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Bebop Spoken There

Abdullah Ibrahim: "For me jazz is the highest form of music." - (DownBeat, September 2019).

Archive

Daily: July 6 - October 27

Precarity John Akomfrah’s film (2017, 46 mins) about Buddy Bolden - Baltic Centre for Contemporary Art, Gateshead Quays, South Shore Road, Gateshead NE8 3BA. Tel: 0191 478 1810. Screenings at intervals during the day. Part of Akomfrah's exhibition Ballasts of Memory. Exhibition (daily) July 6 - October 27. 10:00am-6:00pm. Free.

Today Saturday August 24

Afternoon

Jazz

Precarity John Akomfrah’s film (2017, 46 mins) about Buddy Bolden (see above).

Mellow Baku - St Augustine's Parish Centre, Larchfield Street, Darlington DL3 7TG. 12:30pm. £10.00. (under 16s free). Line-up: Mello Baku (vocals), John Hallam (reeds), Andy Dickens (trumpet), Ian Bateman (trombone), Tom Kincaid (piano), Rachel Hayward (guitar, banjo), John Day (double bass), Nick Millward (drums).

Jo Harrop w Paul Edis Trio - Ushaw College, Ushaw DH7 9RH. 1:00pm. £10.00. Ushaw Jazz Festival.

Boys of Brass - Bill Quay Beer & Music Festival, Brack Terrace, Bill Quay, Gateshead NE10 0TT. 3:00-4:30pm. (Festival 1:00-11pm). Tickets: £10.

Xhosa Cole-Francis Tulip Quintet - Ushaw College, Ushaw DH7 9RH. 4:00pm. £8.00. Ushaw Jazz Festival.

Evening

Matt Anderson & Paul Edis - Ushaw College, Ushaw DH7 9RH. 6:00pm. £6.00. Ushaw Jazz Festival.

Tony Kofi & the Organisation - Ushaw College, Ushaw DH7 9RH. 8:00pm. £14.00. & £12.00. Ushaw Jazz Festival.

Picturehouse Deluxe + Kay Greyson - Bobik’s, Punch Bowl Hotel, Jesmond Road, Jesmond, Newcastle NE2 3JY. 8:00pm. £5.00. Line-up: Georgia Turnbull (vocals & keys), Thomas Dixon (reeds), Jamie Mackay (guitar), Adam Cornell (bass), Ben Fitzgerald (drums).

Jam session - Ushaw College, Ushaw DH7 9RH. 10:00pm. Free. Ushaw Jazz Festival.

Blues/Funk/Soul

Teresa Watson Band - Billy Bootleggers, Nelson St, Newcastle NE1 5AN. 9:00pm. Free.

To the best of our knowledge, details of the above events are correct but may be subject to alteration.

Monday, April 08, 2013

GIJF Day 3: Jazz Words - Larkin's Jazz.

Ian Smith (tpt/narrator); Dave Gelly (ten); Colin Good (pno); Alyn Shipton (bs); Jez Cooke (gtr). David Thurston (reader).
(Review by Lance).
If Bireli Lagréne got the Gold Medal at this Jazz Olympics then this session was surely my choice for the Silver (I stress my choice as I'm sure we have all allocated the hypothetical awards as to our own personal preferences and it would be good to read what others think).
The gentle effortless swing, even without a drummer, in Hall 2 provided the perfect antidote to some of the less accessible music being portrayed elsewhere. Smith and Thurston read excerpts from Larkin's book All What Jazz and I too, afterwards, dusted down my copy and began delving in.
Larkin's love of jazz jumps from the pages and, after each reading by either Thurston or Smith, we had an appropriate number from the band - all critics in their own right (write?)
Smith and Gelly made the perfect frontline on such numbers as Sweet Georgia Brown, Singin' The Blues, This Year's Kisses, Basin St Blues. and Swinging The Berries they Gelled (no pun intended Dave!). 
Good on piano contributed mightily whilst, on guitar, Cooke was a further reminder of what a festival this has been for guitar buffs! Shipton, of course, proved he is the best bass playing broadcaster working for the BBC.
That he, Larkin, was an eccentric goes without saying - do you know any poets who aren't? His capacity for gin - by his own admission - was way above today's recommended "units per week" (but then again, isn't everybody's?) Most importantly, he loved jazz as he knew it and wrote about it for some 10 years in the Daily Telegraph. A word about Thurston. Not only did he read Larkin's wonderful poem, Morning at Last, but during the final numbers, gave an amusing and yet touching display of Larkin in his cups dancing and miming to the music he loved. Living in an upstairs flat it didn't go down too well with his neighbours below.
I must include a quote from All What Jazz (not used at the concert) in which he refers to Art Tatum as being "... rather like a dressmaker who, having seen how pretty one frill looks, makes a dress bearing ninety-nine!"
This is going on Bebop Spoken There - now!
To follow - Christine Tobin's Sailing to Byzantium.
Lance.

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About this blog - contact details.

Bebop Spoken Here -- Here, being the north-east of England -- centred in the blues heartland of Newcastle and reaching down to the Tees Delta and looking upwards to the Land of the Kilt.
Not a very original title, I know; not even an accurate one as my taste, whilst centred around the music of Bird and Diz, extends in many directions and I listen to everything from King Oliver to Chick Corea and beyond. Not forgetting the Great American Songbook the contents of which has provided the inspiration for much great jazz and quality popular singing for round about a century.
The idea of this blog is for you to share your thoughts and pass on your comments on discs, gigs, jazz - music in general. If you've been to a gig/concert or heard a CD that knocked you sideways please share your views with us. Tell us about your favourites, your memories, your dislikes.
Lance (Who wishes it to be known that he is not responsible for postings other than his own and that he's not always responsible for them.)
Contact: lanceliddle@gmail.com I look forward to hearing from you.

Submissions for review

Whilst we appreciate the many emails, texts, messages and other communications we receive requesting album/gig reviews on BSH, regrettably, we are unable to reply to all of them other than those we are able to answer with a positive response.
Similarly, CDs received by post will only be considered if accompanied by sufficient background material.
Finally, bear in mind that this is a jazz-based site when submitting your album.
Lance