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Bebop Spoken There

Tony Kofi: "I bought myself an alto saxophone and learned from mum's record collection Duke Ellington, Louis Armstrong, Doris Day" - (Jazzwise April, 2020).

Archive.

The Things They Say!

Hudson Music: Lance's "Bebop Spoken Here" is one of the heaviest and most influential jazz blogs in the UK.

Rupert Burley (Dynamic Agency): "BSH just goes from strength to strength".

COVID-19

In the current climate we are doing our best to keep everyone up to date. All gigs, as we all know, are off.

However, good old YouTube has plenty to offer both old and new to help us survive whilst housebound. Plus now is a good time to stock up on your CDs.

Also, keep an eye out for live streaming sessions.

Alternatively, you could do as they do in Italy and sing from your balcony.

Today

As we all know there are no live gigs taking place in the immediate future. However, any links to jazz streaming that are deemed suitable - i.e. with a professional approach - will be considered for posting.

Friday, April 12, 2013

Jazz at the Lit and Phil - Saxophonics.

Keith Robinson (alt/sop); Steve Summers (alt); Niall Armstrong (bar); Graeme Wilson (ten).
(Review by Lance).
An out and out demonstration of saxophone virtuosity. The fingers fairly flew as the four players negotiated the twists and turns of the complex charts with the agility of a downhill skier.
Not that it was all devil take the hindmost. There were moments of beauty and some rich harmonies but this was no conventional sax section. More like a syncopated Bach fugue or a Mozart string quartet that rocked and almost rolled.
With the exception of Night in Tunisia, Mike Mower's Yuppieville Radio and the 29th St., Saxophone Quartet's Claudia's Car, the majority of the pieces were composed and arranged by Graeme Wilson with Niall Armstrong chipping in with the train-like Miner (Minor?) Niner
A special word is called for re Armstrong. To paraphrase an old saying, the man who sells insurance has nothing like the endurance of a baritone player in a saxophone quartet! He is a one man rhythm section, providing both rhythm and harmony for the others to build on. They can take a nap or go for a walk but the bari boy has to be there constantly and, should he falter, then the ship sinks!
Niall didn't falter. Whilst Graeme, Steve and Keith were shooting for the moon he was 20,000 leagues beneath the sea. Plumbing the depths but rising to the surface to ensure the saxonauts landed safely.
Piano, bass, drums - who needs 'em?
Lance.
Next afternoon concert in the series is on May 10 and features Watson, Walker, Edis.

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