, Gateshead NE8 2JR. Tel: 0191 443 4661. Struggle Buggy 2:00-2:45pm., Shipcote & Friends 3:00-3:45pm. Free. Jumpin’ Hot Club stage.

Evening.

Riviera Quartet - Traveller’s Rest, West Auckland Road, Cockerton, Darlington DL3 9ER. 8:00pm. (7:30pm doors). £8.00.

New Orleans Swamp Donkeys - Cobalt Studios, Boyd St., Newcastle NE2 1AP. Tel: 0191 232 3553. 8:00pm. £5.00. (£4.00. adv). Top class band from New Orleans.

Baghdaddies - Cumberland Arms, James Place Street, Newcastle NE6 1LD. Tel: 0191 265 6151. 8:30-9:30pm.

Global BRASS @ Gala Theatre, Millennium Place, Durham DH1 1WA. Tel: 0300 266 600. 7:30pm. £15.00. (£12.00. concs.). Joint concert featuring two bands 560 miles apart - NASUWT Riverside Band (Chester le Street) & Concord Brass Band (Copenhagen). A Durham Brass Festival event.

Haftor Medbøe & Will of the People Quartet: Global Brass Jam - Live - Gala Theatre, Millennium Place, Durham DH1 1WA. 10:30pm. £10.00. (£8.00. concs.). Pan-European jam session. Will of the People Quartet line-up: Haftør Medboe (saxophones); Pete Furniss (clarinets); Jacob Karlzon (piano); Tom Bancroft (drums). A Durham Brass Festival event.

Blues/Soul/Funk/Country

Sold out!

k.d.lang - Summertyne Americana Festival, Sage Gateshead, St Mary’s Square, Gateshead Quays, Gateshead NE8 2JR. Tel: 0191 443 4661. 7:30pm.

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The Hookahs - Billy Bootleggers, Nelson St, Newcastle NE1 5AN. 9pm. Free.

To the best of our knowledge, details of the above events are correct but may be subject to alteration.

Friday, April 12, 2013

Jazz Caff Refugees At The Star: April 10: The Budtones


Fiona Littlewood (vocals/tenor sax); Stuart Findon (tenor sax); Mike Papapavlou(guitar);
John Pope (bass); Eric Stutt (drums)
(Review by Ann Alex.)
The band made a good start with a long instrumental (The Message?) with everyone getting a chance to show their metal, tenors doing lovely harmonies together, bell-like guitar, 4’s from the drums, bass doing what basses do, then came Fiona with her second instrument, singing an expressive Straight No Chaser, not the easiest of songs, plenty room for band solos, and a strong ending when she repeated ‘now is the time, now is the time.  
All The Things You Are had the Charlie Parker introduction, I'm told, but unfortunately, during this number Stuart’s tenor became ill and went out of commission, probably a loose spring, so someone suggested to me.  Stuart had to use the other tenor, which must have disrupted the set list, but they still managed well, although the total sound was obviously less full than it would have been.  I suppose this happens to all bands at some time.
You Don't Know What Love Is opened gently with just voice, bass and cymbals, a lovely slow ballad, effective solos, then back to the cymbals at the end. 
Fiona stepped aside for the next number, or so it seemed, but popped back in for some scat singing and then a musical conversation with the sax.  A Stuart Findon original, Stu’s Blues,   (about the poorly sax?) pleasantly tricky, with a cracking drum solo. The final number was Dexter Gordon’s Cheesecake, complete with wolf whistles from guitar, sax solo and more from drums, and a final chorus from Fiona.  Well done, and a gig not without its challenges.
I think I'm finally starting to understand more about bebop and the differences between that and the earlier swing styles.  Bebop is more fragmented, choppy, stop and start but also with long angular themes and solos and I love the endings with drum rolls, tenor squawks, you’re not quite sure when it has ended, quite humorous.  I imagine everyone reading this knew this already, but it’s still relatively new to me, so please bear with me!
The Jam
Heather Jane (vocals); Jeff Smith (tenor sax); Paul Gowland (tenor sax) plus John, Eric, Mike as above.
Heather treated us to an atmospheric Round Midnight, sung well, with lots of space for band solos.  Heather hails from the Lindsay Hannon jazz singing class and she can also be heard at the Chillingham session on Wednesdays, definitely a woman to watch.  Heather followed this with a fast version of Autumn Leaves, with Mike providing falling leaf sort of sounds at the end.  An instrumental rounded off an enjoyable evening, Au Privave, played by guitar, tenor, bass and drums. 
Ann Alex    

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Bebop Spoken Here -- Here, being the north-east of England -- centred in the blues heartland of Newcastle and reaching down to the Tees Delta and looking upwards to the Land of the Kilt.
Not a very original title, I know; not even an accurate one as my taste, whilst centred around the music of Bird and Diz, extends in many directions and I listen to everything from King Oliver to Chick Corea and beyond. Not forgetting the Great American Songbook the contents of which has provided the inspiration for much great jazz and quality popular singing for round about a century.
The idea of this blog is for you to share your thoughts and pass on your comments on discs, gigs, jazz - music in general. If you've been to a gig/concert or heard a CD that knocked you sideways please share your views with us. Tell us about your favourites, your memories, your dislikes.
Lance (Who wishes it to be known that he is not responsible for postings other than his own and that he's not always responsible for them.)
Contact: lanceliddle@gmail.com I look forward to hearing from you.

Submissions for review

Whilst we appreciate the many emails, texts, messages and other communications we receive requesting album/gig reviews on BSH, regrettably, we are unable to reply to all of them other than those we are able to answer with a positive response.
Similarly, CDs received by post will only be considered if accompanied by sufficient background material.
Finally, bear in mind that this is a jazz-based site when submitting your album.
Lance